The Humblebums.....

The Humblebums were a Scottish folk band, based in Glasgow. Its members included Billy Connolly, who later became a renowned stand up comedic actor, guitarist Tam Harvey and singer songwriter Gerry Rafferty. Connolly co-founded the band with Harvey in 1965 and played in the pubs and clubs around the city, most notably the Old Scotia Bar. Connolly sang, played banjo and guitar, and entertained the audience with his humorous introductions to the songs. Harvey was an accomplished bluegrass guitarist.

 Rafferty joined later and for a short time they performed as a trio. However, the nature of the act had changed and Harvey departed shortly afterwards. The remaining duo broke up in the early 1970's after recording 2 albums of material, "The New Humblebums" and "Open Up The Door", the former graced by a cover by John Patrick Byrne, marking the beginning of a long working relationship between Byrne and Rafferty. Connolly embarked on a solo career while Rafferty formed Stealers Wheel with Joe Egan, before eventually emerging as a major recording act with "Baker Street". 

The "Transatlantic Anthology" features material from both albums plus a few different versions. Talking Elephant Records, May 25th, 2018.




Jethro Tull 50.....

Jethro Tull  will celebrate their 50th anniversary with a massive 3 disc compilation, "50 For 50", out May 25th, 2018, via Parlophone Records. Jethro Tull's founder, singer and flautist, Ian Anderson, hand picked the 50 song track list from the band's 21 studio albums. The 3 disc set is loosely arranged in chronological order to capture the band's myriad musical phases. "50 For 50" boasts Jethro Tull's early blues influenced efforts like "Nothing Is Easy" and "Beggars Farm", hard rock hits like "Aqualung" and "Locomotive Breath", prog classics such as "Skating Away" and "Critique Oblique", plus folk songs like "Heavy Horses" and "Songs From The Wood". Along with "50 For 50", Jethro Tull will also release "50th Anniversary Hits", a condensed, 15 track collection that will be available on CD and vinyl. The CD version will be released May 25th, 2018, alongside "50 For 50", while the vinyl version will arrive August 31st, 2018.




Otis Redding.....

Rhino Records are to issue "Dock Of The Bay Sessions", a new Otis Redding collection, in May this year.  The release is part of an ongoing 50th anniversary celebration of "(Sittin’ On) The Dock Of The Bay" which topped the charts in America on March 16th, 1968. Although nothing is actually previously unreleased, "Dock Of The Bay Sessions" effectively brings together individual tracks that have found their way onto posthumous albums and compilations and attempts to paint a picture of what the next Otis Redding album might have looked like, had the singer not been tragically killed in a plane crash on December 10th, 1967. This new collection, which features 12 songs including "Hard To Handle", "Gone Again" and "I’ve Got Dreams To Remember", was compiled with input from Roger Armstrong of Ace Records and Otis biographer Jonathan Gould and has the Redding family’s full endorsement. "Dock Of The Bay Sessions" will be issued on vinyl and CD on May 18th, 2018.




Mark Huff.....

There are 2 kinds of singers, the ones you believe and the ones you don’t”, observes Mark Huff. “Anything that’s good stems from honesty”.

You can hear the ring of honesty throughout Huff’s 9th solo release, "Stars For Eyes", as he negotiates the highs and lows of love and life in its 11 songs. But like real life, there’s nothing simple about the characters that populate his tunes or their emotions. As Huff knows, even the bliss of falling in love can be laced with conflict, a duality he captures perfectly in the title track’s shimmering sonic dreamscape, elegantly painted with steel and electric guitars, keyboards, and an angelic choir of female voices to support the balance of limerence and doubt in his arcing vocal melody.

"Stars For Eyes" follows his 2016 tour de force, "Down River", which ranged from full tilt roots rock to gospel fueled allegory, all spiked by Huff’s expert writing, open hearted vocal performances, and ear for perfect musical support.

In his new album’s “I Know You Don’t Want My Love”, a number driven by Huff’s own acoustic guitar, he ventures into darker territory as the song’s narrator is driven toward madness and even, possibly, murder, by cold hearted rejection. All the while, the warm, wailing tones of an effects laden pedal steel played by Russ Pahl provides ghostly commentary.

Huff is also joined by a host of other accomplished players on "Stars For Eyes", which was produced by Chad Brown, who has worked with Ryan Adams, Faith Hill, Gretchen Peters, Tom Russell, Dr John, and Hayes Carll. Brown won a Grammy in 2015 for his work on Mike Farris’ "Shine for All The People". Other guests include guitarist Doug Lancio, bassist Mike Vargo, keyboardist Micah Hulscher and Julie Christenson, the longtime supporting vocalist for Leonard Cohen, who plays the same role for Huff on his version of Cohen’s meditative “Almost Like The Blues”, which closes the album.

Together Huff and his players give "Stars For Eyes" an uncommon blend of cinemascopic sound and storytelling depth, once again raising the bar for the rich musical journey he began in his teens. “For this album”, Huff explains, “I took the filters off. I decided to liberate myself as an artist. I arrived at a point where I felt, after a lifetime of singing and learning from great songwriters like Ray Davies and the Beatles, that my vocal style had come into its own. When I was writing many of these songs, I’d also been in a relationship, and clearly I did not get the girl, so that affected by perspective. And I knew that since I was ready to really get personal with these songs, I didn’t want it to be a typical Nashville sounding album, so I decided to work with Chad and to get a diverse group of musicians who could play deeply rooted music with an ambient sonic approach”.

That approach turns songs like “Carolina Blue”, a kind of cosmic country waltz, into iridescent works of pop craftsmanship, balancing the poetic sensibility of Dylan’s "Nashville Skyline" with the scope of Daniel Lanois’ earthier productions. All the while, Huff’s voice and guitar serve as the album’s compass.

Although most of the songs negotiate the turns of life’s emotional landscape, “Big City Down” is an ode to his adopted hometown, Nashville, TN. “When I moved here, I was welcomed with open arms by the music community”, he says. “I’ve felt at home here ever since”.

Huff relocated to Music City in 2003, after establishing a strong career that began in his native Las Vegas. Inspired by a mix of music brought into his home by his mother and older siblings, which ran from Muddy Waters to the Rolling Stones to the Doors to Neil Diamond, he started a garage band with his brother Rick as a teenager. Huff’s first original band was the punk  and British Invasion inspired Smart Bomb, which quickly gained momentum, drawing as many as 1 000 fans to the frat parties and outdoor shows they played.

Huff’s talents as a singer, songwriter, and charismatic performer grew, as did his regional reputation. In 1989 he released his 1st solo album, "Happy Judgment Day", and through the 90's he made a series of heralded discs including 1999’s "Skeleton Faith", which won Best Album and Best Artist awards, as well as the Best Single award for “White Trash Town”, in the annual, fan driven Las Vegas City Life music poll. All the while he played to increasingly larger audiences at local venues like the Hard Rock Hotel and the House Of Blues, where he opened for Chris Isaak, Al Green and Peter Frampton, among others. He also launched his busy international touring career, and has performed in arenas as an opener for Bob Dylan and Willie Nelson.

After arriving in Nashville, Huff met Allison Moorer, who was so impressed with his songs and performing abilities that she invited him to open on her US tour. In 2005, he cut his first Nashville studio album, "Gravity", and in 2010 he recorded and released "Feels Like California". The success of those albums and the recent "Down River" EP has continued to widen his fan base on both sides of the Atlantic and kept him on the road, performing solo and as a headliner, and opening more shows, both for Dylan and Steve Forbert.

“I love the cycle of making records and touring”, says Huff. “Being in a new place every night and sharing my songs and stories with people makes me feel alive. I thrive on it, and I love being able to meet so many interesting people along the way”.

Among them was Leonard Cohen, whose “Almost Like The Blues” appears on "Stars For Eyes", and who gave Huff some indispensible advice. “I was struggling with a serious case of writer’s block at the time, and felt like I couldn’t get anything good on paper”. Leonard said, “Sometimes you’ve got to write some shitty songs to get the good ones flowing again. And remember, a song is never finished”.

Huff took that to heart, and as he performs the songs from "Stars For Eyes" on the road, they’ll explore new progressions, new sounds, additional nuances of tone and emotion. And continue to grow. So will their author.




Joe Bonamassa.....

Joe Bonamassa has just announced that he’ll release a new live package later this spring. Titled "British Blues Explosion Live", it was recorded during the vocalist and guitarist’s show at Greenwich Music Time at The Old Royal Naval College in Greenwich, London, on July 7th, 2016. It was part of the live tour Bonamassa set up to honour the musicians who have inspired him, including Eric Clapton, Jeff Beck and Jimmy Page. It’ll launch on May 18th, 2018, on CD, DVD, BluRay and a 3 LP set via Mascot Label Group. Bonamassa says, “If it wasn't for certain British musicians of the early 60's, the blues may well never have exploded into rock music as we know it today, and indeed may have passed into history”.





2nd Bruce Box.....

Bruce Springsteen, "The Album Collection Vol 2 : 1987 - 1996". This new collection follows Springsteen’s 2014 release, "The Album Collection Vol 1 : 1973 - 1984", which included newly remastered editions of the 1st 7 Bruce Springsteen studio albums. The vinyl box set includes Springsteen’s 4 studio albums from the era, plus 2 EP's and a double LP live album.

These 4 LP's have been long out of print and have been remastered for the first time on vinyl. The LP's include 1987’s "Tunnel Of Love", 1992’s "Human Touch" and "Lucky Town", and 1995’s "The Ghost Of Tom Joad". All 4 of these albums were certified gold, platinum or multiplatinum.

The 2 EP's include a 12” of 1988’s live EP, "Chimes Of Freedom", and the first ever vinyl release of the 1996 "Blood Brothers" EP. The double live album is Springsteen’s 1993 "MTV Plugged" special. The boxset will include a total of 10 discs with recreations of the original packaging and a 60 page book with rare photos, memorabilia and original press clippings. The albums were remastered by Bob Ludwig and Springsteen’s longtime engineer Toby Scott. They were transferred from the original analog masters using the Plangent Process playback system. "Tunnel Of Love" and "Human Touch" have also been expanded to double LP's to maximize audio quality. May 18th, 2018.




Glenn Frey Box.....

A new 4 disc box set is set to celebrate the solo career of the Eagles’ Glenn Frey. Entitled "Above The Clouds : The Collection", the new box is set for release on May 11th, 2018, through Geffen/USM. Frey, a co-founding member of the Eagles, one of the world’s best loved and best selling bands, also carved out a notable solo career during their hiatus in the 80's and beyond, something he carried through with as an artist right up until his untimely passing in January 2016.

"Above The Clouds" compiles the key elements of Frey’s music both before and after the Eagles became international superstars, showcasing the broad range and wide influence of the Detroit-bred singer songwriter in the process. The collection is a fitting way to honor a singer songwriter whose imagination knew no bounds.

The 1st disc, aptly subtitled "The Very Best Of Glenn Frey", is chock full of major chart hits, including the 'Beverly Hills Cop' smash “The Heat Is On”. the gritty, slide guitar driven gutbucket groove of “Smuggler’s Blues”, the epic 'Miami Vice' ballad “You Belong To The City”, the inward looking poignancy of “Soul Searchin’”, and much more. This disc will be available as a stand-alone disc as well as part of the box set. And while Glenn clearly embraced the burgeoning video age, nabbing a vaunted 1985 MTV Music Video Award with the cinematically dramatic clip for “Smuggler’s Blues”, it’s the enduring essence of the man’s songwriting skills on display here that truly sealed his legacy as a solo artist.

Disc 2 explores Frey’s prowess beyond the charts, from the classy to the classic. Included are the broad swath of "After Hours", his majestic take on "For Sentimental Reasons", a harmonic nod to the Beach Boys with a spot on cover of "Caroline, No", and the sheer battle cry of "Route 66" among them.

The 3rd disc highlights the early output of the duo formed by longtime friends Frey and JD Souther known as Longbranch Pennywhistle makes its digital debut. Originally released on the Amos label in 1969, the self titled "Longbranch Pennywhistle" may have ultimately been consigned to the side bins of the acid rock era, but songs like "Kite Woman" and "Run, Boy, Run" serve as the literal seeds of the country rock movement Frey and the Eagles perfected to a T. Besides navigating the success of his own fine solo career, Souther also went on to be a chief Frey collaborator on such pivotal Eagles songs as "Best Of My Love", "New Kid In Town" and "Heartache Tonight".

The final disc, a live DVD culled from a telling performance at the National Stadium in Dublin, Ireland, in July 1992, on the 'Strange Weather' tour, shows Frey and his top shelf band at the height of their powers, veering from the cool breeze manifestos of "Long Hot Summer" and "Peaceful Easy Feeling" to the rip roaring crackle of "Strange Weather" to the everyone join in vibes of "Party Town".




Carrington MacDuffie.....

In life and in art, Carrington MacDuffie is an adventurer. A New York native who now splits her time between Austin and Seattle, after a decade beachside in Los Angeles, she travels the globe and joyfully explores diverse universes of thought and practice. Whether making music, writing poetry, voicing works of literature, piloting a fixed wing airplane, or savoring the zen like concentration of target shooting, she is led by her passion for creativity, and her endless fascination with exploring both the world outside and her inner muses.

As a singer songwriter, Carrington first released work in 2014. Her love for music was originally sparked in earlychildhood while listening to the records that her dad, a huge music aficionado, was spinning, Teddy Wilson, Beethoven, Herb Alpert, Hudson River folk, Scottish marches, The Mamas & The Papas, Arlo Guthrie, classic rock, The Beatles, among many other artists and genres. Those far reaching influences weave through her entire body of work, and stand out in her new album, "Kiss Make Better", recorded last year in Nashville. 

The 13 song album took shape when she was gleaning her repertoire with an eye toward material to pitch for film and television synchronization.  With a wealth of music with cinematic inclinations, what emerged is a collection of songs, some new, some spanning a few years, and a pair of covers, that are atmospheric, brimming with emotionality, desire and resistance, and full of compelling sonic space.   

The title track came to sum up what Carrington sees as the album’s overall theme, the healing and redemptive power of erotic love. She notes, “If Marvin Gaye said it, he’d say ‘sexual healing'”. It’s a song both lusty and delicate, with potent lead guitar from Tim Galloway. The second track, the yearning “Red Kiss, Blue Halo”, is about the spiritual aspect of erotic love. “It came out of a time when I was writing a lot of poetry, and working with my dreams. I was also deep into sacred geometry and symbology, and creating forms and images using a protractor and various visual media. I was looking at the world through that lens”.

Other highlights include the reggae influenced “Love Chased Me”, the psychedelic infused “Rising Sun” and “Come For Me”, “I Let You Kiss Me”, a contemplation on what goes through a woman’s mind between a 1st, and possibly, 2nd kiss, and “Over Again”, featuring a riveting electric sitar part. Carrington’s ethereal cover of Rodgers & Hart’s “Blue Moon” reinvents the classic as a mystical wish rather than as a lament.  The other cover, “Why Can’t He Be You”, written by Hank Cochran and popularized by Patsy Cline, is the one song not recorded in Nashville. Carrington’s rocking version, which remakes Cline’s torch with punk, was produced in Austin by Scott Clark, who also plays lead guitar.  She says, “It struck me that the singer might not just be sad and heartbroken, she could also be frustrated and pissed off, ’cause she’s ready to move on. I just picked up my uke one day and started singing it like that”.

Other than “Why Can’t He Be You”, "Kiss Make Better" was produced by Steve Freeman, and mixed and mastered by John D Kennedy. In addition to Carrington on vocals, the band, which she totally adores for their musicianship and camaraderie, includes David Dorn, keyboards, and known as the secret weapon, Tim Galloway, guitar, electric sitar, ukulele, Tim Denbo, bass, and Grady Saxman, drums, percussion, programming. It follows up Carrington’s 2017 EP "Rock Me to Mars".  She will promote the new album via a spring tour of Europé, including Paris, Luxembourg, Belgium, Holland, Germany, Austria, London, and Scotland, followed by subsequent U.S. dates.

Carrington is also busy with her career as a renowned and versatile voice actor, and has recently done the narrations for audiobooks including the first reading of Katharine Graham’s Pulitzer Prize winning memoir “Personal History”, and “The Dance Of The Dissident Daughter”, a memoir of spiritual awakening from “The Spiritual Life Of Bees” author Sue Monk Kidd, as well as syndicated self help columnist’s Amy Alkon’s “Unf*ckology : A Field Guide To Living With Guts And Confidence”. Previously, she voiced biographies of Joni Mitchell, Pussy Riot and Jack Kerouac, and video games including “World Of Warcraft”, in which she plays a shamanic Scottish Dwarf.

In Spring of 2018, she launches her podcast “Voice Of A Muse”. Twice a month, she will present outside the box, thought provoking topics seen through her deeply considered, humorous, and philosophical perspective. 

Going forward, Carrington will venture forth to engage and inspire audiences with the intimate power of words, music, and voice in all her endeavors.



Roy Buchanan.....

"Live At Town Hall 1974", Roy Buchanan Real Gone Music, May 4th, 2018. Guitarist Buchanan was famous for playing the Fender Telecaster with an effects free technique and influencing many other musicians despite never having much solo success of his own. Jeff Beck dedicated “Cause We’ve Ended As Lovers” on 1975’s "Blow By Blow" to Buchanan. He began his career as a sideman in the late 1950's, joining on recording sessions for such artists as Dale and Ronnie Hawkins, Freddie Cannon, Merle Kilgore and others. He also was a tutor to a young Robbie Robertson. He stepped away from music for a time, but returned to performing in the early 1970s in the Washington, DC, area. His career took a major turn when he was featured on the PBS program "Introducing Roy Buchanan" in 1971.  This lead to a recording contract with Polydor Records. Around this time, the story goes that he turned down a place in The Rolling Stones for the position Mick Taylor eventually got.

Buchanan recorded 4 studio albums for Polydor, of which 1973’s "Second Album" went gold. By 1975, however, he had an offer from Ahmet Ertegun to join Atlanic and wanted to move on. But an album was still owed to Polydor, leading to the live album "Live Stock". It featured 6 songs taken from 2 sets on November 27th, 1974 at Town Hall in New York City. A 7th song was taken from a gig in Evanston, IL, at the Amazin Grace Café. The shows were recorded by the Record Plant Mobile Studio and Buchanan’s band featured Malcom Lukens, keyboards, John Harrison, bass, Ronnie Foster, drums and Billy Price, vocals. But like most live albums, there was a lot of material unreleased.  Now, Real Gone is releasing the entirety of both sets from Town Hall on a new 2 CD set. It features the 6 songs from the original album, a version of Neil Young’s “Down By The River” which surfaced on a 1992 compilation, and 14 additional previously unreleased tracks. The set has been mixed and mastered by Tom Lewis at Studio 1903 in Athens, GA. Bill Levenson has produced the reissue and the booklet feature liner notes by Buchanan biographer Phil Carson, plus photos from the night of the show, taken by Charles R Cohen. Beautiful new artwork tops it all off.




Barry & The Doctor.....

"Barry McGuire & The Doctor", Real Gone Music, May 4th, 2018. On this album, Barry McGuire was joined by “The Doctor,” aka guitarist Eric Hord, for a 6 song set of free wheeling blues rock. Real Gone’s reissue will mark the album’s authorized worldwide CD debut.

After his stint in The New Christy Minstrels, McGuire would shoot to solo fame with 1965’s classic protest anthem “Eve Of Destruction”, and, in 1966, he would help launch the career of The Mamas & The Papas. But, by 1971, McGuire’s profile was low, as he had not released an album since 1967 and was reportedly battling drug abuse. Deciding to get back into the studio, he was joined by old friends and acquaintances to record what would become "Barry McGuire & The Doctor". Collaborating with him was Eric 'The Doctor' Hord, a guitar prodigy who had played for The Mamas & The Papas and would also appear on Denny Doherty’s solo album "Watcha Gonna Do", recently reissued by Real Gone as part of "Of All The Things : The Complete ABC Dunhill Masters. He co-wrote 4 of the songs on the album with McGuire and played on all 6. McGuire would co-write the remaining 2 tracks with others. The album was produced by Lou Adler and 2 of McGuire’s former New Christy Minstels bandmates, Nick Woods and Art Podell. Besides Hord, other top tier musicians playing on the album, included many from the country rock genre, like Chis Hillman, Sneaky Pete Kleinow, Byron Berline and Bernie Leadon. They were even joined by an uncredited Herb Alpert on one song.

Unfortunately, "Barry McGuire & The Doctor" did not fare well on the charts. Hord never recorded another album as a lead player, while McGuire would become a born again Christian the same year as the album’s release. He turned his attention to contemporary Christian music, beginning with 1972’s "Seeds" on the Myrrh label. In 1976, he signed to Billy Ray Hearn’s Sparrow Records, where he recorded 7 albums and a children’s record. McGuire left the music industry in the 1980's before returning as part of the duo Talbot McGuire, releasing 4 albums between 1996 and 2000.  He has continued with sporadic live appearances since then.




Jennifer Warnes.....

Jennifer Warnes will release her new album "Another Time, Another Place" this spring. Warnes recorded the album in Austin, TX, and Los Angeles, CA, with Roscoe Beck, her longtime friend from Leonard Cohen’s band, for which Beck was bassist and musical director. He also co-produced her albums "Famous Blue Raincoat" and "The Hunter". “Singing is what I do”, Warnes says. “My manager said, ‘It would be good for you to make a record’, so she got this deal for me and I went to Texas and started working with Roscoe”. BMG Records, April 27th, 2018.







Love On Drugs.....

"Solder" is the title of Love On Drugs 2nd album, due for release April 13th, 2018. Behind the name Love On Drugs we find Thomas Pontén. He describes himself as an in Gothenburg residing singer songwriter and guitarist, who, for the past few years, has tried to combine the easiness of pop, with the often more harsh and brooding storytelling of country usic. Love On Drugs has been compared to Karl Wallinger's World Party and it makes sense since he, just like Thomas, tends to mix influences from both sides of the pond in his music.

Love On Drugs is essentially a solo project. Pontén has written the songs and sings as well as plays all the guitars. The album was for the most part recorded at the producer, Magnus Johansson's studio but some tracking was also done at Thomas' own studio close to his home in Gothenburg. Together they've produced an album that probably first will find it's way to listeners who share Ponténs eclectic taste in music. However the level of songwriting is so high and the songs so catchy, that most people will find them very appealing.

On the album you also find Krister Selander, Love On Drugs´s bass player since day one, drums and percussion was played by Martin Lillberg, and one of Thomas´s favourites on the Gothenburg scene Anders Göransson, a.k.a. Anders Enda Barnet, on keyboards. Last winter when Pi Jacobs from Los Angeles did a short tour with Love On Drugs and Ted Russell Kamp she got to do some backup vocals.

All the songs were written by Pontén, except for the closing track, “Night Ride Home”, written by Joni Mitchell. ”One of the world´s best songs and Joni Mitchell one of the world´s best performers”, Thomas reckons. His old band was also called Little Green, named after Mitchell´s song off her classic album "Blue".

Lyrically the songs on "Solder" are often about different flaws of man. The album aims to comfort us and reassure us that the not so charming traits really are what makes us human and wants to piece us back together.

Pontén describes the 9 track long album as a homage to the fantastic songwriters of the 70's and 80's. “Every Now And Then” reminisce of British pubrock by Nick Lowe, Graham Parker and Rockpile, epic "Scar" of Elton John, David Bowie and Beatles, and ”Gone Away” sounds like a mix of Neil Young with 'twin guitars' a la Thin Lizzy. There are also more modern 90's and 00's influences like Teenage Fanclub sounding ”Solitude”, and americana ballad ”At The Rainbow's End”. ”Insomnia” starts off as a 60's ballad but ends like a cacophony by Radiohead or Arcade Fire. “Your Kind Of Man” is one of few rock songs in the meter of 7/8 and is a nod to both 70's classic rock, as well as older prog rock from Genesis and Rush. ”I love so many types of music and I just can't hide it in my songwriting”, Thomas concludes.




Fab Gear.....

Named after the slang term forever associated with The Beatles, "Fab Gear", this 6 CD box set offers around 180 tracks in chronological order from the mid 1960's, many of which are new to CD and some of which are previously unissued. "Fab Gear" draws heavily from the vaults of Pye Records and sister label Piccadilly, picking up where Castle Music’s "Beat Beat Beat" series left off many moons ago.

Instead of concentrating on Beat’s initial boom of 1963 and 1964, "Fab Gear" is focused instead on the scene’s later gems from 1965 and 1966, which were often musically superior to those earlier works. Other featured labels include independents such as Ember, President and Oak, as well as a smattering of choices from the majors, like Decca, Parlophone, Columbia, Fontana, CBS.

"Fab Gear" includes many of the era’s biggest names such as Kinks, Moody Blues, Searchers and Tremeloes and other hit acts such as Marmalade, Alan Price Set, Rockin’ Berries, David & Jonathan, Ivy League, Twinkle, Peter Jay & The Jaywalkers, Chad & Jeremy, Tornados, Arthur Brown, Tony Jackson & The Vibrations, The Undertakers, Billie Davis, Migil 5, Truth, Quiet Five and Sorrows.

The hefty booklet boasts band by band histories and details of each recording, including early works by David Bowie, Status Quo, Clifford T Ward, Manfred Mann’s Mike d’Abo, Lemmy and future members of Yes,  Move, Mott The Hoople, Jimi Hendrix Experience, Deep Purple, Fleetwood Mac, Traffic, Lindisfarne and Man.

The bonus disc 6 contains recordings which weren’t issued at the time, including many tracks which have never been heard before.




Geoff & Maria.....

In the early 60's, Maria Muldaur could be found performing in the Village in New York City, playing alongside regulars like Bob Dylan, Stefan Grossman, David Grisman, and many others. Geoff Muldaur was a founding member of the Jim Kweskin Jug Band, which Maria later joined. After the Kweskin Jug Band broke up, the Muldaurs produced 2 albums together.

"Pottery Pie" was produced in 1968 by the magical team of Joe Boyd, producer, and John Wood, engineer. Already veterans of albums by Fairport Convention and Incredible String Band, and heading towards work with Nick Drake, Sandy Denny, and Richard & Linda Thompson, they were a perfect fit for the Muldaurs’ 1st effort together. The album finds the pair making some folk and blues classics their very own and includes Geoff’s celebrated version of “Brazil”, which became the opening theme for Terry Gilliam’s 1985 film "Brazil".

"Sweet Potatoes" showed up 4 years later in 1972. Paul Butterfield, Amos Garrett, John Kahn, Bill Keith and Billy Mundi all turn up to lend musical hands, and the album also sported cover art by Eric Von Schmidt. "Sweet Potatoes" was unfortunately the last album by Geoff and Maria together, but each went on to great success on their own and their careers continue to this day.




Old Crow M Show.....

Nashville string band Old Crow Medicine Show recently revealed the details for their new album "Volunteer". It's the band's 1st original music since 2014's Grammy winning "Remedy", which landed in the Top 5 on Billboard's country albums chart. Working for the 1st time with acclaimed roots producer Dave Cobb, "Volunteer" was recorded in Nashville's historic RCA Studio A, and is set for release on April 20th, 2018

The project marks Old Crow Medicine Show's 20th anniversary as a band, and the 11 new tracks for the album has topics ranging from southern history to modern refugees and the band's own beginnings. Meanwhile, electric guitar was incorporated on a recording for the first time since their famous "Wagon Wheel" in 2004, which went on to become a triple platinum # 1 hit for Darius Rucker in 2013. Old Crow Medicine Show's most recent release was their 2017 tribute to Bob Dylan, "50 Years of Blonde On Blonde", and the band filmed an episode of CMT Crossroads with Tennessee raised pop star Kesha, which aired in December. They'll appear at festivals including Bonnaroo, Del Fest and Floyd Fest this summer, with more details and a full tour schedule to be released soon.




I'm Kingfisher.....

"I wanted to give this album time, and time came to be a big part of it. ’Transit’ is my 6th solo album and my 1st truly stripped down one. While I've been collecting the songs for this album, I've seen people both depart and arrive. Events and plans that ended and became something else, a feeling and a movement that fascinates me a lot.”

One of Sweden's best kept secrets, singer songwriter I'm Kingfisher is set to return with his 3rd album ”Transit”, which is due for release on April 13th, 2018, on vinyl, CD and digitally via the newly started Stockholm based label Fading Trails Recordings. ”Transit” follows to acclaimed records, ”Arctic” and ”Avian”, which received rave reviews in his native Sweden, as well as from international publications, such as Uncut, and on ”Transit” we find I'm Kingfisher at his most stripped down and intimate yet. The 1st single ”What Good Would Loving Do Me Now” was picked up by US radio KEXP as their ’Song Of The Day’.

Behind the I'm Kingfisher moniker is Swedish musician Thomas Jonsson, who's been honing his craft since the early 2000’s, first recording under his given name before turning into the Kingfisher in 2010, and touring around the world, with over 600 shows under his belt. ”Transit” was initially recorded by Jonsson on his own, recording both vocals and guitar simultaneously in full takes, with long time producer Carl Edlom, before having some of Sweden's finest musicians adding their touches to it with Christian Kjellvander, Martin Hederos, Helena Arlock and Klabbe Hörngren being among the guests.



Dire Straits Box.....

The Rock And Roll Hall Of Fame will induct Dire Straits in April, honoring the legendary band’s incredible musical legacy, and Rhino Records will kick off the celebration early with a career spanning boxed set “The Studio Albums 1978 - 1991”. Bernie Grundman mastered the 1st 4 titles from analogue masters, with lacquers cut by Grundman and Chris Bellman. "Brothers In Arms" and "On Every Street" mastered by Bob Ludwig from digital masters, and cut by Chris Bellman.

 Dire Straits' "The Studio Albums 1978 - 1991" limited 6 CD box set containing all 6 original albums by the 2018 Rock And Roll Hall Of Fame inductees. From the pub rock influenced sound of their 1978 debut album, to the slickly produced 1985 album "Brothers In Arms", and their swan song "On Every Street" in 1991, this set spotlights the songwriting and guitar talents of Mark Knopfler and his Dire Straits mates. All albums have been re-mastered, with original artwork restored, the 6 albums are packed in a handsome box set slipcase.




Beth Hart Live.....

Beth Hart has announced that she’ll release a new CD and DVD titled "Live From New York : Front And Center" later this spring. It’ll launch on April 13th, 2018 on Provogue Records. It was recorded at the city’s Iridium Jazz Club and features songs from throughout her career, including tracks from her most recent album "Fire On The Floor". "Live From New York : Front And Center" will be released as a 2 disc DVD/CD set, mixed in 5.1 stereo, and will also feature never before seen bonus material, including an exclusive interview with Hart. The audio from the performance will also be sold separately as a digital release.






2 x Elton John.....

Elton John's songs will be reworked by top artists including Ed Sheeran, Lady Gaga, Willie Nelson and Chris Stapleton. Just announced is the April 6th, 2018, release date of 2 albums. "Revamp" will include covers by pop and rock stars from Mary J Blige to Miley Cyrus. Miranda Lambert and Dolly Parton will appear on the country album "Restoration". Pink and Logic will team up for "Bennie & The Jets" and Florence + the Machine take on "Tiny Dancer". Other acts on "Revamp" include Sam Smith, Coldplay, Killers, Mumford & Sons, Q Tip, Demi Lovato, Queens Of The Stone Age and Alessia Cara. "Restoration" will feature Rosanne Cash, Emmylou Harris, Vince Gill, Don Henley, Little Big Town, Maren Morris, Kacey Musgraves, Brothers Osborne, Dierks Bentley, Rhonda Vincent and Lee Ann Womack.




True North.....

Americana and bluegrass duo True North, Kristen Grainger and Dan Wetzel, blazes new territory in contemporary bluegrass simply by traveling a bit further than others might dare to go. The silky smooth delivery of Grainger’s vocals beguiles the ear, as Wetzel skillfully weaves instrumental tapestries around her poetic and visual lyrics. Grainger’s songwriting makes artistry of real life, creating memorable songs that alternately warm and wrench the human heart. The duo’s interpersonal chemistry sparks and smokes onstage, like distant lightning from a summer storm, and the emotional wallop of their conjoined voices grabs the heart and pulls it out to sea. 

Kristen Grainger, vocals, is an accomplished singer songwriter with the soul of a storyteller. Her songs pack a powerful emotional punsch, ”Be Here Now” was named the 2015 I.M.E.A. Folk Song Of The Year, and she took 2nd place in the 2016 MerleFest Songwriting Competition, performing live in the finals in North Carolina. She was one of 10 finalists in the 2014 Telluride Troubadour songwriting contest, performing solo in front of the festival’s 10 000 member audience.  Her song ”Birds Like Me” was chosen for the soundtrack of independent film ”The Danish Boy”, slated for a 2018 release.

Dan Wetzel, guitar, mandolin, mountain banjo, resonator guitar, octave mandolin, ukulele and  vocals, has earned considerable recognition as a singer songwriter and toured nationally as a solo artist after winning a national songwriting contest. An accomplished luthier, his superb instrumental skills, particularly guitar, both flat pick and finger style, give True North’s songs their driving groove.

Kristen Grainger and Dan Wetzel’s co-written ”Mountain Boy” was featured on the European World Bluegrass Festival’s composite CD. The duo also was chosen from more than 800 entries to perform ”Limbo” and ”Doris Dean” in the finals at the Kerrville New Folk songwriting contest.  The duo’s song ”Hard Place To Suffer (And That Really Gets Me Down)” won the Wintergrass song contest.




The Feeling Box.....

Cherry Red Records are reissuing The Feeling‘s 2006 debut album "Twelve Stops And Home" for its 12th anniversary in June. It will be available as a 4 disc box set and a limited edition coloured double vinyl. The album has thus far sold almost a million copies in the UK and features 3 top 10 hits, "Sewn", "Fill My Little World" and "Never Be Lonely".

The 3 CD / 1 DVD reissue comes as a digi-book edition. The 1st CD features newly remastered audio of the album, while the 2nd disc, dubbed ‘the ones that got away’, includes songs that were b-sides, some that would feature on future albums and some that were never released. The band consider some of these songs 'among our best work'.

The 3rd CD includes original demos, more unreleased songs, and various remixes and jams from back then. According to the group 'some of these demos were simply remixed for the final album and others had a lot more work done before they were finished'.

The DVD features a documentary "The Feeling On Ice" telling the early story of the band as narrated by fan Kiefer Sutherland. It includes  performances in the Alps of "Sewn", "Never Be Lonely" and "Love It When You Call". Chris Salmon has written sleeve notes to accompany the deluxe packaging.

The remastered album is also appearing as a double vinyl LP for the first time, originally it was pressed onto one record. This is actually a limited edition yellow 2LP. "Twelve Stops And Home" will be reissued on  June 29th, 2018.




Ryley Walker.....

Ryley Walker has announced his new album, "Deafman Glance", due out May 18th, 2018, via Dead Oceans. ”Deafman Glance" is the 2nd Ryley Walker album produced by LeRoy Bach and Walker himself. It was largely recorded at the Minbal Studios in Chicago. Some later sessions also took place at USA Studios and in LeRoy’s kitchen. Cooper Crain recorded and mixed the album, as well as adding his shimmering synths all over it.

Ryley plays Electric and acoustic guitars and was joined by long time 6-string sparring partners, Brian J Sulpizio and Bill Mackay, who both play electric. LeRoy Bach also plays some electric guitar, whilst adding all piano and other keys. Andrew Scott Young and Matt Lux play bass, and Andrew supplying some double bass, both of them played electric. Drums and percussion are handled by Mikel Avery and Quin Kirchner. Topping off this list of notorious Chi-Town players is Nate Lepine, who added a lot of flute and a little saxophone too. "Deafman Glance" will be available digitally, on CD and on LP, which was cut by Miles Showell at Abbey Road Studios in London, using his half speed mastering method for the greatest possible audio detail and fidelity.




Ry Cooder.....

Ry Cooder details his new album "The Prodigal Son", his 1st album in 6 years. It features a mix of Cooder originals and interpretations of songs by Blind Willie Johnson, Blind Roosevelt Graves, Stanley Brothers and other traditional recordings. According to Cooder, the album's 11 tracks, set for release May 11th, 2018, offer a deft commentary on our ailing moral state.

"I do connect the political and economic dimensions with the inner life of people, since people are at risk and oppressed on all sides in our world today”, Cooder says in a statement. "There's some kind of reverence mood that takes hold when you play and sing these songs. 'Reverence' is a word I heard my granddaughter’s nursery school teacher use, a Kashmiri woman. She said, 'We don't want to teach religion, but instill reverence'. I thought that was a good word for the feeling of this music".

Cooder also trumpeted the impending arrival of his new album with the rollicking lead track "Shrinking Man", an original Cooder penned for the new album. In addition to "The Prodigal Son", the guitarist will also embark on his first full tour of North America since 2009 this summer. Check out Cooder's website for album pre-order and ticket information




Eva Hillered.....

”My love for music, writing and performing my own songs, has kept me on the track over the years, despite a chronic disease that I suffer from. As a teenager I got diabetes, and it felt as if my life had ended. I was very self destructive for many years, refused to accept my disease that felt like a prison. Then suddenly songs began to come to me, they became my light and my rescue, and made me feel a joy and meaning with my life, despite all the demanding blood checks and routines.” ~ Eva Hillered

Eva Hillered is a Swedish, Grammis nominated, recording and touring singer songwriter. Eva is best known for her unique voice that boasts a deep soulfulness, coming from the need of expressing herself in songwriting from a very early age. She lives in Stockholm and has made 8 solo albums. She tours in Scandinavia, Germany and the US. Her influences are singer songwriters as Patty Griffin, Shawn Colvin, Emmylou Harris, Eva Dahlgren and Anne-Grete Preus.

The new album ”New Me” is a tribute to the healing power of music and can be placed musically in the folk and americana genre. It includes her own songs, as well as co-writes with established writers from Denmark, Iceland and the US.



Before The Dead.....

On May 11th, 2018, Round Records will release an expansive retrospective box set titled "Before The Dead" which brings together a rare collection of the earliest known performances by Jerry Garcia. From an informal and intimate 1961 performance of simple folk songs at a birthday party with future songwriting partner Robert Hunter, to more polished coffeehouse gigs with old timey and bluegrass bands through 1964, this collection showcases Garcia’s deep study of the folk music tradition and its influence on his musical journey leading to the formation of the Grateful Dead. Even with his entire musical career in front of him, Garcia’s magnetic presence as a performer can be plainly heard in these first steps. 

"Before The Dead" is produced and curated by longtime Grateful Dead publicist and author Dennis McNally and documentarian Brian Miksis who also contributed extensive liner notes to the collection bringing historical context for each performance and the carefully researched lineage of each recording. The liner notes, along with track by track essays and listening notes by musicologist and bluegrass historian Neil V Rosenberg, essays from Sara Ruppenthal Katz, Garcia’s first wife, and Stu Goldstein, former owner of The Tangent, and rare photos and memorabilia comprise the 32 page book included with the collection. 

"Before The Dead" will be released in 2 physical configurations, a limited edition 5 LP boxed set and a 4 CD edition. The 5 LP boxed set is pressed to 180-gram vinyl in a limited edition of 2,500 by Quality Record Pressings from lacquers cut by Ron McMaster at Capitol Records. The recordings contained within "Before The Dead" were restored and mastered by Fred Kevorkian.




Rita Coolidge.....

Music legend Rita Coolidge returns to her musical roots on "Safe In The Arms Of Time", Due May 4th, 2018. on Blue Élan Records. Along with Coolidge, the luminous new album features the songwriting talents of Graham Nash, Chris Stapleton, Stan Lynch, and Keb’ Mo’.

One of music’s most enduring voices and composers, Rita Coolidge will release her dramatic and poignant new solo album, "Safe In The Arms Of Time", on May 4th, 2018, on Blue Élan Records. The album marks the 2 time Grammy winner’s return to songwriting, and as she did in her acclaimed 2015 memoir, 'Delta Lady', she drew inspiration for her new material from her personal journey.

“I’ve written so many songs assuming a role like an actor, but this time I got to write from experience”, says Coolidge, who co-wrote 3 of the album’s 12 wondrous cuts. “This is the best record I’ve ever done. I’m extremely proud of it”.

In many ways, "Safe In The Arms Of Time' is both a reflection and a continuation of Coolidge’s remarkable history, one that took flight during the heyday of the 70's LA music scene when she sang backup on Stephen Stills’ “Love The One You’re With” and Eric Clapton’s “After Midnight”. And astute music fans are well aware of how she contributed the classic, and uncredited, piano coda to Derek & The Dominos’ “Layla”. “The idea was making an album that had the same appeal of my early records, to make a roots record about my own roots”, Coolidge says.

And so it was only fitting that Coolidge and producer Ross Hogarth, along with an all star lineup of top musicians, guitarist Dave Grissom, bassist Bob Glaub, keyboardist John JT Thomas, and drummer Brian MacLeod, assembled at LA’s Sunset Sound, the famed recording studio where she recorded her 1st solo albums on A&M Records 30 years ago. “Going back to Sunset Sound was taking a journey into the past, there was a memory down every hallway”, Coolidge says.

Along with nostalgia, there was a hopeful eye toward the future, beautifully rendered on “You Can Fall In Love,” which Coolidge wrote with former Tom Petty drummer Stan Lynch and Joe Hutto. The track explores reconnecting with an old flame, and it embodies one of the album’s paramount themes, that it’s never too late. “People need to have an awakening that you can fall in love at any age and it will feel right, like you’re 15”, Coolidge says. “I really wanted to have that message come across on the record”.

Coolidge wrote 2 of the album’s standout Cuts, the sparky blues number “Naked All Night” and the smooth soul gem “Walking On Water”, with Grammy winning blues star Keb’ Mo’ and singer songwriter Jill Colucci in Nashville. Trading vocals with Keb’ Mo’ on “Walking On Water” was a thrill for Coolidge, who enthuses, “I literally have every Keb’ Mo’ CD. I’ve been a fan for decades”.

"Safe In The Arms Of Time" also gave Coolidge the chance to reunite with one of her real life past flames, one who has remained a cherished friend, Graham Nash. Nash and drumming legend Russ Kunkel had offered Coolidge their smoky blues rocker, “Doing Fine Without You”, 2 years before she began recording. “I said to them, ‘I don’t know when I’m doing a record. Can I put this on hold?”. When she and Hogarth started the project, it would be one of the 1st songs they picked.

The 'Delta Lady', as she was named by her fellow Mad Dogs & Englishmen tour member Leon Russell, has captivated fans during her astonishing 50 year career, selling millions of copies of signature hits such as “We’re All Alone”, “The Way You Do The Things You Do”, “All Time High” and “(Your Love Has Lifted Me) Higher And Higher”. Her 8 year relationship with former husband Kris Kristofferson yielded 3 top selling albums, including the # 1 hit "Full Moon", and multiple Grammy Awards.

"Safe In The Arms Of Time" marks the 1st new music Coolidge has recorded since the tragic death in 2015 of her beloved sister, Priscilla, a recording artist and member of Walela, the Native American trio she and Coolidge founded with Priscilla’s daughter, Laura Satterfield. The recording of the album also coincided with Coolidge’s relocation from Southern California to a new life in Tallahassee, where in the 1960's, as an art major at Florida State University, she discovered her true calling as a musician, and never looked back. 

With "Safe In The Arms Of Time", Coolidge’s musical journey, from the hills of rural Tennessee to the recording studios of Los Angeles and concert stages around the World, comes full circle. She predicted such an odyssey with stunning prescience in her memoir, writing, “sometimes the path is surrounded by rainbows, and sometimes it's buried in the mud. I’m still here and I still have a lot of gratitude for the whole process of being able to make music”.

"Safe In The Arms Of Time" will be released on multiple formats, including a 3 sided white vinyl collector’s edition with a special silkscreen on the 4th side, on May 4th, 2018, on Blue Élan Records. In March, Coolidge will debut select songs from "Safe In The Arms Of Time" at the SXSW Festival in Austin, TX, and she’ll celebrate the album with a very special record release performance at LA’s historic Troubadour club on April 30th, 2018. 




Van Morrison.....

Van Morrison reinvents jazz, blues standards and deep cuts from his catalog on his new album, "You're Driving Me Crazy", out April 27th, 2018, via Sony Legacy Recordings. The soul singer collaborated with b3 and trumpet virtuoso Joey DeFrancesco on the album, which is his 39th studio project. "You're Driving Me Crazy" will be available in CD and 2 LP formats. The vocalist will issue a limited edition 7" single featuring "Close Enough For Jazz", backed with a cover of Guitar Slim's "The Things I Used To Do" for Record Store Day 2018 on Saturday, April 21st. Jazz journeyman DeFrancesco, who has previously worked with Miles Davis, John McLaughlin and Grover Washington Jr, recruited his own band for the Morrison sessions, with guitarist Dan Wilson, drummer Michael Ode and tenor saxophone player Troy Roberts contributing to the album. "You're Driving Me Crazy" includes reworked jazz and blues classics alongside tunes from throughout Morrison's discography.




Johanna Sillanpaa.....

It’s smart, it’s soulful, it’s jazz. For every style of music that Johanna Sillanpaa explores, there’s a vibrant color in her voice to match. Sillanpaa’s vocals are expertly clear, gently raw, and yet intensely bold. She performs thoughtful jazz you can dig your heels into. She and her ensemble have played everywhere from intimate jazz joints across North America and Europé, all the way to performing in front of the 60 000 plus crowds of the Montreal Jazz Festival.

Beyond filling venues in Canada and abroad, Sillanpaa’s previous solo albums have also drawn their fair share of accolades and award nominations. Johanna’s music has garnered 2007 and 2012 nominations for Western Canadian Music Awards, as well as Best Female Vocalist and Group And Duo Of The Year at the 2010 Canadian Smooth Jazz Awards.

 There’s no mistaking that this highly acclaimed Swedish born artist has truly come into her own with her latest solo album "From This Side". The recording features Canadian JUNO Award winning jazz bassist George Koller, internationally renowned trumpeter Ingrid Jensen, TD Grand Jazz winning pianist Chris Andrew and 3 time WCMA nominated jazz drummer Tyler Hornby. From modern jazz arrangements to catchy originals all in the name of jazz, her latest musical statement is sure to captivate audiences everywhere.




Neil @ The Roxy.....

Neil Young is set to release one of the most sought after recordings from his vast archives, "Roxy : Tonight's The Night Live" on a 3 sided 2 LP set exclusively on Record Store Day, April 20th, 2018. This was the first public performance of many of the songs that would make up Young's seminal album "Tonight's The Night", which would not be released until June 1975. The album's final track "Walk On" would not appear until the release of On The Beach, in July 1974. The Record Store Day Limited Edition pressing will include an exclusive print of the band live on stage at The Roxy. The standard vinyl edition, CD and digital editions will follow on April 27th, 2018.

As Young explains below, the all star band, in this instance, Neil Young, guitars, vocals, piano, Ben Keith, pedal steel, slide, vocals, Billy Talbot, bass, Ralph Molina, drums, vocals and Nils Lofgren, piano, vocals, guitars, completed the line up, known as the Santa Monica Flyers. Young would be the first artist to christen the stage at what would become one of the world's great clubs, The Roxy Theatre on the riotous Sunset Strip, right next door to the already infamous Rainbow Bar & Grill. The shows took place on September 20th to 22nd, 1973.

Produced by Young and the late David Briggs, these resultant recordings were mixed by John Nowland with updated post production and mastering by John Hanlon, along with Chris Bellman, at Bernie Grundman Mastering using the original analog master tape source. Close your eyes and you'll be right there in that dark, smoky, 500 capacity room in West LA, on a hot summer night in 1973. "Tonight's The Night" would go on to be named one of 'Rolling Stone's 500 Greatest Albums Of All Time', and universally praised for its dark honesty and unapologetic raw delivery. The very same can be said for "Roxy : Tonight's The Night Live". Young explains how "Roxy : Tonight's the Night Live" came to be.

 "In 1973, I drove my 1947 Buick Roadmaster, 'Black Queen', to LA from the North, accompanied by Ben Keith. Once we made it to Hollywood, we met up with Billy Talbot and Ralph Molina. Nils Lofgren joined us and we drove to Studio Instrument Rentals on Santa Monica Blvd. David Briggs, producer, and Johnny Talbot, equipment manager, met us there. They had blasted a hole in the wall to connect the green board which we had set up, an old tube board I had purchased that had been used recording many historic sessions from the Beach Boys' 'Pet Sounds' to the 'Monterey Pop Festival', among many others, next to the rehearsal hall. Our 16 track analog tape machine was set up next to the board. We had finished recording 'T.T.N.' and decided to celebrate with a gig at a new club opening on the Sunset Strip, the Roxy. We went there and recorded for a few nights, opening the Roxy. We really knew the 'Tonight's The Night' songs so we just played them again, the album, top to bottom, 2 sets a night for a few days. We had a great time. 'Roxy : Tonight's the Night Live' is the live recording we made. There is a little Super 8 footage of us driving to the gig in the Black Queen one of those nights".

Tracklisting :

01. Tonight's The Night
02. Mellow My Mind
03. World On A String
04. Speakin' Out
05. Albuquerque
06. New Mama
07. Roll Another Number (For The Road)
08. Tired Eyes
09. Tonight's The Night
10. Walk On




Eno's Installations.....

Brian Eno has announced "Music For Installations", a box set collecting unreleased, rare and new music from the iconic experimentalist composed for art installations. The collection is available in a 6 CD or 9 LP set, featuring music from 1986 to the present. Much of the music has never seen a physical release and none of it has ever appeared on vinyl. It features music used for installations at locations including the Marble Palace in St Petersburg, Beijing’s Ritan Park and the Sydney Opera House. The final disc is titled "Music For Future Installations" and includes entirely new recordings. Last year, Eno brought his installation work into the home with "Reflection", a generative app that does not end. "Music For Installations" is out May 4th, 2018.




Who Came First.....

"Who Came First" is the debut solo album by Pete Townshend, 1st released in 1972. The album collected together tracks from Pete’s private pressings of his tributes to Meher Baba ‘Happy Birthday’ and ‘I Am’, as well as demos from the unrealised concept album "Lifehouse", part of which became The Who’s classic "Who's Next" album.

This 2 CD expanded version of the album featuring 8 previously unreleased tracks, new edits, alternative versions and live performances. Also included in the 8 panel digipak are new sleeve notes provided by Pete himself, the original poster from the 1972 release and a 24 page booklet which contains rare images of Meher Baba and Pete in his recording studio. April 20th, 2018.





Case Garrett.....

Timing can be everything. With the groundswell of americana, independent and alt country making huge gains in recent years, Case Garrett’s album ”Aurora” lands at an opportune moment of history, fitting in right alongside the sounds that are garnering larger audiences seemingly every few months. Launched in the late fall in the United States, Garrett and his mates are looking to conquer the European and Scandinavian markets with a full out tour schedule.

While firmly rooted in country music’s hallowed traditions, the independently produced album plays out as sublimely alive and contemporary. Garrett has a keen knack for songwriting and arrangement, which he confirms throughout this debut release. Saddled up with a truly superlative band of Nashville sidemen, including Michael Douchette on pedal steel guitar and the always-amazing Jenee Fleenor on fiddle, Garrett runs through a gamut of emotions and story telling throughout the album.

Playing multiple instruments, Garrett writes in a voice that is immediately accessible, blending in the hauntingly sad and personal in “Long Way Down”, to the tongue in cheek, slightly irreverent “The Thought Of You”. As a narrator, Garrett allows the characters to have wide berths in songs such a “Going Down To Mobile” and “Fill ‘er Up”, as they come vividly alive while they go about their trial and tribulations.  

Born in Missouri, with an itinerant upbringing, Garrett is now settled just outside of New York City. He credits time in his younger years spent in Tennessee and Louisiana for much of his musical outlook, highlighting the integral roles of both his grandfathers.

Noodling songs on the piano at the age of 5, by the age of 10 he formed his first band, playing bass. The summer after his senior year in high school Garrett landed his first paying club gig with almost all original songs, on acoustic guitar, piano and solo vocals. There was only one problem, “I got a little lit up”, remembers Garrett. “I figured that’s what you were supposed to do when you performed. My guitar heroes were doing it, I reckoned, and, well, I got paid but didn't get asked back. Just a dumb kid no one had heard of. It’d be nice to say I learned my lesson then and there but…” 

Alcohol plus other recreational activities, says Garrett, were already ingrained in his life. From a frighteningly young age, music and alcohol intertwined. Later, life brought Garrett a marriage and a child but then tragedy. In very short order, a divorce and the death of family members, his mother, sister, father, and brother, only led to more of the escapism. One day he found himself in the hospital with nurses and doctors hovered over him. They told him he should probably quit drinking if he wanted to live. Amidst the chaos, and the next few years, his young son and his music stayed the core of his life. And miraculously he found his footing. ”Aurora” is the result of that bedrock though it is never a screamed out presence. More so, it’s simply a river that is evident amongst the writing.

Garrett wrote, produced, and arranged the music on ”Aurora”. He played all the keyboards on the album, piano, b3, Fender Rhodes, acoustic guitar, some electric, and layered in some percussion. His original drummer, Shawn Fichtner, and bass player, Eric Swiontkowski, are on the recording along with some ultra talented Nashville players, Jenee Fleenor, Michael Douchette, Kevin Post and Aaron McDaris. In New York, stalwart session man Jimi K Bones did the heavy lifting on electric guitars and Clara Lofaro dazzles with her amazing backing vocals on 2 songs. Sammi Moore, from Nashville, adds her smooth twang to a number as well.

The spirited song, “What Can I Say”, kicks off the album with an impressive fiddle and pedal steel intro that sets the stage for the rest of adventure. “Long Way Down” was an antenna moment for the artist. He felt the lyrics and melody were just in the air, ready to grab when the time was right. “Years ago, I’m alone with my son on this baseball field, just the two of us, when I told him my brother/his uncle, had died the day before. Now, it was right after my sister had passed. Both from drinking and such. So he takes a beat to think it out and then turns to ask if he was gonna end up like them, drinking like that. Dying. He was eight years old and it just about tore me in two. I was sort of hovering between sinner and saint at that time myself. But it was the catalyst to move on. One day a few years later this song just appeared to me out of the blue. Actually the album was basically done when I wrote it, we were well into mixing, but I got it in there. Glad I did”.

“I mean, whatever you’re writing or singing, it came from something you know, but maybe you can't describe it without music. It’s not conscious all the time, like the universe kind of just spinning around and sometimes says, ‘Here’s a song, write this down’. It’s coming from some other place. Which, you know, ain’t a bad place to be”.




Neil's Paradox.....

The soundtrack album for "Paradox", the Daryl Hannah directed Shakey Pictures film featuring Neil Young, Willie Nelson and Promise Of The Real, will be released on April 20th, 2018.  The futuristic, free form frontier tone poem was premiered at the SXSW Film Festival at the Paramount Theatre, Austin, TX, on March 15th, 2018, and is set to debut on Netflix later this month.

"Paradox” features music from Young + Promise Of The Real, Young with an orchestra recorded on the MGM Soundstage, Young backed by Jim Keltner, Paul Bushnell and Joe Yankee, and several solo electric guitar passages. All music was recorded spontaneously with no overdubs, with the exception of Joe Yankee, who phoned in his part from Canada, and provides the soundtrack to ”Paradox”, the film.




West Of Eden.....

2018 was meant to be a quiet year for West of Eden after last year’s hard work with their 20 year anniversary and tours that stretched as far away as China, but when Swedish well known indie rocker Timo Räisänen approached the band with the idea of having various artists do version of his new single ”Eld & Aceton”, the band didn’t have to think twice.

"We decided to strip away all the punk and indie rocking things going on in the original version", says Martin Schaub. "Jenny wrote some English lyrics to it, and when I played the song more slowly we got this Gillian Welch vibe that we decided to hang on to".

The recording session took no more than 2-3 hours, and when Timo came into the studio, he liked what he heard so much that he added some backing vocals. So here’s the best of both worlds. West of Eden featuring Timo Räisänen in “Faith, Hope, Theft”. Enjoy!


Tom Rush's Voices.....

Tom Rush's "Voices" is the CD that fans of modern folk music and contemporary singer songwriters have been waiting for for 50 years. Well known for his golden ear for significant new songs by little known writers, the New England based singer guitarist, one of the last giants of the early 60's folk boom, was among the very first to record future standards by then fledgling performers Joni Mitchell, James Taylor, Jackson Browne on 1968's "The Circle Game". On that album, he staked his own claim as a major writer with "No Regrets", an instant classic and subsequent chart hit in multiple genres by other artists, and one of less than two dozen top notch Rush originals that would tantalizingly surface on his 11 studio albums.

Tom's new "Voices" is the first album of his 55 year plus career consisting of all Rush written songs, 10 relaxed, tenderhearted, amused and sometimes thoughtful songs that perfectly reflect Tom's wry persona. Harkening back to Rush's early 60's roots in Boston as a folk and blues interpreter are 2 traditional tracks, "Corina, Corina", and the opening "Elder Green", included because "I didn't want to compromise my folksinger credentials", Tom explains.

His own compositions are shorn of elaborate metaphors, usually evocative story songs in everyday settings, and his warm baritone, tanned by experience, humor and melancholy, shines right through the lyrics, warming them from within. As on Rush's previous studio album, 2009's "What I Know", his first studio release in 35 tour filled years, his smiling, understated delivery, and exemplary skills as an acoustic guitarist are sympathetically framed by a crew of Nashville based studio musicians helmed by musician turned award winning producer Jim Rooney. Sidemen include dobro and pedal steel ace Al Perkins, bluegrass great Sam Bush on mandolin and fiddle, country and bluegrass singers Kathy Mattea and Suzi Ragsdale, and Matt Nakoa, a solo artist who has become a frequent Rush tour accompanist.




Who @ Fillmore East.....

An oft bootleg concert by the Who will soon gets its first official release. "Live At The Fillmore East 1968", which documents the last show of a 2 night stand at the New York venue, arrives on April 20th, 2018. The 2 disc, 3 LP set, focuses largely on material from their 2 previous records, "The Who Sell Out" and "A Quick One". But there are also 3 Eddie Cochran covers, "Summertime Blues", "C'mon Everybody" and "My Way", takes on Benny Spellman's Allen Toussaint penned "Fortune Teller" and Johnny Kidd & The Pirates' "Shakin' All Over", and a lengthy version of "My Generation".

The band's manager, Kit Lambert, had recorded the shows in the hopes of putting out a live album as a stopgap while the band worked on "Tommy". Instead, they put their new single, "Magic Bus", with some older tracks and delivered "Magic Bus : The Who On Tour". The Fillmore tapes were mixed by longtime Who live soundman Bob Pridden for this release.

Bill Graham had only opened the East Village club a month earlier. Although it was only open for 3 years, Graham closed it in 1971 due to changes in the music industry, its place in rock history was secured due to the number of famous live albums that were recorded in that time, including works by the Allman Brothers Band, Jimi Hendrix and Frank Zappa.

For the record, this is not the concert that Pete Townshend mentioned in "The Kids Are Alright" where he was arrested for kicking a policeman, who was trying to stop the show because the building next door was on fire, off the stage. That took place in May 1969.




Eric Congdon.....

2018 finds Eric Congdon further cementing his reputation as one of Western North Carolina’s most talented artists. From mind blowing live performances and ground breaking music video projects, to his ongoing charitable efforts supporting Autism, Eric always brings an energy and creativity to any project he is involved with. His latest album, ”Into The Woods” has earned high praise for its stunning mix of heartfelt songs mixed with blazing instrumentals.

His live show is a bouillabaisse of influences, ideas, and improvisation. You'll hear sounds from Appalachia all the way to Arabia, and from Bombay to Britain. Great guitarists from Tony Rice to Jimmy Page, Chet Atkins and Duane Allman. Not to mention Eric's interpretations of classic songs played on his Irish bouzouki that simply have to be seen to be believed. You never know what song or even what instrument he will play next.

Eric has taken advantage of living in one of the most picturesque and beautiful areas of the USA by creating his ground breaking Hiking Jams video series. Featuring some of the most scenic waterfalls and vistas in W.N.C., Eric has fused live music and improvisation against the breathtaking backdrop of the area's natural beauty. His video series was featured in Mountain Express. More episodes of the series are in production.

Over the past 7 years, Eric has helped raise over 150,000 US Dollars for Autism. From supporting the St Gerard House early intervention center in Hendersonville, to putting on festivals to help the Autism Science Foundation and other organizations, Eric's passion to help stems from his own experiences raising his daughter with autism. He is committed to further educating people and raising awareness about the disorder, in addition to spreading hope through his music to those dealing with it.

Don't miss a chance to see and meet Eric if he is appearing near you.



Willie Nelson.....

Releasing a new album for his birthday is becoming an annual tradition for Willie Nelson, who just announced that his next album, "Last Man Standing", will arrive April 27th, 2018, just days before he turns 85. Nelson's 2017 solo album "God's Problem Child" dropped one day before his 84th birthday on April 28th and quickly topped the Billboard Country Albums Chart. "Last Man Standing" continues that collection's theme of mortality, with the spritely title track's cheeky opening line, "I don't want to be the last man standing. Oh wait a minute, maybe I do". Yet again, Nelson finds himself contemplating the friends he's lost and wondering who will go next, with the sepia toned video for "Last Man Standing" showing him recording in the studio with his band members. "Last Man Standing" reunites the 'Red Headed Stranger' with his longtime collaborator Buddy Cannon. While the pair co-wrote 7 of the 13 tracks on "God's Problem Child", they share the credits on all 11 for this album, which Cannon once again produced. Cannon also manned the controls on last fall's "Willie & The Boys", a collection of songs Nelson recorded with his sons Lukas and Micah. Concerns over Nelson's health, which he expertly satirized on the "God's Problem Child" track "Still Not Dead", have reemerged this winter as he was forced to cancel all of his February concerts due to a bout with the flu. He's scheduled to return to the stage soon, including a headlining set at the 2018 Luck Reunion, held at his ranch outside Austin, TX, during SXSW.




Box From Utopia.....

Friday Music is traveling "The Road To Utopia" with an upcoming 7 CD box set from Todd Rundgren’s progressive band.  The April 20th, 2018,  release of "The Road To Utopia : The Complete Recordings 1974-1982" will coincide with the long awaited reunion tour of Rundgren, Kasim Sulton, who toured with his own iteration of Utopia earlier this year, Willie Wilcox, and Ralph Schuckett which kicks off this April and runs through June.

The new box set will trace Utopia’s evolution from its 1974 debut album, featuring the Mark II line-up, Mark I was a short-lived touring unit, of Kevin Ellman, drums, Moogy Klingman, keyboards, Jean-Yves Labat, synthesizers, Ralph Schuckett, keyboards, and John Siegler, bass and cello, through 1982’s "Swing To The Right", the 5th and final Bearsville album from the classic line-up of Rundgren, Roger Powell, Wilcox, and Sulton.

Across 7 albums, all of which have been expanded with bonus tracks, the band synthesized influences as disparate as prog rock, jazz fusion, pop, new wave, and even The British Invasion. From the 30 minute opus “The Ikon”, to the pop classic “Love Is The Answer”, and the spot on, slightly naughty Beatles pastiche “I Just Want To Touch You”, Rundgren’s Utopia refused to be musically pigeonholed.

Friday’s box set has all 6 of the band’s studio and sole live albums as originally released between 1974 and 1982 newly remastered by the label’s Joe Reagoso from the Warner and Bearsville tapes. Each album will be housed in an individual gatefold digipak with original art elements from each LP including inner sleeves and inserts. Rundgren, Sulton, Wilcox, and Powell have all made written contributions to this set, as well. 15 bonus tracks are spread across the 7 albums, including live performances, promotional single versions, and more.

Following the period chronicled in the new box, the band recorded 3 more albums for the Network and Passport labels between 1982 and 1985.  Numerous compilations and archival releases have celebrated Utopia in recent years, including a lost album, 1976’s "Disco Jets", but "The Road To Utopia" has all of the band’s music as originally released during the period covered.




Fly From Here 2.....

Yes will celebrate their 50th anniversary this month, and the group has many things planned for the 2018 Yes convention, among them "Fly From Here : Return Trip", a limited edition version of their 2011 album with new lead vocals performed by producer Trevor Horn. Horn had previously sung lead for Yes on their 1980 album, "Drama" and also produced the original "Fly From Here" album, which included songs he had written for an abandoned Buggles record. The Yes UK Fan Convention will take place at the London Palladium on March 24th and 25th, the same days the band will be playing the venue to close out their British tour.  A portion of the money taken in by the convention will be donated to the Christie Hospital in Manchester and Kangaroos, a charity for special needs and disabled children.





Mario Rojas.....

Mario Rojas is a singer songwriter from Los Angeles, CA. As a teenager he spent a few years living in Dallas, TX, where he was able to get into clubs and absorb some of the local music scene seeing such diverse acts as Freddie King and Ray Wiley Hubbard to name a few. He learned a lot living there, and has been banging on the guitar since he was a kid. Has a major in FM and a minor in AM radio. It’s all about the songs for him.

In LA around 1977 to the early 1980's he spent a few years writing, singing and playing guitar in the Shake Shakes, a pop punk new wave band who were on the cusp of making it. After that he took some time off to help raise his kids. Now he's back and has more to say. His songs reflect all the good parts of AM radio, from back when you could hear everything from the Stones to the Supremes, Dylan to Beach Boys, LA's 70's singer songwriter country rock to punk on FM. Listening to just about every type of music opens your eyes and ears and all of those influences show up.

How do you describe the music? If influences like Springsteen, Byrds, Graham Parker, James Taylor, Jackson Browne, Poco, Linda Rondstadt, Laura Nyro, Goffin & King, Boyce & Hart, Leon Russell, Jam, Elvis (Presley and Costello), Cream, anything Motown, Hi, Stax, Bennett, Mathis, Badfinger, John Hiatt, Supremes, John Paul George and Ringo, Mick, Keith and Brian, Neil Young, Brain Wilson, hidden 60's pop gems, surf greats, country greats, soul greats, and on and on and on, are to your liking, then please take a listen.

”Lost Angelino” is Mario Rojas’ 3rd release. This 11 original song CD was produced by Ed Tree and Mario Rojas.




Up In Smoke.....

Fire up the home entertainment system and call your buds, because the ultimate stoner comedy is celebrating its 40th anniversary. The highlarious cannabis cultural epic  breakthrough "Up In Smoke" will 'grab you by the poo poo' all over again when it arrives on BluRay and DVD April 10th, 2018. A special deluxe collector's edition, pairing the BluRay with the original soundtrack on CD and LP in deluxe packaging, will arrive the following week, April 20th, 2018, from Rhino Records, featuring a newly recorded 2018 version of the title song.

In 1978, Cheech Marin and Tommy Chong made their feature film debut, the outrageously funny classic inspired by their now legendary comedy routines of the early 70's. Following massive success with over 10 million comedy albums sold, 4 Grammy nominations and a win for Best Comedy Recording, Cheech and Chong took Hollywood by storm when "Up In Smoke" became a smash hit, establishing the pair as the reigning comedy duo of a new generation. Today, the film still has viewers rolling in the aisles and maintains surprising cultural relevance 4 decades after its original release.

 "The greatest thrill is making your 1st movie and this one has been seen and been influential all over the world for over 40 years", said Cheech Marin. "'Up In Smoke' started stoner movies and is still going strong, so smoke it up one more time".

"Where did the time go? 40 years ago we made low budget movies that grossed over 100 million and are still being watched all over the world And it also helped legalize an important medicine", said Thomas Chong. "I am so proud that a movie bearing a title of a simple song I wrote would be so influential for so many years".

In "Up In Smoke" Cheech and Chong play wannabe musicians and stoners who unwittingly smuggle a van made of marijuana from Mexico to LA. Their drug laced humor keeps their spirits high as they unknowingly elude the police and meander their way to an outrageous finale at the Roxy Theatre in Hollywood where Cheech performs in a pink tutu and Chong plays drums in a red body suit with a Quaalude logo.

 The deluxe collector's edition is presented in a 12x12 package, limited to 5,000 copies. The set pairs the BluRay with the original soundtrack on CD and LP, as well as a 7" picture disc, oversized "Up In Smoke" rolling papers, a film poster, and booklet with new essays by both Cheech Marin and Tommy Chong, along with rare and unseen photos. In addition to the new version of "Up In Smoke", the CD also features another previously unreleased version of the song from 1978 with an additional Spanish verse by Cheech.




Green & Maness.....

50 years ago the Byrds set out on an ambitious path to deeper explore the country music they had flirted with on previous records with “Sweetheart Of The Rodeo”. In addition to introducing Gram Parsons to a larger audience, it was the 1st country rock record to be recorded by an established rock act. In addition to the legions of established fans, the record continues to open the eyes of new generations to country music.

Recorded in March of 1968 in Nashville, TN, and April of the same year in Los Angeles, the original record utilized the amazing steel guitar talents of Lloyd Green (Nashville) and Jay Dee Maness (LA), both established session musicians. The freshness of their playing added not only a authenticity to the sessions, but opened the eyes of a whole new audience to the sound of the pedal steel guitar.

50 years later, the original steel guitarists reunited to make a stunning instrumental tribute to this groundbreaking record “Journey To The Beginning”. Recorded at the legendary Cinderella Sound in Nashville, the record captures the original spirit of “Sweetheart”, while adding the refinement and seasoning of 50 years of reflection on the project. The record closes with a rousing vocal version of “You Ain’t Going Nowhere” with Jim Lauderdale, Herb Pedersen, Richie Furay and Jeff Hanna.

 Please join us on this “Journey To The Beginning”, starting April 21st, 2018.




John Prine.....

John Prine has set April 13th, 2018, as the release date for his first album of all new material in more than 13 years. "The Tree Of Forgiveness", on the iconic singer songwriter's own Oh Boy label, was produced by Dave Cobb, the Grammy winner who has helmed projects for Chris Stapleton, Jason Isbell and Mary Chapin Carpenter, among others.

Recorded at Nashville's RCA Studio A, the album features several Prine co-writes, with such noted tunesmiths as Roger Cook, the pair previously co-wrote George Strait's 1998 chart-topper "I Just Want To Dance With You", the Black Key's Dan Auerbach, Keith Sykes and Phil Spector. Special guests on the record include Brandi Carlile, Jason Isbell and Amanda Shires.

Beginning in April and running throughout the remainder of 2018, the reigning Americana Music Association's Artist Of The Year will be on tour, with several special guests on various dates. Sturgill Simpson appears with Prine at his Radio City Music Hall concert in New York on the new album's release date. Every concert ticket sold will include a CD copy of "The Tree Of Forgiveness" upon its release. Other special guests throughout the tour will include Milk Carton Kids, Tyler Childers, Sam Outlaw, Margo Price, Colter Wall, Amanda Shires, Valerie June and others.




Dan Siegel.....

Keyboardist Dan Siegel, prolific recording artist since 1979 and accomplished TV and film composer, brings his love of acoustic piano to the fore on ”Origins”, a hauntingly melodic, rhythmically engaging all original set featuring the most sought after players in Los Angeles.

“I wrote these songs over a period of a year”, Siegel recalls, “and they hold together as a singular statement”. The title, ”Origins”, is for Siegel “the blending of different musical elements, which served as an unconscious inspiration. The music sounds somewhat mediterranean, minor keys with specific types of chord progressions. The feel is a variety of Latin and straight 8 note rhythms. There is also a harmonic element that is more American, somewhat bluesy. ’Origins’ is a combination of all of these things”.

While digitally modeled vintage keyboards, like  Fender Rhodes, Wurlitzer, Pianet, Hammond B3, crop up in the mix, ”Origins” finds Siegel playing acoustic piano as the lead melody and soloing instrument throughout. “In the last decade I’ve gravitated toward working in a more acoustic environment”, he notes. “I think it gives the music authenticity. I’ve been playing the piano since I was 8 years old and I love it, because it’s so theoretically transparent, black and white. But I consider myself more of a composer who plays the piano, I let the music instruct me what the instrumentation would be, and it became piano centric.

The musicians Siegel assembled all hail from the highest echelons of the Los Angeles music scene. Drummer Vinnie Colaiuta, with whom Siegel first worked as far back as 1987, “can play something down the first time while sight reading, and he knows what the song is about before I do, and I wrote it”. The sought after Brian Bromberg, who has appeared on several of Siegel’s most recent albums, is “a one of a kind acoustic bass player who always reminds me what is important in a song”. Percussionist Lenny Castro, an associate of Siegel’s dating back to 1981, “was the first person I talked with when I was planning this project, because I knew he would be prominently featured on almost every track. He brings joy and groove to everything he plays on, has impeccable time and is a consummate professional”.

”Origins” also features a blend of electric and acoustic guitars. In the electric slot is the remarkable Allen Hinds, “one of the most musical people I know”, says Siegel. “He’s from Alabama and he brings that Southern blues rock attitude with him. He always enters conceptually through the back door, he’ll give you something cool and quirky every time you give him a chance to do his thing”. On acoustic guitar is Ramon Stagnaro from Peru, who “shows up with a couple of nylon string guitars and gives you that authentic Latin feel that doesn’t come naturally to every guitar player”.

Adding yet more sonic layers is Craig Fundyga, “an amazing jazz vibraphonist that I stumbled on a few years ago”, says Siegel. “He could play what I give him with one hand tied behind his back. It’s fascinating to watch a four mallet player get around on the instrument like he does”. Lastly, Rogerio Jardim adds ethereal yet precise wordless vocals on 2 tracks. “There are very few people who really know how to double instrumental melodies with voice. It’s a much different requirement than just being a vocalist. Rogerio brought a Brazilian aesthetic to the music just by opening his mouth. Impressively, he’s also a great drummer”

From the artfully restrained opening funk of “Rite Of Passage”, to the churning bluesy rock vibe of the closing title track, ”Origins” foregrounds Siegel’s confident lyrical touch and melodic resourcefulness at every step. The moody, somewhat foreboding quality of “When One Door Closes”, the shifting melodic roles of voice and piano on “After All”, the floating time and acoustic bass solo of “Moon And Stars”, the train like rhythmic patterns of “Strange Sky”, the subtle bolero feel of “Crossing”, all attest to Siegel and the band’s versatility and finely attuned simpatico.

A native of Seattle raised in Eugene, OR, Siegel has recorded over 20 solo albums and amassed hundreds of other producing, arranging, composing and performing credits in his decades long career. Standout solo efforts include the electric oriented ”Another Time, Another Place” in 1984 with Patrick O’Hearn and Alex Acuña, to the exotic world music direction of ”Hemispheres in 1995, with Béla Fleck, Andy Narell and Dori Caymmi, among others. Siegel has also recorded and performed with high profile artists such as Glenn Frey, Chaka Khan, Philip Baily, Kenny Rankin, Hugh Masekela, Joe Sample, Herbie Hancock and the London Symphony Orchestra. In addition to his many TV and film scoring credits, he has served as musical director and conductor on the late night CBS show ’Overtime With Pat O’Brien’, and worked on numerous projects as a session player, including the Oscar winning film The ’Usual Suspects’.




Crosby, Smalls & Vai.....

Harry Shearer, who portrayed bassist Derek Smalls in the 1984 parody rockumentary "This Is Spinal Tap", is releasing his debut solo album in character. "Smalls Change (Meditations Upon Ageing)" arrives on April 13th, 2018, via Twanky Records/BMG.

David Crosby, Steely Dan's Donald Fagen, Peter Frampton, Foo Fighters' Taylor Hawkins, Red Hot Chili Peppers' Chad Smith, former Yes member Rick Wakeman, Dweezil Zappa, Joe Satriani and Steve Vai will appear on the record with many others.

Smalls described the project as 'halfway between rage against the dying light' and trying to find the light'. Detailing how he roped in so many high profile guest artists, the bassist said simply, 'Pity fuck'.

Smalls will launch a United States tour, "Lukewarm Water Live : An Adventure In Loud Music", on April 14th at New Orleans' Saenger Theater, in collaboration with the Louisiana Philharmonic Orchestra. Full details of the tour have yet to be announced, but the trek will also include dates at Atlanta's Symphony Hall, with the Atlanta Symphony Orchestra, and a special appearance with the National Symphony Orchestra at Washington DC's Kennedy Center.

Smalls, singer guitarist David St Hubbins (Michael McKean) and lead guitarist Nigel Tufnel (Christopher Guest) have issued 3 Spinal Tap LPs, 1984's "This Is Spinal Tap", 1992's "Break Like The Wind" and 2009's "Back From The Dead".



Elvis, The Searcher.....

Legacy Recordings and RCA Records will release "Elvis Presley : The Searcher (The Original Soundtrack)" in April.  This is a musical companion to a 3 hour, 2 part documentary of the same name, by Thom Zimny, which focuses on Elvis’ development, from his early blues and country roots and influences, his contributions to popular culture and to his 1976 recording sessions at the Jungle Room in Graceland. Formats include a CD and 2LP vinyl, both feature 18 tracks, and an expanded 3 CD box set that delivers a further 37 Elvis songs and a bonus various artists CD which features selections from Mike McCready’s original score for "Elvis Presley : The Searcher", Tom Petty & The Heartbreakers performing "Wooden Heart" and some of the music that inspired Elvis. In terms of the Presley audio, the label describes the tracks on the single disc as essential Elvis Presley hits, powerful performances, and rare alternative versions. The triple disc deluxe set also includes a 40 page book featuring the usual rare photos, and liner notes by Warren Zanes.

The documentary will premiere in the US via HBO on April 14th, 2018, and this audio companion is released a little earlier, on April 6th, 2018.




Chicago VI Live.....

Chicago is turning 50, and the band is celebrating the landmark anniversary with a new box set looking back on its remarkable onstage history.  On April 6th, 2018, Rhino Recordswill release "Chicago : VI Decades Live (This is What We Do)", featuring 4 CD's and 1 DVD of previously unreleased live music recorded between 1969 and 2014.  This exciting new collection coincides with the group’s current tour in which they’re playing the complete "Chicago II" every night before a lengthy encore set of greatest hits.

The first 2 discs capture the band’s complete, raw, early performance at the Isle of Wight Festival on August 28th, 1970, as they shared a bill with The Doors and Jimi Hendrix.  You’ll hear songs from their 1st 2 albums, including “Beginnings” and the multi part “Ballet For A Girl In Buchannon”, including “Make Me Smile” and “Colour My World”, as well as “Mother” from their 3rd album, which hadn’t yet been released.

Discs 3 and 4 have a total of 18 selections culled from 6 decades of live shows beginning with 3 songs taken from a December 8th, 196,9 show in Paris, “Poem For The People”, “25 Or 6 To 4” and “Liberation”.  The discs continue with a number of collector oriented deep cuts and just a sprinkling of hits like “If You Leave Me Now” and “Look Away”.  A March 1987 Pensacola show has yielded Robert Lamm’s “Forever” and a soulful medley of “In The Midnight Hour”, “Knock on Wood” and “I’m a Man”, with the then recent “Get Away”.  A couple of standards, “Night And Day” and “Don’t Get Around Much Anymore”, have been taken from the 1994 big band tour, previewing the next year’s "Night And Day album".  The 8 songs on Disc 3 all feature the guitar wizardry of Terry Kath, while Disc 4 picks up after his tragic passing on January 23rd, 1978, with the Greek Theatre performances from later that year of “Hot Streets” and “Little One”, which Kath had sung on "Chicago XI".

On February 12th, 1977, Chicago played live on the German music television show Rockpalast . The entire concert is included here in its DVD premiere. Here’s where you’ll hear more of the band’s biggest hits like “Saturday In The Park”, “Just You ‘N’ Me”, and “(I’ve Been) Searching So Long”, plus a cover of The Beatles’ “Got To Get You Into My Life”.   As a bonus, the DVD also includes the band’s performance of “What’s This World Comin’ To” from the 1973 ABC television special "Chicago In The Rockies".

"Chicago : VI Decades Live (This is What We Do)" captures the strength and power of the various lineups over the years of the legendary band started by Peter Cetera, Terry Kath, Robert Lamm, Lee Loughnane, Jimmy Pankow, Walt Parazaider, and Danny Seraphine.  Look for this live retrospective on April 6th, 2018, from Rhino Records.




Mike Spine.....

Don’t Let It Bring You Down” is the 9th full length studio album for Seattle born and Seattle plus Europe based artist Mike Spine. Since 2002, Spine has been known for hundreds of high energy rock performances and 5 albums with his punk rock band At the Spine. In 2010, Spine began revisiting his folk rock and americana roots, when he formed The Beautiful Sunsets and released the critically acclaimed ”Coalminers & Moonshiners” in 2012.

Songs on ”Don’t Let It Bring You Down” are in the vein of ”Coalminers & Moonshiners”, with some added spice and variety. Started as a stripped down solo acoustic album in Portland, OR, with longtime engineer and friend Rob Bartleson (Wilco, Pink Martini, Pond), the new album morphed into a more complex full band album, with 3 Portland based musicians, when Spine returned from a long tour performing overseas in 5 continents. Delayed due to subsequent tours in Europe, the album is finally being released.

The album is a collaboration with Joey Prude on drums, Rob Bartleson on bass, and Ali Ippolito on piano, organ, accordion and backing vocals,. Songs from the album paint vivid pictures of lives of the working class in cities where Spine worked as musician, teacher and activist for the last 2 decades. Known for 20 years of powerful live performances, Spine and his band mates will spend the next year touring Europe and US in support of the album.




Cash Forever.....

"Johnny Cash : Forever Words", a collaborative album featuring Johnny Cash's unknown poetry, lyrics and letters, will be released on April 6th, 2018, via Legacy Recordings. The icon's words will be set to music and performed by an all star lineup that includes Chris Cornell, Willie Nelson, Elvis Costello, Rosanne Cash and John Mellencamp, among others.

Co-produced by Johnny and June Carter Cash's son John Carter Cash, the material is culled from what their son described in a statement as a monstrous amassment of Johnny Cash's handwritten letters, poems and documents that were uncovered following the deaths of his parents. From love letters, "To June This Morning", to Cash's final poem, "Forever/I Still Miss Someone", the words were written across the span of Johnny Cash's lifetime.

Recorded primarily at the Cash Cabin Studio in Hendersonville, TN, over the past 2 years, album producers Cash and Steve Berkowitz invited the A list album cast, which also includes T Bone Burnett, Kacey Musgraves, Kris Kristofferson, Brad Paisley, Carlene Carter and the Jayhawks, to craft new music to pair with the newly found writings.

 "Determining the artist for each song was truly a matter of the heart", John Carter Cash said in a statement. "I picked the artists who are most connected with my father, who had a personal story that was connected with dad. It became an exciting endeavor to go through these works, to put them together and present them to different people who could finish them in a way that I believed that dad would have wanted".

The album serves as a musical complement to "Forever Words : The Unknown Poems", which contains Cash's formerly unpublished writing and served as inspiration for some of the album's songs. The 16 song set is available for preorder and will come in CD, 2 LP vinyl and digital formats.



Love's Forever Changes.....

50 years ago Love‘s epochal "Forever Changes" LP was released. To mark the occasion, Rhino Records have announced that a special "50th Anniversary Edition" of the album will be issued on April 6th, 2018.

The box set contains 4 CD's, 2 DVD's and a vinyl disc, all housed in an illustrated 12x12 hardbound book. It includes the CD debut of a remastered version of "Forever Changes" made by original co-producer and engineer Bruce Botnick, as well as the first ever release of the mono version on CD. Also included are alternate mixes of the album, as well as a selection of rare and unreleased singles and studio outtakes.

 The vinyl disc contains Botnick’s stereo remaster of the original album, while the DVD includes a 24/96 stereo mix. Also featured is “Your Mind And We Belong Together”, a rare Love promotional video directed by Elektra producer Mark Abramson that was originally released in 1968.




Josh Rouse.....

"As you may have heard I have a new album coming out April 3rd, 2018. It's a bit of a sonic departure from the last few, well, a bit more modern I'll say. I will be heading out, with band, in April to do some concerts that will hopefully find us in close proximity to your area over the next year.  We've teamed with Pledge Music to do a fancy preorder for the record and I'll be wearing my hand out writing lyric sheets and signing C.D's, still like the format I have to say and it will make a comeback, for the next month. If you'd like to get the record and/or a small piece of my very valuable time you can order here. Looking forward to seeing you in 2018!" ~ Josh Rouse





PK Gregory.....

PK Gregory’s 3rd collection of original tunes, “Honkabilly Blues”, was recorded entirely live in the studio, with no overdubs, click tracks, auto tuners, fluffers, or other studio trickery what-so-ever involved. All instruments were played simultaneously in one take by PK Gregory, in front of a live studio audience consisting of various local spiders and other critters, including Matt. It was born out of a desire to appease those fans who demanded a recording of tracks ’just the way you do them live’. Thus, this CD contains the essence of PK Gregory’s quirky songwriting style.







Mary Chapin Carpenter.....

Mary Chapin Carpenter's anticipated new album, "Sometimes Just The Sky", will be released March 30th, 2018, through Lambent Light Records via Thirty Tigers. A celebration of her acclaimed 30 year recording career, the landmark record features new versions of some of Carpenter's most beloved songs as well as one newly written song, which became the title track. Produced by Ethan Johns, the 13-track album was recorded entirely live at Peter Gabriel's Real World Studios outside Bath, England

Joined by long time collaborator Duke Levine on guitar and a handpicked band of Johns' favorite musicians, Carpenter reimagined 1 song from each of her 12 studio albums along with "Sometimes Just The Sky". On the album title and newest song Carpenter says, "I read a beautiful interview withPatti Smith in which she said that you don't have to look far or wide, and it doesn't have to be complicated or expensive or madness in order to find things to soothe you in life, or to be happy about. Sometimes just the sky makes everything fall into perspective".




United We Swing.....

In June 2006, John Mayer showed off his jazzy side in a guest appearance at Jazz At Lincoln Center's annual fundraising gala. The singer guitarist teamed with trumpeter and artistic director Wynton Marsalis, and other members of the organization's house band, for a heartfelt version of "I'm Gonna Find Another You", a lovelorn, downtempo track that would see release on his "Continuum" LP that same year. The track appears on "United We Swing : Best Of The Jazz At Lincoln Center Galas", an all star compilation of live performances recorded between 2003 and 2007.

Each of the album's tracks finds Marsalis and co backing a well known guest on a song from their own catalog or a cover. Bob Dylan turns up for a 2004 reinterpretation of his "Highway 61 Revisited" classic "It Takes A Lot To Laugh, It Takes A Train To Cry", arranged by Marsalis, Lenny Kravitz appears performing "Are You Gonna Go My Way" in 2007, Eric Clapton offers his 2003 rendition of Louis Armstrong's "I'm Not Rough", and James Taylor sings his own "Mean Old Man".

In a statement, Marsalis discussed how he and his bandmates approached the diverse material featured on the compilation. "When collaborating with each of these musicians, we naturally had a lot of explicit conversations about the blues form", the trumpeter said. "The styles we were playing were kind of American root styles, hymns, folk songs, different types of blues shuffles, country blues shuffles. Most of our rhythm section was from New Orleans, the crossroads of all of those styles, it was easier for us to access the gospel music, early rock'n'roll, with the type of back beat shuffle, and the swing rhythm. We discussed all those types of things a lot. We talked about form, and how we would go from one part to the other, when there's too much arrangement, when to take horns out, all this kind of stuff".

Also featured on "United We Swing" are Natalie Merchant, Ray Charles, Willie Nelson, Lyle Lovett, Blind Boys Of Alabama, John Legend, Jimmy Buffett and Tedeschi Trucks. The compilation is out March 23rd, 2018, on Blue Engine Records.




Chris Stills.....

Singer, songwriter and guitarist Chris Stills will release his new album, "Don't Be Afraid", on March 23rd in the US. Recorded over the last few years, "Don't Be Afraid", is an evocative collection of 11 heartfelt songs. Chris exudes a pure authenticity as he writes about his personal life and experiences over the past decade. With an endearing and honest intimacy he crosses a wide range of ups and downs through love and hardships that Chris calls 'a self reflective, atmospheric space walk'.

His 1st album in over 10 years, the collection features 3 co-writes, showcasing new and old friendships, 2 with DavidSaw on "The Weekend", and "In Love Again", and another with Ryan Adams on "Criminal Mind", while jamming it for the first time at his studio, Pax Am in Hollywood. Chris makes good use of his influences, wearing them like a heart on his sleeve, Pink Floyd in "Don't Be Afraid", Queen in "I'm Frightened", Harry Nilsson in "This Summer Love", and Tom Petty in "Criminal Mind". Yet, with Chris's very personal touch and stellar vocals he ties it all together making it undeniably a Chris Stills record.

Chris Stills, the son of Stephen Stills and Veronique Sanson, was raised between Paris and Los Angeles. His multicultural influences are infused in his work as a singer songwriter and actor. Since his debut album "100 Year Thing" in 1998 and follow up album "Chris Stills" in 2006, Chris has toured the world performing and recording with a variety of brilliant artists including, Don Was, LeAnn Rimes, Ryan Adams, Gov't Mule, Smashing Pumpkins, Don Felder, Richard Ashcroft, Lucinda Williams, Paul Weller and Rickie Lee Jones. His songs have been featured in numerous movies and television, including the hit Showtime series 'Shameless', and films like "American Hustle", directed byDavid Owen Russell, and most recently "I, Tonya", directed by Craig Gillespie, where Chris sings the Bee Gees classic "How Can You Mend A Broken Heart".

Stills will perform on day of release, March 23td, 2018, in New York City at The Standard Sounds Annie O Music series, as well as on April 21st, 2018, in Los Angeles where is he is co- producer and musical director for "Light Up the Blues", an annual concert to benefit Autism Speaks at the Dolby Theatre. Performances will include Neil Young, Stephen Stills, Burt Bacharach, Judy Collins, Sheryl Crow, Chris Stills, Oliver Stills, Benmont Tench, Mike Campbell, Steve Ferrone and Jack Black, plus many special guests.



Courtney Yasmineh.....

Courtney Yasmineh reaches new levels of inspiration with her 2018 release, the full album “High Priestess And The Renegade”. With a decade of writing, recording, and touring as an independent singer songwriter to inform the project, we hear in her words and in her voice, a culmination of evolution and determination. Working again with producer, multi instrumentalist and vocalist Rob Genadek proves to be fruitful as the album shows them both at the height of their abilities. Themes of falling from grace and of rebirth carry the album and give a true concept album feel. There are elements of folk, gospel, r'n'b, pop, and punk in these arrangements and Courtney’s own signature Guyatone guitar keeps the vibe more D.I.Y. than polished throughout. The touring duo of Courtney and Rob Genadek will be in the US and Europe playing the entire album at shows. Courtney’s first in a series of novels about “A Girl Called Sidney”, published by Gibson House Press, is available worldwide through Amazon.com, as well as all independent bookstores.



Randy Bachman.....

Randy Bachman, co-founder and lead guitarist of Canada’s legendary Guess Who and Bachman Turner Overdrive, offers a unique approach to songs written solely by the late George Harrison. Bachman, an ardent admirer of Harrison from the Beatles’ early days, pays tribute by reinterpreting and taking a few liberties with these landmark songs.The only original, “Between Two Mountains”, symbolizes to Bachman George’s dilemma and how every so often he did manage to squeeze in a song or two, between those of Lennon and McCartney. His songs were special and great. Over time, he became a mountain as well. Universal Music, March 16th, 2018.






Ashley Campbell.....

Ashley Campbell just announced that she will release her debut album on March 9th, 2018. She co-wrote every song on it, including the title track, "The Lonely One". "This is the theme of the album and the songs reflect the different kinds of loneliness that a person can go through".

On the difficulty of separating her own musical story and journey with her famous father, Glen Campbell.
"You can’t really hide the fact that I’m Glen Campbell’s daughter. I hope that people don’t think that it’s the only thing that I am. I would hope that my music and my musicianship would speak for itself. Hopefully, they can connect with my music separately. On the other hand, it has helped a lot. It helps a lot because people have a lot of love for my dad so they seem a little more open to hearing my music and hearing what I have to say".

On the album.
"I want people to be able to listen to it years from now and not identify it with a specific time or era".

On her definition of country music.
"Country music to Ashley Campbell is the telling of an emotional story. It doesn’t matter if it’s happy or sad or nostalgic. It just has to tell a story and evoke some kind of emotion and be real while doing it".



Fanny Walks Earth.....

Fanny is one of music's lost legendary entities, often invoked, but seldom playlisted. The band, a vital part of the Los Angeles rock scene in the early 1970's, was the 1st all woman ensemble to release albums on a major label. Sisters June and Jean Millington formed the core of the group, with June on adventurous electric guitar and Jean on the Beatles-esque bass. Formed from the velvet ashes of the sisters' teenage touring band the Svelts, Fanny was a showcase for the swagger of long haired, bell bottomed, fierce femmes at the dawn of the women's liberation movement.

With June tossing off solos with improvisational grace, keyboardist Nickey Barclay adding audacious class on keyboards and Jean's funky basslines leading the way to the dance floor, Fanny was as passionate as Laura Nyro and as cool as Little Feat. Yet maybe because the band never did have a big hit single, its story is now better known than its music. Now, the Millington sisters, along with original Svelts and once and future Fanny drummer and vocalist Brie Howard (Alice de Buhr was also a Fanny member), are out to correct that with a reunion, and a whole new album of original Music, as Fanny Walked The Earth.

Jean and June Millington have continued to play music together over the years, while also forging separate paths. June also co-founded the Institute for Musical Arts in Western Massachusetts, a recording and retreat complex, supporting women musicians at all stages of their careers. Brie Howard's life beyond music has included motherhood, an impressive career in film, many songwriting credits and a custom cake business. She has been in two bands since leaving Fanny, American Girls and, with her husband David Darling, Boxing Gandhis. Howard answered the Millington sisters' call to reunite in early 2016, and things just felt right. "The minute we finished the first song during rehearsal, we all knew we sounded pretty f¤%&ing great!", Howard says in a recent email exchange. A short video Howard posted to Facebook garnered the attention of Blue Élan Records president Kirk Pasich. "He had all the Fanny albums in his record collection", Howard says, "and the deal was offered".

The songs on "Fanny Walked The Earth", to be released March 2nd, 2018, came from fruitful jams among the 3 women. "They weren't written with a particular approach in mind", says Howard. "It had been 50 years since we first played together. All those years of life experience, time on our instruments, having shared our history together and apart, led to the stories written about on this record. There's a huge difference in what there is to write about now than when we were in our teens and early 20's". Though on a major label, Reprise, the original Fanny operated in ways that prepared the Millingtons and Howard for today's free-for-all music business environment. The Svelts, in fact, were one of the only all female garage rock bands on the west coast, rogue warriors holding their own in a sometimes rough club scene.

"Being in a band in the 60's taught me self sufficiency", Howard explains. "We were our own roadies, sound crew, manager, booking agent, funders, transportation, publicity. I drew and painted our posters in 1966 and designed and created our album artwork". Howard wrote half of the band's new album and helped direct the video for "Lured Away", the band's 1st song in 44 years. "I still have a 'get it done yourself' attitude about many things. We're busy on social media, fully immersed on as many levels as we can be".

"Fanny Walked The Earth" conveys the same effervescent spirit the 1970's Fanny possessed, these women see no need to sit on stools and wax gentle about their position as rock'n'roll elders. Having influenced bands from the Runaways to the Bangles, Fanny is ready to be heard by listeners ready to rediscover its uniquely welcoming jams. Howard says the trio is eager to tour, the new songs were designed to be experienced live. "On the new record", she says "you can expect to hear 3 very fortunate women who have earned the opportunity to continue kicking ass".



Cina Samuelson.....

My mother was a wonderful woman, she loved music, she loved to sing and she really loved to dance. The song 'Sweet Mama' is about a very special moment for me, my mother and a man called Elvis. The song 'How Long Is Forever' is about a couple getting married and the promise to stay together forever. But the question is; How long is forever?" ~  Cina Samuelson

New single just released by country music artist Cina Samuelson, recorded live in a studio in Mariestad, Sweden, and it contains the 2 songs ”Sweet Mama, Elvis And Me" and "How Long Is Forever”, both written by Cina.






Bettye LaVette.....

For her 10th album and 1st album on a major label in nearly 50 years, legendary soul singer Bettye LaVette takes on the songs of Bob Dylan with the grit and experience that makes her one of the greatest living soul singers alive.

"Things Have Changed" is a masterpiece of interpretation of one of the greatest songwriters alive, by one of the greatest soul singers alive. Produced by Steve Jordan, the album spans Dylan’s catalogue and features guest appearances by Keith Richards and Trombone Shorty.

Verve Records, March 30th, 2018.





Eric Andersen.....

Real Gone Music has announced that, in conjunction with Sony’s Legacy Recordings, the label is adding a new title to the long running Essential series with a volume devoted to singer songwriter Eric Andersen.  The 2 CD "The Essential Eric Andersen", due March 30, 2018, features 33 songs chosen by Andersen himself, which span his entire career and feature recordings from 18 albums and 10 different labels including Vanguard, Warner Bros, Columbia, Arista, Gold Castle, Appleseed, Meyer, Ryko, Smithsonian Folkways and CBS Holland.

Eric Andersen moved to New York in the early 1960's and soon became known in the Greenwich Village folk scene.  He was signed to Vanguard and released his 1st album, "Today Is The Highway", in 1965. 2 tracks from this effort kick off this new retrospective.  His songs, including “Violets Of Dawn” and “Thirsty Boots”, would come to be recorded by artists such as Judy Collins, Bob Dylan, Johnny Cash, Linda Ronstadt, Grateful Dead, among others.

The compilation continues tracing his career including 4 cuts from his 1972 Columbia debut, "Blue River", which would become his most commercially successful album.  The title song features Joni Mitchell.  Andersen ran into problems with his sophomore album for Columbia when the tapes were lost for nearly 2 decades. Luckily, they were eventually found and finally released as "Stages" in 1991. 5 tunes have been drawn from the album, including “Time Runs Like A Freight Train”, which has Dan Fogelberg on background vocals.

Other tracks on the collection include live versions of “Violets Of Dawn” and “Thirsty Boots”, from Andersen’s Arista period and collaborations with Lou Reed, “You Can’t Relive The Past”, and Richard Thompson “Hills Of Tuscany”. "The Essential Eric Andersen" also has songs from Andersen’s time with the Danko, Fjeld and Andersen bands in the 1990's. The trio featured Andersen, Norwegian singer songwriter Jonas Fjeld and Rick Danko from The Band.

The set then chronicles Andersen’s return to solo work in the 2000's for Appleseed Recordings and Meyer. A previously unreleased cover of Merle Haggard’s “Mama Tried” from the 1970's premieres here, and the collection comes full circle by ending with Andersen’s earliest recording, a 1964 duet with Phil Ochs on “Plains Of Nebrasky-O” for Smithsonian Folkways.

Anthony DeCurtis of Rolling Stone has penned new liner notes for the booklet which includes photos from Andersen’s private collection. The set has been remastered by Mark Wilder at Battery Studios. It’s being released in time to coincide with Andersen’s new tour, which begins in April and the release of a new documentary about Andersen, 'Songpoet'. "The Essential Eric Andersen" is the most comprehensive overview of the singer songwriter’s career to date.




Led Zeppelin.....

15 years ago, Led Zeppelin issued "How The West Was Won", premiering performances from the band’s June 25th and 27th, 1972, concerts at the Los Angeles Forum and Long Beach Arena.  Now, those seminal tracks have been newly remastered under the supervision of Jimmy Page for a surprise addition to the band’s Super Deluxe library, as well as in a variety of formats, all of which are due from Atlantic/Swan Song Records on March 23rd, 2018, including the first-ever BluRay Audio and vinyl editions.  The remastered "How The West Was Won" arrives in advance of the band’s official 50th anniversary celebration, which will kick off this September.

"How The West Was Won" sequenced material from the Los Angeles and Long Beach concerts to replicate a single concert from start to finish as the band introduced songs from its then unreleased 5th album, "Houses Of The Holy", which would be released nine months later, and looked back on its already storied catalogue.  Among its 18 tracks are a 25 minute version of “Dazed And Confused”, a 21 minute blues medley built around “Whole Lotta Love”, and fiery takes on “Rock & Roll”, “Moby Dick”, “Immigrant Song”, “Black Dog”, and, of course, “Stairway to Heaven”.




Melanie Dekker.....

"Secret Spot is a new, spirited and dynamic Melanie Dekker album, recorded with award winning Canadian producer Sheldon Zaharko, and supported by Creative BC and the Government of British Columbia.

A collection of 10 songs that will take you to a few special corners of your heart. There is depth and variety, and the more you listen, the sweeter the details get. Each song visits a time, and a place, where a feeling glues that moment together. The pace is somewhat like walking through a city on a sunny day where the wind is howling and seems to chase you, as it’s strength differs with every turn you make.

“This folk pop record was mostly influenced by the last 100 shows, journeys experienced with my family and dearest friends over the last 5 years, and paying attention to the ‘quiver’ you get when something makes the hair on your arms stand up.  The music I listened to these past few years, City & ColourTom PettyThe BandJohn Mayer, Ed Sheeran, and inevitably some heartbreak also played a part”.

 "The backbone of most of the tracks are my acoustic guitar, and then I coloured the songs with my favourite musicians and instruments. I also dared to use my fingers on the piano track on ‘Always Gonna Be’, gently strummed the ukulele on ‘More Human’, got funky with the Wurlitzer piano on ‘Better When We Do’, and gently hammered it all home on a Rhodes on ‘When It’s Over’, the final and most gentle track."




Grateful Dead.....

The Grateful Dead forged its legend on the road, traveling countless miles between 1965 and 1995 to perform a world record 2 318 shows for millions of devoted fans. The band's refusal to ever play a song the same way twice has endeared generations of fans, many of whom prefer certain live versions of songs over their studio counterparts, and garnered the popular phrase among Dead Heads, "there is nothing like a Grateful Dead concert".

Made for die hard Dead Heads and new fans alike, "The Best Of The Grateful Dead Live" is the ultimate live collection, a 2 disc set with recordings selected from the band's official live albums on Warner Bros and Arista, plus a few tracks from their many archival live releases, beginning with "St Stephen" from the group's 1st official live album, 1969's "Live/Dead", and ending with the poignant "So Many Roads," taken from the band's final concert at Chicago's Soldier Field in July of 1995

"The Best Of The Grateful Dead Live" will be available as a 2 CD set on March 23rd, 2018. The music will be available through digital and streaming services as well. On the same date, "Volume One" of the collection will also be available on 180 gram vinyl as a 2LP set, covering the 1st half of the album. "Volume Two" on vinyl will be released at a later date.

"We wanted to follow up the 2015 "The Best Of The Grateful Dead" studio set with a live counterpart, and have focused our efforts on the band's primary live albums, as well as some key tracks from archival concert releases", says band archivist and producer David Lemieux. "Just as there was nothing like a Grateful Dead concert, there is also nothing like a live Grateful Dead recording, it's no secret that as good as the Dead's studio recordings were, they excelled in front of an audience, and this set provides an overview of just how great the Dead were live in concert".




The Decemberists.....

The Decemberists have announced a new studio album, "I’ll Be Your Girl", which is set for release on March 16th, 2018, via Capitol Records. The band has also unveiled the record’s 1st single, along with a batch of spring and summer tour dates.

"I’ll Be Your Girl" was recorded in the group’s hometown of Portland, OR, with producer John Congleton, who has worked with the likes of St Vincent, Lana Del Rey, Angel Olsen and more. In a note posted to their Facebook page, the band writes, “the songs tend to the darker, more absurdist side of things, I mean, how can you blame us, and features a lot of nice vintage synth work by Jenny and Chris, some heavy drumming from mr Moen and, of course, the sort of baroque bass work you’ve come to expect from the former mr Lincoln High, Nate Query. All in all, everyone acquitted themselves quite nicely”.

“When you’ve been a band for 17 years, inevitably there are habits you fall into”, lead vocalist and songwriter Colin Meloy says in a press release. “So our ambition this time was really just to get out of our comfort zone. That’s what prompted working with a different producer and using a different studio. We wanted to free ourselves from old patterns and give ourselves permission to try something different”.




N.R.B.Q. 1969.....

The New Rhythm And Blues Quintet formed over 50 years ago, and after playing together for a few years, the band began recording with Eddie Kramer and inked a 2 record deal with Columbia Records. Their eponymous debut appeared on shelves in 1969, featuring the band’s wide ranging originals, peppered with versions of songs from artists as wide ranging as Eddie Cochran and Sun Ra, plus a co-write between the band’s Terry Adams and jazz experimentalist Carla Bley.

It was, and is, a wildly original and influential release. For all of its stature, it’s hard to believe in its 49 year existence, it has never been reissued, nor ever appeared on CD or digital. That changes March 16th, 2018,  when "NRBQ" is available once again, on CD, for the first time, digital, and as a gatefold LP. Combining elements of the original, with additional photos and new liner notes from Jay Berman, the package has never looked, nor sounded better. The band is still going strong, and this reissue follows hot on the heels of their 5 CD boxed set, "High Noon : A 50 Year Retrospective", and last year’s critically acclaimed EP, "Happy Talk". As Berman says in his notes, "this historic and monumental recording has been remastered, and finally authorized for re-release. This album is a great reminder that NRBQ is on a mission, one that holds steady to its original inspiration to this day. For those fans who missed it the first time around, it hasn’t aged a bit".




J Briozo.....

J Briozo evolved out of a set of songs that Swallows' lead singer Jeff Crandall wrote as the Minneapolis based band was set to return to the studio to record their 3rd full length album, "In The Shadow Of The Seven Stars". The acoustic guitar and piano based songs that Jeff was working on were written from the perspective of a fictional singer songwriter named J Briozo, a persona loosely based on his mother’s Portuguese ancestry.

Jeff wasn’t convinced at the time that this would be anything other than a studio project, assuming he’d play most of the parts, and he had no real intentions of conjuring up a band to perform the material.

However, as Swallows began recording in one studio, Jeff began recording the basic tracks for "Deep In The Waves" in another studio across town and he quickly recognized that his solo album had begun to take on a life of its own. The new album was going to require the talents of his Swallows’ band mates to fully realize the vision that Jeff was developing for the project.

Jeff decided to invite members of Swallows to add additional parts to the somewhat open frameworks he had laid out for the songs on the album. The group composed their parts in the studio, creating psych pop, rock, jazz, orchestral and folk arrangements for the songs. By the end of the tracking, it was clear that a compelling new sound had developed and a full band would needed to support it.




Jackie DeShannon.....

After spending the 1st full decade  of her recording career at Liberty/Imperial Records, where she immortalized such iconic anthems as “What The World Needs Now Is Love” and “Put A Little Love In Your Heart”, Jackie DeShannon was wooed away to Capitol Records in 1971. Upon landing at her new label, the Kentucky born DeShannon was dispatched to Memphis’ American Recording Studios, where, with producer Chips Moman and a crack band consisting of Bobby Emmons and Bobby Woods on keyboards, Reggie Young on electric guitar, Mike Leach on bass, Johnny Christopher on acoustic guitar, and Gene Crisman on drums, she recorded a avorful mix that embraced her southern soul roots blended with country, gospel, and pop.

The wide ranging repertoire included the DeShannon originals “West Virginia Mine” and “Now That The Desert Is Blooming”, along with songs by George Harrison, “Isn’t It a Pity”, Van Morrison, “And It Stoned Me”, Carole King and Gerry Goffin, “Child Of Mine”, Emitt Rhodes, “Live Till You Die”, Arlo Guthrie, “Gabriel’s Mother’s Highway”, Spooner Oldham & Dan Penn, “Sweet Inspiration”, and others. But those tracks inexplicably remained in the vaults, leapfrogged by the tracks DeShannon cut at Capitol Studios upon returning to California that turned into her "Songs" album. In fact, of the Memphis tracks, only a single, “Stone Cold Soul”, and a lone track on "Songs", “Show Me”, were released at the time.

The rest of the "Songs" album, co-produced by DeShannon with Eric Malamud and John Palladino, featured covers of Bob Dylan’s “Lay Lady Lay”, retitled “Lay, Baby, Lay”, and Hoyt Axton’s “Ease Your Pain”, plus a shimmering trio of DeShannon originals, “Salinas”, “Bad Water”, and a remake of “West Virginia Mine”.  DeShannon’s stay at Capitol proved to be short lived, legendary producer Jerry Wexler bought out her contract to bring her to Atlantic Records, leaving most of Jackie’s Memphis masters unreleased. Some of those masters emerged as part of a long out of print UK collection decades later, but now, for the 1st time, all 25 of Jackie’s Capitol recordings are available on this Real Gone Music compilation. "Stone Cold Soul : The Complete Capitol Recordings" presents Jackie’s rare Memphis tracks, including 5 previously unreleased titles along with her "Songs" album. The CD also offers a stunning selection of never Before seen period photographs from her personal collection, along with in depth liner notes from Joe Marchese, taken from an interview with Jackie. Remastered by Mike Milchner at SonicVision, "Stone Cold Soul" offers essential listening for any Jackie DeShannon fan or vintage roots rocker. March 2nd, 2018.




R Wood & R Lane.....

What do 2 Faces do when their lead singer, bon vivant Rod Stewart,  doesn’t show up for the "Ooh La La" recording sessions? They work on a soundtrack for an obscure film by actor and friend Alexis Kanner, most famous for his guest roles on the late 60's TV series 'The Prisoner', and draft the uppermost rank of British rock royalty to play on it.

Indeed, given the pedigree of the personnel on this project, it is rather stunning how obscure this 1976 album from Faces members Ron Wood and Ronnie Lane remains, having only been issued on CD abroad and for a brief time at that, one suspects it has much to do with the flop of the film, which appears to have only been screened at the Canadian Film Festival, and the fact that the original LP was released 4 years after it was recorded in 1972.

Just listen to the roll call of session men on "Mahoney’s Last Stand", which was produced by Glyn Johns, himself a British rock and roll noble of good standing and fresh from producing Paul McCartney and Wings’ "Red Rose Speedway" when he worked on this album, Pete Townshend, guitar and special electronic effects”, Blind Faith and Family member Rick Grech, fellow Faces Ian McLagan and Kenney Jones, soon to be fellow, for Wood Rolling Stones habitués Ian Stewart, Bobby Keys, and Jim Price, Micky Waller, Wood’s fellow member in the Jeff Beck Group of the late ‘60s, and Grease Band member Bruce Rowland, to name but a few.

As for the music, much of it has a rustic, rural feel in keeping with the film’s setting, which follows the misadventures of a recluse who rents a ramshackle farm in the Canadian countryside, with some nods, “Woody’s Thing”, towards the blues rock Wood would explore with Keith Richards in the Rolling Stones. But without a doubt the highlight is Lane’s “Just For A Moment", which is here in both vocal and instrumental versions, it’s a prime example of the wistful roots rock that made Lane’s post-Faces solo career so compelling. Richie Unterberger’s liner notes examine this Little known detour in the careers of 2 British rock legends, fascinating for Faces and Stones fans.




Brian Flanagan.....

Brian Flanagan is an Irish songwriter, composer, vocalist, musician and poet. He has worked with artists from diverse musical backgrounds such as Michael Flatley, Nadine Coyle, Eric Bibb, Nathan Carter, Finbar Furey, Brian Kennedy and Sharon Shannon. Brian is renowned for his ability to write to order, emotionally charged pieces that are immediately engaging. He scored a Christmas Top 10 hit for Síle Seoige & Friends in 2014 with ‘Maybe This Christmas’ and has 4 iTunes # 1 tracks to his name.

Love, loss, self pity, recognising chances and taking them, or not, almost mystical nature experiences, Life changing encounters, art and artists, environmental protection, human rights, it is truly a broad, moving and very current spectrum of themes which Irish singer songwriter Brian Flanagan has worked through in the 11 tracks of his CD. Until recently he has released a string of successful singles.

The melodies are catchy, but not banal. After having listened to the album a few times you'll find many of the wonderful tunes continually rotating around in your head, getting more familiar and enjoyable with each turn. That is of course also due to Flanagan's warm and velvety voice, the soft background choirs and the unassuming but wonderfully musical and supportive instrumental backing.

Good examples are the haunting lamentations of the flute on the title track "Where Dreams Are Made", the crystal clear yet warm Irish pipes in "Flowers In The Window", a piece in memory of a friend, and the piano dripping notes like a tap in the self-searching "Whole Lot Of Livin'". The harmonium in "Lagan Love" is played by Flanagan himself, conjuring up the picture of mists rising from the river.

The listening experience gets a further deeper dimension if you read the song lyrics with their surprising images in the graphically opulent booklet. Brian Flanagan often sings quite quickly, with sometimes unexpected stops and starts. He occasionally throws in Irish words like "grá" (love), and not only in the traditional "Lagan Love". 



Meadow Creek.....

Meadow Creek is mr and mrs Peter and Linda Dahl from Degerfors, Sweden. Linda is a singer and songwriter who got her 1st record deal at the age of 17, when she was the lead vocalist in the band Angel. A few years later, the band got a smash hit with the song “Sommaren I City”, which became a Swedish summer classic, and is still played regularly at every Swedish radio station.

Peter is a multi instrumentalist, producer and songwriter who started as a touring guitarist at the age of 11. As a member of the cover band Peckas Pack he has cut off most of Sweden’s party scenes. In 1996, the Dahl couple joined and started one of Sweden’s first ABBA tribute shows together with some friends from Stockholm, “SOS – A Tribute To ABBA”, touring in both Sweden and the rest of Europe for 16 years.

Meanwhile their love for bluegrass and country music grew stronger and Linda and Peter started the band Whisky & Dynamite, which became very popular on the Swedish country scene. They recorded and released 2 albums in 2006 and 2009, and their songs entered radio stations all over the world.

As songwriters, the couple has written a lot of songs for various artists and bands. For example Roger Pontare, Streaplers, Blender, Sten & Stanley, Drifters, Fernandoz, Barbados, Black Jack, Fryd & Gammen, Fernandoz and others. They have had several songs at Svensktoppen  and they also wrote the song who won Melodifestivalen in Sweden in the year of  2000. Their song, “När Vindarna Viskar Mitt Namn”, was performed by the artist Roger Pontare. The song won the Swedish final and then ended up at # 7 in the Eurovision Song Contest.  They also competed in other countries selections for the Eurovision song contest.  In 2016 they wrote the song “Golden Frame” for artists Matilda & Stefan, who won the regional final in Svensktoppen Nästa, which Sveriges Radio P4 organizes. In recent years, the couple has also worked with Starlab Publishing and writes J-pop and K-pop songs to the Asian market. 

Right now, the Dahl’s focus is their new duo Meadow Creek, which entered the studio in the summer of 2017, and recorded their own material in the style of singer songwriter, country, americana, blues and pop.  Producer of the new album is Göran Eriksson, Black Lake Music, also known as the band leader and guitarist in Jill Johnson’s band.




Concert For George.....

"Concert For George" was first released across a number of formats in 2003 and documented that emotional and rather joyous evening on November 29th, 2002, when friends, family and former bandmates came together to celebrate the life and work of George Harrison. Almost 15 years after that release, February 23rd, 2018, it will be reissued, available for the very first time on 4LP vinyl and other formats, including new video audio combo packs and a very exclusive deluxe box set.

Despite the big names, there was something very intimate about this event and the people who performed all knew and loved George. They included Jeff Lynne, Eric Clapton, Tom Petty, Ringo Starr, Paul McCartney and Joe Brown, who closed the show with a tear jerking performance of "I’ll See You In My Dreams".

Significantly, this new vinyl version features the complete sound recordings from "Concert For George", the first time all the songs from the performance have been available on an audio product. This means that Sam Brown‘s stonking rendition of "Horse To The Water", arguably one of the best of the night, is included on the vinyl edition. The CD's remain as before, and include a slightly edited down 20 track collection. Side 8 of the new vinyl includes a beautiful looking etched mandala design.

A limited edition deluxe box set includes the 4 LP vinyl, 2 CD's, 2 BluRay's and 2 DVD's along with a 12x12 hard bound 60 page book. Fans who buy this edition also get a cutting from the original handpainted on stage tapestry used as the backdrop at the Royal Albert Hall on November 29th, 2002. This is mounted on an individually numbered card. This deluxe edition is limited to 1000 worldwide and includes a note from Olivia Harrison, explaining the story behind the tapestry. Before you get too excited, this edition is $350.

Although the content on BluRay, DVD and the 2 CD's hasn’t really changed, the full concert is on the 1st BluRay or DVD, while the 2nd video disc offers the theatrical version with additional material, this time around there are combo editions available as 2 CD + 2 BluRay set or a 2 CD +2 DVD package. If you don’t want the video (but why wouldn’t you?) there’s a 2 CD edition as well.




Southern Swampers.....

In 1969, after years of working as the house band for the late Rick Hall at the legendary FAME Studios, where the likes of Aretha Franklin and Wilson Pickett recorded, the Muscle Shoals Rhythm Section struck out on their own. Affectionately known as the Swampers, the band set up their own studio, Muscle Shoals Sound, at 3614 Jackson Highway in Sheffield, AL, and they didn’t have to wait long for artists to seek them out. Cher, Paul Simon, Bob Dylan, Rolling Stones, Bob Seger, and many other superstar acts came to town to get a helping of the Swampers’ funky, soulful Southern swamp sound.

But unlike other celebrated studio musicians such as Booker T & The MG’s, the Swampers never put out a record of their own material. Until now. This month, "Muscle Shoals Has Got The Swampers" will finally see the light of day. The title is taken from the shoutout given to the band by Lynyrd Skynyrd in “Sweet Home Alabama”, and the album includes 14 previously unreleased instrumental tracks, mainly from 1969 to 1978, that sizzle with precision and groove.

“We were never known as soloists because people gave us so much work”, says Swampers bassist David Hood. “Everyone would ask, ‘When are you guys gonna make an album?’. We just didn’t have time”.

Eventually the Swampers, which also includes guitarist Jimmy Johnson, drummer Roger Hawkins, and the now deceased keyboardist Barry Beckett, tried to make a record with a couple of singers, but as Hood says, “It sounded like the singer, not us”.

Unearthed by Jackson, Mississippi based Malaco Records, many of the album’s tracks came out of studio jams the foursome would play while sitting around waiting for whatever legend was ready to record. A few of the cuts, including “Muscle Shoals Malmo Express”, were recorded specifically for a friend in Sweden who needed theme music for his public radio show. All told, the collection is a vital snapshot of music history and stands as a testament to the deep influence the band had on modern music. “I’m happy this is finally coming out”, says Hood, one of the more modest and unassuming music legends around. “I’m really proud of what we’ve done”.




Nina Simone.....

Few artists have had the impact on pop, soul, rock and jazz as the iconoclastic Nina Simone. Simone played by her own rules in life and art, recording some of the most electric and eclectic music imaginable in any genre. It wasn’t uncommon on a Simone album to find politically charged protest music alongside popular Broadway hits and reworkings of contemporary rock songs. This April, she will enter the Rock'N'Roll Hall Of Fame, though she preferred to call her singular fusion of genres 'black classical music'. Throughout her long and fascinating career, the singer, pianist, songwriter and activist recorded for a variety of labels, including Philips, RCA Victor, and CTI. But 2 new compilations are looking at her 2 earliest recording affiliations, for the Bethlehem and Colpix labels. On February 9th, 2018, "Mood Indigo: The Complete Bethlehem Singles" will arrive from BMG, and 2 weeks later, "The Colpix Singles" will be released on the newly reactivated $tateside label.

Nina Simone began her recording career at the jazz oriented Bethlehem Records label at the age of 25 in 1958. Her debut album "Little Girl Blue", named for the Rodgers and Hart standard, would feature 11 of the 14 tracks she recorded for the album, including what would become a signature song, “Porgy (I Loves You Porgy”, from George and Ira Gershwin and DuBose Heyward’s Broadway opera, "Porgy & Bess". By the time “Porgy” began rising on the charts, Simone had already moved on to Colpix Records, but Bethlehem continued to capitalize on the artist’s small trove of recordings for the label both on the collection "Nina Simone & Her Friends", also featuring Chris Connor and Carmen McRae and on 45 RPM singles.  Between 1959 and 1962, Bethlehem issued all of the material Simone had recorded for the label.

"Mood Indigo: The Complete Bethlehem Singles" will be released on CD and vinyl.  The 14 track CD version follows the chronology of the original singles, while the vinyl LP version has “Porgy (I Loves You Porgy)” and “Love Me Or Leave Me”, Simone’s debut single, on a bonus 7" replica 45 rather than on the LP. Additionally, Barnes & Noble will have an exclusive blue vinyl version. Ashley Kahn’s new liner notes draw on a fresh interview with drummer Al 'Tootie' Heath, who joined Simone and bassist Jimmy Bond on the intimate recordings.  The collection of original mono single versions has been produced by the acclaimed team at Omnivore Records.

Simone’s move to Colpix Records was a fruitful one. She remained at the label from 1959 to 1964, releasing 10 albums and numerous singles. Those singles are being collected on the 2 CD, 27 track, release simply entitled "The Colpix Singles", also available in a 14 track highlights edition on vinyl. Singles were drawn from both live and studio albums for the label, including "The Amazing Nina Simone", "Nina Simone At Town Hall", "Nina Simone At Newport", and "Nina Simone Sings Ellington". At Colpix, Simone recorded some of the most sly, sultry, and incendiary music of her career, touching on folk, blues, jazz, and soul, including renditions, all included here, of “Black Is The Color Of My True Love’s Hair”, “Willow Weep For Me”, “Cotton Eyed Joe”, “I Want A Little Sugar In My Bowl”, and an answer song to Ray Charles’ “Hit The Road, Jack” entitled “Come On Back, Jack”.  Featuring all of the songs in their original mono single versions, including some unique edits, "The Colpix Singles" will be released on $tateside, which Warner Music’s Global Catalogue Division relaunched last year to focus on  classic jazz, soul, and r'n'b releases, making Nina Simone an ideal candidate for the new label’s roster.




Martin Kerr.....

Since arriving in Canada as a homeless traveler, UK born singer songwriter Martin Kerr has built his career one passerby at a time, singing his way from street corners to concert halls and arenas. Often compared to the best of the 1970’s troubadours, Cat Stevens, James Taylor, John Denver, Martin's soulful voice and lyrics connect with listeners of all ages and backgrounds.

Now he's raising his young family by performing more than a 150 shows a year, in folk clubs and listening rooms, at farmer’s markets, house concerts and festivals, even schools, offices and places of worship. He has carved out a niche as one of the most approachable and inventive musicians around.

“I've always wanted to take my music to the people where they are. I watched other musicians playing the same venues for the same people late at night and not making a living, so I thought I would try something different. I decided to play pretty much anywhere people gather, no matter their ages or backgrounds and performing for them when they weren’t expecting it. If you surprise people with something beautiful, with passion and sincerity, people will remember and support you”, said Kerr.

His hard work has paid off in a big way. In May 2017, Kerr sold out the 1,700-seat Winspear Centre, the most prestigious concert hall in his adopted hometown of Edmonton. His notoriety also landed him the opening slot for legendary songstress Sarah McLachlan at the 20,000 seat Rogers Place.

With the release of his new album ”Better Than Brand New”, Martin Kerr has gone from local hero to national talking point. Without any label backing, and relying only on his grassroots following, the album landed in the Canadian Top 10 and made it to #2 on iTunes. Now he is looking to take his burgeoning reputation as an entertainer and songwriter to a global level.

Although he has released a number of albums in the past, consisting of original material, cover song Projects, as well as a few children’s albums, and selling in excess of 20,000 copies in all, ”Better Than Brand New” sees Kerr stepping up his game on all levels.

“There is quite a contrast on the album. A few songs are incredibly intimate with just my guitar and voice, while others have synths and big drums, electric guitars and full on production”, says Kerr. “Some grow from one to the other. My producer, Stew Kirkwood, and I share an admiration for artists like Peter Gabriel and Radiohead and decided to emulate some of those more epic soundscapes that we loved from those albums”.

Kerr is an artist who believes that music has the capacity to change hearts and minds. Imbued with a deeply held social conscience, Kerr wants his audiences to not only be entertained, but to be moved.

“As a kid I fell in love with artists like Tracy Chapman and Cat Stevens, they write very personal songs about their own lives, but with an aspect of social commentary, which I’ve always admired and try to emulate”, he said.

Following in the traditions of the great folk music storytellers of past generations, Kerr’s incredibly poignant and well crafted acoustic song ”Mr Liao”, tells the tale of a down on his luck migrant farmer trying to eke out a living for his family.

“I met the family when I was teaching in China. They lived on the other side of a wall from me. I was living in a foreigners’ compound and there was this 10 foot high wall with sharpened glass on top that kept poor people from getting in, which made me very uncomfortable, because I had gone there to be with ordinary people”, he said. “On my time off I would go outside the gate and meet the migrant farmers and got to know this gentleman, his wife and son. The song tells the story of how this family got to be where they are. It’s a really tragic story and almost everybody I have played it for has cried”.

Each show and each song from Martin Kerr takes listeners on an authentic and powerfully emotional journey. Much like life, there is joy, there is sadness, there is injustice, there is love and loss all presented through melodies that stay with the listener.

Martin Kerr’s connection to people of all ages, backgrounds and all tastes, cultivated through his many years as a fearless and friendly street performer has allowed him to develop his craft as a songwriter, and especially as a live performer, in ways that are truly unique and organic. With the global release of ”Better Than Brand New”, he is set to do the same with audiences around the world.



Neil, Willie & The Real.....

"Time is fluid in this far fetched, whimsical western tale of music and love. Somewhere in the future past, The Man In The Black Hat hides out between heists at an old stagecoach stop with Jail Time, Particle Kid, and an odd band of outlaws. Mining the detritus of past civilizations, they wait for the Silver Eagle, for the womenfolk, and for the full moon's magic to give rise to the music and make the spirits fly....."










More Marillion.....

After the success of last year’s "Misplaced Childhood" box set, the Marillion reissue campaign continues into 2018 with a similarly lavish multi disc set of 1994 fan favourite "Brave".

Steven Wilson has remixed the original album in 5.1, which should delight fans, as a new mix is likely to bring out some of the more subtle elements of the original recording. A hi-resolution stereo mix will also be included.

The BluRay disc will include a documentary on the making of the band’s concept masterpiece, though details on this are rather scant. The original "Brave" movie will not be included.

2 discs of live material will compliment the studio material. The show from La Cigale in Paris will be released in complete form for the 1st time. The main "Brave" set was originally released as disc 2 of the "Made Again" live album in 1995, but the encores have never been issued commercially. In addition to the complete "Brave" on the 1st live CD, a 2nd disc will include ‘Cover My Eyes’, ‘Slainte Mhath’, ‘Sugar Mice’, ‘Sympathy’, ‘Easter’, ‘Waiting To Happen’, ‘Hooks In You’ and ‘The Space’.

March 9th, 2018.




Rupert Holmes.....

English born New Yorker Rupert Holmes may be best known for his hit singles "Escape (The Pina Colada Song)" in 1979 and "Him" in 1980, but several years prior to this, Rupert broke onto the music scene with 3 meticulously crafted albums for the Epic label in the space of 2 years. These albums were full of perfectly told stories of love, life and loss, and paved the way for Rupert’s ascendancy to the big time.

These 3 albums are now available together in one package, fully endorsed by Rupert, and containing engrossing sleeve notes including a brand new interview with Rupert himself.

Contains an array of bonus tracks, many of which have never been heard before, and with an absolute exclusive and a must for fans, this package contains the first ever live recordings of Rupert Holmes ever released. All selected by the man himself.

Contains the singles ‘Terminal’, ‘Talk’, ‘Our National Pastime’, ‘I Don’t Want To Hold Your Hand’, ‘Deco Lady’, ‘Weekend Lover’ and ‘Who, What, When, Where, Why’, plus rare alternative and live versions of a number of these.

All material has been fully remastered, with audio being sourced from Rupert’s own private collection of master tapes wherever possible. Contains CD wallet replicas of the Epic albums, faithfully reproducing their original artwork. So if you like pina coladas and getting caught in the rain, make sure you pick up this excellent definitive collection of Rupert Holmes’ complete Epic years.

Cherry Red Records, February 23rd, 2018.




Scott Smith Band.....

The critical raves for Scott Smith’s 2016 debut album "The Sum Of Life" found the emerging americana country rocker earning praise for 'his strong homage to rock and roll' and 'vocals that call to mind Mick Jagger and Bob Dylan'. Vocal comparisons are great, but let’s also pay respect to the thoughtful poetry of his lyrics. On “My Soul to Keep”, the high energy, horn fired track that lays the spiritual foundation of his latest EP "Igniting The Flame", the singer songwriter waxes poetic about his own burgeoning career, and by extension, ponders just where all of us are headed

He sings, “God bless the light that shows the way, there’s some black and white then some grey, invest in your future, plant some seeds, it wouldn’t be a journey if you know where it leads”. Then there’s the extreme addictiveness of his songs, which, just like music did in the old days, makes you want to listen over and over. 

Thus far, Smith’s journey as an indie artist has taken him to places, and opened the door to exciting collaborations, far beyond where he dreamed growing up in the Bay Area absorbing the insights of his 1st guitar teacher, David Nelson of The New Riders Of The Purple Sage. “The SF music scene greatly inspired me along with birth of the 60’s music”, he says. “My older brother introduced a lot of music to me. I bought my 1st Grateful Dead album when I was 6. But I loved Stones and Beatles, Cream, all that stuff, too. There was so much happening musically living in the Bay Area at that time. It was very alive. It was great to learn from David and listen to stories of the birth of the Bay Area music scene and legends like Janis Joplin and Grateful Dead. What inspired those performers were old time music and old blues”.

"The Sum Of Life" featured guest performances by virtuoso classical and rock violinist David LaFlamme, acoustic guitarist Nina Gerber, boogie woogie pianist Mitch Woods, among others. For his more americana driven follow up EP "Down To Memphis", Smith invited legendary mandolinist David Grisman, a longtime friend of Jerry Garcia, to play on a rollicking tribute to the Grateful Dead.

Likewise, "Igniting The Flame" finds Scott upping his musical game with LaFlamme, keyboardist Spencer Burroughs, who also played on "Down To Memphis", veteran 'Tonight Show' and Mavis Staples backup singer Vickie Randall, veteran trombonist and horn arranger Mike Rinta and saxophonist Paul Branin. To help him with his vocal production, Smith turned to producer Julie Wolf at the legendary Fantasy Studios in Berkeley, where Creedence Clearwater Reveival and Santana, among other legends, have recorded. 

Other key tracks on the new EP include another rambunctious horn drenched rocker “Drop Kick It”, Smith’s whimsical, upbeat response to a bad day, featuring the line, “wondering where it all went wrong, how did your life become a country song?”, the edgy rocker “Bulls Eye To My Heart”, which blends images from TV with a romp about falling hard for someone, and “Rolling Home”, which finds Smith rising to the challenge of writing a highly memorable traditional blues song 

“In addition to stronger vocals, "Igniting The Flame" reflects my progress as a songwriter who can write about meaningful things but keep everything fun and catchy”, Smith says. “This EP is definitely a step up from my previous projects. While I’m honoring the great artists that have influenced me, I’m also staying on the fringe. I like being on the outside of the mainstream. On the edge. I like giving a positive message, even in downer songs. I like rock because it lifts my spirits, takes me out of my funk and reminds me to let go of fears and just live”.



Edgar Winter.....




Elmore James.....

Mississippi born bluesman Elmore James left his imprint on a generation of rock performers with his electrified style, influencing Jimi Hendrix and Keith Richards during his too brief lifetime. That influence extends to the world of roots music and the new James tribute album "Strange Angels: In Flight With Elmore James", which includes Rodney Crowell's rendition of "Shake Your Money Maker". Crowell's version retains the shimmying rhythm and tempo of James' original, replacing the strutting bass riff with some sizzling electric guitar.

"First time I heard 'Shake Your Money Maker', I was completely floored", says Crowell. "I couldn’t stop playing it for weeks. When I was asked to participate in this tribute, I jumped on it. Down and dirty, ethereal rock and roll is how I describe the song".

Released last week, January 26th, 2018, in conjunction with what would have been James' 100th birthday, "Strange Angels" also features Shelby Lynne and Allison Moorer on the title track, Jamey Johnson and Warren Haynes on "It Hurts Me Too" and Tom Jones on "Done Somebody Wrong".




Mary Battiata.....

The Heart, Regardless” is a joyful tilt toward traditional country from singer songwriter Mary Battiata and her alt country project, Little Pink. It features 13 original tunes from Mary and some of the finest players on the mid atlantic’s country and bluegrass scenes, with contributions from special guests Dudley Connell (The Seldom Scene), Mike Munford (IBMA 2013 Banjo Player Of The Year), Baltimore songwriter and honk tonk bandleader Arty Hill and more. From the acoustic twang of “Tall Timbers,” the tale of a sister and brother on the 18th century Chesapeake Bay, to the dark tele, pedal steel and bodhrum pulse of “March 16”, an anti war anthem set in Northern Iraq in 1988, to the second line feel of “Six Miles Out”, and the early country and rockabilly sound of “20 Words” and “Can’t Take My Mind Off You”, ”The Heart, Regardless” is a fiery charmer.



Rundgren Dozier Nash.....

The new Lamont Dozier album, an acoustic re-imagining of many of the classic Motown catalogue he co-wrote (we're talking 50 # 1's here, folks!), is progressing beautifully. The album, produced by the legendary Fred Mollin, features cameos from a wonderful range of great artists, Gregory Porter, Cliff Richard, Rumer, Todd Rundgren, Jo Harman and Graham Nash included. BiG i AM Promotions & Management are honoured and delighted to play a part in this amazing project with a true musical giant who helped shape the history of modern music.





Chris Squire.....

"In March we will be reissuing Chris Squire's much loved 'Fish Out Of Water'. There will be a standard edition and a special box set. The box set will include a 180g vinyl cut at Abbey Road, an excellent new 5.1 mix by Jakko M Jakszyk, original remastered, plus singles and extras, and it has the full support of Chris Squires estate. It is a lovely tribute to Chris." ~ Vicky Powell, Esoteric Recordings








Wishbone Ash.....

Wishbone Ash's ”The Vintage Years 1970 – 1991” is a strictly limited deluxe 30 CD box set. Authorised by all of the original band members, this beautifully packaged tribute to one of Britain’s finest bands is loaded with rarities and memorabilia, and includes a lavish 156 page hardback book written by Classic Rock's Dave Ling. A 3rd of the collection features previously unheard and unreleased material. Strictly limited to 2500 copies, all discs have been remastered. Along with copious extras, posters, poster book, 7" single and more, the set includes individually signed photos of each band member. Released April 20th, 2018, on Madfish, the label behind the award winning Family, Steve Hillage and Small Faces box sets.




Procol Harum.....

Esoteric Recordings are proud to announce the release of an official limited edition super deluxe box set celebrating 50 years of the legendary Procol Harum, "Still There’ll Be More".

This 8 disc set comprises 5 CD's and 3 DVD's, of which the 3 discs draw upon the key tracks from Procol Harum’s illustrious career. Disc 4 features the band’s legendary concert at the Hollywood Bowl on September 21st, 1973, with the Los Angeles Philharmonic Orchestra and the Roger Wagner Choral...e, whilst disc 5 features a previously unreleased concert at the Bournemouth Winter Gardens on March 17th, 1976.

Of the DVD content, NTSC region free, which features over 3 ½ hours of footage, mostly previously unreleased, disc 6 begins with a performance of "A Whiter Shade Of Pale" on the BBC TV show 'Top Of The Pops' from December 1967, before moving to the archives of the German Beat Club series. All of the band’s surviving performances for the show are here, including the entire un broadcast raw video footage of the band’s Beat Club Workshop studio concert from 1971, shorn of the visual gimmickry of the actual broadcast, revealing the pure performance on DVD for the first time.

Disc 7 features the entire 65 minute recording session of a performance for the German Musikladen series in October 1973, most of which was never shown on television.

Disc 8 features more BBC TV performances, including a rendition of "Pandora’s Box" from 'Top Of The Pops' in September 1975 and the band’s set for the 'Sight & Sound In Concert' series in March 1977.

This lavish re-mastered set also features a 68 page hard backed book with an essay by Patrick Humphries and a lengthy in depth commentary on the performances featured by respected Procol Harum authority Roland Clare. The book also includes many previously unseen photographs and memorabilia from Gary Brooker’s private collection. "Still There’ll Be More" also includes a 60x40 reproduction poster from a Procol Harum concert, featuring support from Vivian Stanshall, in 1976.

"Still There’ll Be More" is the most elaborate celebration of Procol Harum’s music released to date and this deluxe box set is a fine tribute to 5 years of one of Britain’s greatest bands.

Esoteric Recordings, March 23rd, 2018.




Deborah Henriksson.....

Deborah Henriksson is a Grammy nominated American born Swedish singer and lyricist. Her music is straightforward, with simple or orchestral soundscapes, sometimes playful, sometimes full of dark beauty.  The genre is a mix of americana, pop, celtic and folk. Swedish music magazine Lira writes, ”The music finds its cement and individuality in the voice which is unmistakably her own”.

Deborah releases her 5th album ”Near And Far” in early 2018. The album was selected for the first round of the American Grammy’s 2018 in the category ”Best Pop Vocal Album”, and it has received brilliant reviews in the United States, Sweden, and Australia.  Songs from ”Near And Far” are also nominated for prizes in the prestigious UK Songwriting Contest.

Her song "Whisper" was voted # 1 for 8 weeks on the Swedish Independent Chart.  Other songs have enjoyed significant radio airplay in every state in the US, and every province in Canada, but also, among many other countries, in the UK, Sweden, France, Poland, Holland, Australia and China. Deborah has also been on several American TV shows in New York and New England, and her music videos have been aired on over 60 American TV channels.

Deborah has toured in the US, the UK, Ireland, Sweden and Austria.

Charlie Elland of folkwords.com writes, ”The more you listen to Deborah’s voice, the more you find yourself laying aside the weight of the day and slipping under a magical spell”.


Jimi Hendrix.....

Unreleased songs recorded by Jimi Hendrix between 1968 and 1970 will be released this year. Experience Hendrix and Legacy Recordings just announced that they will release Hendrix’s “Both Sides Of The Sky” on March 9th, 2018. The 13 track album includes 10 songs that have never been released.

Hendrix died in 1970 at age 27. The new album is the 3rd volume in a trilogy from the guitar hero’s archive. “Valleys Of Neptune” was released in 2010, followed by “People, Hell & Angels,” released in 2013. Eddie Kramer, who worked as recording engineer on every Hendrix album made during the artist’s life, said in an interview that 1969 was a very experimental year for Hendrix, and that he was blown away as he worked on the new album.

“The first thing is you put the tape on and you listen to it and the hairs just stand up right on the back of your neck and you go, ‘Oh my God. This is too fucking incredible”, said Kramer. “It’s an incredible thing. 40, 50 years later here we are and I’m listening to these tapes going, ‘Oh my God, that’s an amazing performance’”.

Many of the album’s tracks were recorded by Band of Gypsys, Hendrix’s trio with Buddy Miles and Billy Cox. Stephen Stills appears on 2 songs, “$20 Fine” and “Woodstock”. “It sounds like Crosby, Stills & Nash except it’s on acid, you know”, Kramer, laughing, said of “$20 Fine”. “Jimi is just rocking it”, he added. “It’s an amazing thing”.

Johnny Winter appears on “Things I Used To Do”, original Jimi Hendrix Experience members Mitch Mitchell and Noel Redding are featured on “Hear My Train A Comin’’’ and Lonnie Youngblood is on “Georgia Blues”

Kramer produced the album alongside John McDermott and Janie Hendrix, the legend’s sister and president of Experience Hendrix. Kramer said though “Both Sides Of The Sky” is the last of the trilogy, someone could find new Hendrix music in an attic or a basement, which could be re-worked. He also said they have live footage of Hendrix, some just audio and some in video, which they plan to release.

“It was amazing just to watch him in the studio or live. The brain kicks off the thought process, it goes through his brain through his heart and through his hands and onto the guitar, and it’s a seamless process”, Kramer said. “It’s like a lead guitar and a rhythm guitar at the same time, and it’s scary. There’s never been another Jimi Hendrix, at least in my mind”.




Jonathan Wilson.....

"I’m very excited to finally announce my new album 'Rare Birds' out March 2nd, 2018, on Bella Union. It’s a 13 song double vinyl situation, all recorded and mixed at my own Five Star Studios in Echo Park, Los Angeles, USA. I’ve been working on this record for the last few years. It's finally complete, and I can’t wait for you all to hear it. The 1st single 'Over the Midnight' is out now, as is the video by Render Fruit. I’m also hitting the road with my band and doing a big sweep of the US, UK, and Europe also starting March 2nd. I can say without a doubt that 'Rare Birds' is my favorite work to date. These are my favorite songs I’ve ever written. It’s really not a concept album, it is meant more as a healing affair, a rejuvenation, a reconciliation, for others, for me. I wanted to balance personal narrative with the need I feel in 2018 for calming healing music. I think we need whimsical surrealism, journeys in sound, psychedelic gossamer affairs. I have included elements consciously and purposefully that I think will incite hope, positivity, reflection, longing, patience, mastery, abandon, fire, soothing meditation, agitation, it's all in there. I hope you love it." ~ Jonathan Wilson



Joan Baez.....

Legendary singer, songwriter, activist and Rock And Roll Hall Of Fame inductee Joan Baez‘ brand new album "Whistle Down The Wind". Produced by 3 time Grammy® Award winner Joe Henry and recorded over 10 days of sessions in Los Angeles, "Whistle Down The Wind" gathers material by some of Baez’’s favourite composers.

"Whistle Down The Wind" is Joan’’s 1st new studio album in a decade, since 2008’’s critically acclaimed "Day After Tomorrow", which was produced by Steve Earle. Its release ignited an extraordinary decade of achievement by Joan, including the PBS American Masters series premiere of her life story, "Joan Baez : How Sweet The Sound" in 2009, which underscored the 50th anniversary of Joan’s debut at the 1959 Newport Folk Festival. Joan’s seminal debut album of 1960 was honoured by the National Academy Of Recording Arts And Sciences in 2011, which inducted it into the Grammy® Hall Of Fame, and subsequently by the Library Of Congress in 2015, which selected it to be preserved in the National Recording Registry. That same year, Amnesty International bestowed its highest honour on Joan, the Ambassador Of Conscience Award, in recognition of her exceptional leadership in the fight for human rights, and she was inducted into the Rock And Roll Hall Of Fame in April 2017.

Joan Baez remains a musical force of nature of incalculable influence. She marched on the front line of the civil rights movement with Martin Luther King, shined a spotlight on the Free Speech Movement, took to the fields with Cesar Chavez, organized resistance to the Vietnam War, inspired Vaclav Havel in his fight for a Czech Republic, saluted the Dixie Chicks for their courage to protest the Iraq war, and stood with old friend Nelson Mandela in London’’s Hyde Park as the world celebrated his 90th birthday. Joan’’s earliest recordings fed a host of traditional ballads into the rock vernacular, before she unselfconsciously introduced Bob Dylan to the world in 1963. Thus began a tradition of mutual mentoring that continues on "Whistle Down The Wind", and which will reverberate long into the future across Joan’s lifetime of recordings.

Proper Records, March 2nd, 2018.




Spirit Box Set.....

Esoteric Recordings are pleased to announce the release of a new 5 CD remastered clamshell box set by the legendary band Spirit. Formed in Los Angeles in 1967 from the remnants of The Red Roosters, Spirit was one of the great bands to emerge on the US west coast in the psychedelic era.

Featuring the talents of 16 year old guitarist Randy California, who had played guitar with Jimi Hendrix in New York the previous year, his step father, drummer Ed Cassidy, along with Jay Ferguson, vocals, percussion, John Locke, keyboards and Mark Andes, bass, Spirit signed to producer Lou Adler’s newly established Ode Records label in late 1967.

Their self titled debut album appeared some months later and demonstrated the breadth and diversity of the band covering psychedelic, rock and jazz influences and featuring such legendary cuts as "Fresh Garbage", "Uncle Jack", "Topanga Windows", "Mechanical World", "Elijah" and "Taurus", the subject of a court case decades later when it was alleged Led Zeppelin had taken the musical structure of the piece as a basis for "Stairway To Heaven".

The band’s follow up album, "The Family That Plays Together", spawned the hit single "I’ve Got A Line On You", and was one of their finest works thanks to material such as "It Shall Be", "Aren’t You Glad", "Silky Sam" and "Darlin’ If".

Leading up to the recording of 1969’s "Clear" album Spirit recorded the soundtrack to Jaques Demy’s film 'The Model Shop'.

In 1970 Spirit recorded the classic "The Twelve Dreams Of Doctor Sardonicus" for Epic Records, from which the single "Animal Zoo" was taken and included excellent material such as "Nature’s Way", "Mr Skin", "Space Child", "Morning Will Come" and "Soldier".

Sadly the original line up of Spirit fell apart some months later leaving just Ed Cassidy and John Locke to assemble a new incarnation of Spirit for 1972’s "Feedback", which saw brothers Al and John Staehely join the band on bass and drums respectively. Spirit went on hiatus soon after, although California and Cassidy would continue to tour and record as Spirit on and off until California’s untimely death in 1997.

Newly re-mastered, this anthology features all of Spirit’s recordings for the Ode and Epic labels between 1968 and 1972, and notably includes the entire mono mix of the band’s self titled debut album, appearing on CD for the first time, the complete soundtrack to the film 'The Model Shop', along with original 1968 stereo mix of "The Family That Plays Together", associated out takes, singles and alternate mixes undertaken in 1991 for the "Time Circle" compilation.

"It Shall Be" also includes an illustrated booklet with essay by Malcolm Dome featuring archive interviews with Randy California and Ed Cassidy.

Esoteric Recordings, February 23rd, 2018.




Ajay Mathur.....

Mart Kawaii of ’Flowers In A Gun’ introduces the Grammy nominated singer songwriter Ajay Mathur as 'a true citizen of the world, born in India, living in Switzerland and creating his own version of americana with Zeppelin-esque guitars, exotic instruments, catchy songwriting and lyrics that speak to the heart'. The best way to describe the thread that runs through the genre bending songs on Ajay Mathur’s newest album ”Little Boat” is ‘resilience’. The songs are inspired by Ajay’s own life experiences and are about growing stronger in the face of adversity, bouncing back after going through tough situations and coming out the other side, stronger and better. ”Little Boat” follows on Ajay’s previous releases of ”A Matter Of Time” in 2011, ”Come See Conquer” in 2013 and the highly successful ”9 To 3” in 2015, that earned him a Grammy nomination in 2017. All of his albums have enjoyed excellent reviews, rankings on the charts and positive acknowledgement in the international media. ”Little Boat” is an emotional roller coaster ride, from the 1st song of this 12 track album right to the very last, and highlights Mathur’s one of a kind approach to songwriting and recording, while promising a unique musical adventure to mature and curious music lovers.

Brandi Carlile.....

Brandi Carlile's new album "By The Way, I Forgive You" is due out via Low Country Sound, an imprint of Elektra Records,  run by producer Dave Cobb, on February 16h, 2018. Cobb produced the album alongside Shooter Jennings, and the album will be Low Country Sound's 1st release. Carlile and company recorded the album at Nashville's historic RCA Studio A. Longtime collaborators Tim and Phil Hanseroth were also on hand, and co-wrote the album's songs with Carlile. Along with the album announcement, Carlile also shared the album's first single, "The Joke," and revealed a string of tour dates in support of the new release. "By The Way, I Forgive You" follows "The Firewatcher's Daughter" from 2015, as well as a 2017 release from Carlile, a 10th anniversary edition of her landmark sophomore album "The Story", called "Cover Stories: Brandi Carlile Celebrates 10 Years Of The Story (An Album To Benefit War Child)".






Heavy Horses.....

On February 9th, 2018, Parlophone Records will release the 40th anniversary ‘New Shoes Edition’ of Jethro Tull's "Heavy Horses", a 3 CD, 2 DVD box set, featuring the original album, plus additional studio recordings, live material and an extensive new booklet.

Ian Anderson explains its particular focus on horses and agricultural Life, saying :

“As a child, my big passion was to get off the leash and explore the local wooded and leafy suburbs. So it didn’t suddenly become new in 1977, it was just that the subject matter fitted what I wanted to write about at the time”.








The LYNNes.....

The LYNNeS are Canadian heartbreak poets Lynn Miles and Lynne Hanson. These 2 songwriters are not new to working together, having toured and written songs off and on over the past 10 years, and with Miles having produced 2 of Hanson's albums, ”River Of Sand” in 2014 and ”7 Deadly Spins” in 2015. For THE LYNNeS songs are what matter the most, and their debut album “Heartbreak Song For The Radio” pairs hauntingly gritty lyrics with tight vocal harmonies.

The duo adopted an old school approach to recording their album, choosing to record to tape and recording all the bed tracks and many of the vocal and acoustic guitar parts live off the floor. Tracks like “Don't Look Down” and “Dark Waltz” showcase the unmistakable touch of Juno award winning guitarist Kevin Breit (Nora Jones, KD Lang, Rosanne Cash). The infectious “Recipe For Disaster” highlights the songwriting duo's knack to craft a catchy melody and memorable lyrics, while the radio friendly title track “Heartbreak For The Radio” begs for the listener to hit repeat. The athletic groove of the funky “Halfway To Happy” is a brilliant counterweight to the airy “Blue Tattoo”, which would not be out of place on a Fleetwood Mac album.

Each song on the album is a co-write, producing a truly collaborative effort, drawing on the strengths two Lynn(e), to create a sum greater than two individual parts.

The 2 witty songwriters play off each other live, often leaving the audience howling with laughter with their between song-banter. Miles has a slight edge in the humour department. Not surprising given Hanson’s burden of a lifetime of carrying the weight of a superfluous E. In addition to their beautiful harmonies, the 2 are skilled multi instrumental musicians, acoustic and electric guitars, piano, harmonica, mandolin, percussion.

Lynn Miles is one of Canada’s most accomplished singer songwriters, with 14 albums to her credit, the winner of 4 Canadian Folk Music Awards, including 2011 English Songwriter Of The Year, and a 2003 Juno award for Roots & Traditional Solo Album Of The Year. Her song “Black Flowers” appeared on Claire Lynch’s Grammy nominated album “North By South”.

Lynne Hanson has been playing her brand of ’porch music with a little red dirt’ for the past 10 years, has released 6 albums, won the Colleen Peterson Award for songwriting, and been nominated for a Canadian Folk Music Award.




Denny Doherty.....

Back in January 2016, Real Gone collected the complete singles of The Mamas & The Papas onto a 2 CD collection, to celebrate the group’s 50th anniversary. 2 years later, today, January 19th, 2018, the label is turning its attention to a solo member of the band by releasing "Of All The Things : The Complete ABC/Dunhill Masters" by Denny Doherty, featuring Doherty’s 1971 album "Watcha Gonna Do" together with other assorted tracks, including four unreleased.

By 1969/1970, it looked as if The Mamas & The Papas were done. The group’s 4th album, "The Papas & The Mamas", had been released in 1968 and since then, Cass Elliot and John Phillips had moved on to solo recordings, while Michelle Phillips began an acting career. That is when the band’s label, ABC/Dunhill, came to Denny Doherty and informed him that he contractually owed them a solo album himself.  Doherty was teamed with future Eagles producer Bill Szymczyk to record what would become "Watcha Gonna Do".

Material began to be prepared for the album, with Doherty writing or co-Writing 5 new songs of the eventual 10 tracks. His collaborators included his then girlfriend/future wife Linda Woodward, and musician “Phast” Eddy Fischer, currently of the duo Robin & Eddy. A band was put together with Doherty, Woodward, Fischer and musician Gabe Lapano, who also contributed a song to the album with Woodward, forming the musical core.  The band was then rounded out with Bryan Garofalo, Russ Kunkel, Eric Hord, Buddy Emmons, Jimmie Haskell, labelmate Barry McGuire and even Szymczyk joining in.

Recording began in the summer of 1970 and the album would have a country feel, coinciding with work done by The Flying Burrito Brothers, Rick Nelson and John Phillips on recent projects, and foreshadowing the sound Szymcyzk would work with when he produced the Eagles. In addition to the originals on the album, Doherty would cover Hank Williams’ classic “Hey, Good Lookin'” and perform a medley of Beatles tunes with “Here Comes The Sun/The Two Of Us”. He would also revisit an earlier Mamas & The Papas hit with a substantially reworked “Got A Feelin’”.

"Watcha Gonna Do" was released in February 1971, but did not make much a dent on the charts.  Doherty would return to the original The Mamas & The Papas one more time when the group was obligated to record one more album for ABC/Dunhill. "People Like Us" was released in November 1971.

Real Gone’s CD is rounded out by 6 other songs Doherty recorded at ABC/Dunhill during this period. He contributed “To Claudia On Thursday”, featuring Spanky McFarlane of Spanky & Our Gang on background vocals, to Jimmie Haskell’s concept album "California ’99" in 1971, it was also released as a single. “Shadows On My Wall”, another Doherty/Woodward/Fischer composition, was recorded for the "Watcha Gonna Do" sessions, but remained in the vaults. However, Robin & Eddy have been performing the song onstage over the years as “Words Are Hard To Find”.

Doherty would record one more session for his label in 1972, which yielded 4 more tracks. 2 of those, “Sail The Waterway” and “Giles Of the River”, were written by a pre-Steely Dan Donald Fagen and Walter Becker, who also played on the tracks. Steely Dan producer Gary Katz helmed the sessions.  Steely Dan would release their debut later in 1972, and their own version of “Waterway” was issued as the b-side of their still unreleased on CD 1st single, “Dallas”. John Kay of Steppenwolf later recorded “Giles”. Eddy Fischer keeps “Shadow Sounds”, which he wrote with Doherty and Woodward, alive in his current setlist, but Doherty’s original 1972 recording has never been Heard, until now.  Finishing out the set is Doherty’s version of Dennis Lambert and Brian Potter’s ballad “Of All The Things”. The song was not released at the time and was only 1st heard on last year’s The Mamas & The Papas "Ultimate Anthology" box set, a premium for Public Television.

Denny Doherty would move to Columbia Records for a short stint later in 1972, before going to Paramount Records in 1974. He would record an album, unreleased until 2001, featuring Michelle Phillips and Cass Elliot during his tenure there. The single “You’ll Never Know” was released from the sessions and was one of the final recordings to feature Elliot as she died two days after the single’s release. Doherty would move to various arenas over the ensuing decades, including further recordings, the Broadway stage, stints in The New Mamas & The Papas beginning in the 1980's, and several gigs on Canadian television.  Doherty passed away in January 2007 at the age of 66.

Real Gone’s compilation includes a 20 page booklet and the liner notes include quotes from collaborators and friends, including Eddy Fischer, Bill Szymczyk, Michelle Phillips, and Denny’s children. It has been remastered by Mike Milchner at SonicVision.




Kyle Carey.....

“In her gentle, modest way Kyle Carey represents both a well traveled path, but also an innovation” ~ Celtic Beat Magazine

Possessed of an elegant grace, on ”The Art Of Forgetting” Kyle Carey weaves together resonant threads of Celtic and American roots music into a rich tapestry of acoustic storytelling. Produced by 4 time Grammy winner Dirk Powell, the album unites an all star international cast of musicians, Louisiana’s Sam Broussard on guitar, Scotland’s John McCusker on fiddle, the Netherlands’ Ron Janssen on octave mandolin, Nashville’s Kai Welch on trumpet, Ireland’s Mike McGoldrick on flute, and North Carolina’s Rhiannon Giddens on backing vocals. Powell, one of the world’s leading experts on traditional fiddle and banjo styles, particularly Cajun, lends his particular skills as well.

Carey’s own story is as worldly as her music, raised by her schoolteacher parents first in the Alaskan Bush, where she heard Yup’ik Eskimo spoken as often as she heard English, and then in rural New Hampshire. She studied literature in college, and then travelled to Cape Breton Island, Nova Scotia, on a Fulbright Fellowship to begin her study of the Gaelic language and its music. Carey is one of those scarce as hen’s teeth Irish Americans fluent in the language of her ancestors.

That was followed by a 2 year sojourn on the Isle of Skye, there she cemented her command of the Gaelic language and fell under the tutelage of Christine Primrose, a native of nearby Lewis and one of Scotland’s most revered traditional singers. From Primrose she learned the secrets of pronunciation and tone that distinguish those who sing from the deep heart of that music.

Carey has showcased that style in the traditional Gaelic songs, 2 on each album, that have graced her previous CD’s and also this 3rd one. Her 2011 debut, ”Monongah was recorded in western Ireland and produced by Donogh Hennesy of the acoustic super group Lùnasa. ”North Star”, released in 2014, was recorded this time in Scotland, and was produced by Seamus Egan, a founding member of Solas.

In her original material, however, she breaks new ground in her ability to make that style the pulse of a new American sort of folk music. The essence of that revolution lies in the real distinction Carey draws between Celtic Americana, i.e. the well traveled path of American musicians performing in the style of traditional Celtic music, and the Gaelic Americana that she writes and performs. Her music is innovative not only in its bone deep feel for Celtic tradition, but in all that she is able to graft on to it by way of a personal vision as capacious as the North American continent.

The Americana portion of this synthesis has been plucked variously from bluegrass, gospel, and Appalachian ballads and fiddle tunes, in the lyrics from personal experience, Appalachian folktale, Dustbowl narrative, the Old and New Testaments, Greek mythology, and the rough hewn poetry of West Virginia’s Louise McNeill.

Celtic Beat has noted that some Celtic purists have found Carey’s Gaelic Americana upsetting, which is good, as ’that is what makes her such a valuable artist’. A spokesman for the World Music Network, which will be distributing The Art of Forgetting, entirely agrees, ’Carey represents the true vision of a transatlantic artist’.

There may well be a well travelled path for folk music in these transatlantic lanes, but no one has done it like Carey, to shift into reverse, to go back to the graves of her ancestors, to learn the language they spoke, the songs they sang, and to use this knowledge in creating a new sort of American folk music, one that continues to cross boundaries, to forge alliances.

“Take the North Star for your journey”, Carey sings in that duet with Rhiannon Giddens. She has done so, and it has brought her, and her audience, to this, her 3rd release, and the most fully wrought realization of her vision.

Chris Hillman.....

Chris Hillman co-founded some of the most classic, seminal, groundbreaking acts of the 60's and 70's, including the Byrds, the Flying Burrito Bros, Manassas, and the Souther Hillman Furay Band. But, in the mid 70's, he decided it was time to try things on his own. The 20 track "The Asylum Years" compilation, to be released on February 9th, 2018, by Omnivore Recordings, combines Hillman’s 2 Asylum LPs on one CD for the 1st time.

1976 brought "Slippin’ Away", the musical journeyman’s 1st solo release. Produced by renowned engineers Ron and Howard Albert, it was a star studded affair, featuring members of Booker T & The MG’s, Poco, Buffalo Springfield, Turtles, and ace studio musicians. Hillman took his place as frontman, and the results were the epitome of the classic 70's L.A. sound.

He returned the following year with "Clear Sailin’", which saw him dial back the flashy supporting cast for a more traditional release, sounding much like the iconic music he had created in his early years with the Byrds and the Burritos. For "Clear Sailin’" Hillman assembled a core band, including soon to be superstar Richard Marx, with production helmed by Jim Mason. A number of songs feature co-writes with Crawdaddy magazine’s founder, Peter Knobler.

Hot on the heels of Hillman’s 2017 critically acclaimed album "Bidin’ My Time",produced by Tom Petty, "The Asylum Years" presents both of those 70's albums on 1 CD, with an essay from Scott Schinder, featuring a new interview with Hillman. Quoted in Schinder’s liner notes, Hillman revealed, “Doing these records was part of my growing process. Do we ever master our professions? Not really, you’re always learning something. It was with the Desert Rose Band that I really felt that I’d come to a point where I’d put in enough time for it to pay off musically. These records are all steps on that journey, and the journey’s been pretty wonderful”.

Having been a catalyst and innovator on the musical landscape for decades, "The Asylum Years" sees this Byrd take flight.




Roxy Music's 1st.....

Roxy Music have announced details of a box set devoted to their self titled debut album. It’ll be released by Universal Music on February 2nd, 2018. It’ll be available as a 4 disc super deluxe edition, featuring previously unreleased demos, outtakes, radio sessions, rare footage and 136 page book. Meanwhile, the whole album has been remixed in 5.1 by Steven Wilson. A deluxe 2 D set, featuring a 24 page booklet, will also be released, as well as a digital version and on 180 g vinyl.

Speaking about the band’s debut, guitarist Phil Manzanera commented, “At 21, my musical dreams came true, recording this album with these wonderfully talented and unique band members. Magical times, magical music”. Saxophonist Andy Mackay recalls, “Late 71/72 Roxy was our arts lab. The place where we exchanged ideas and dreams freely and created and explored a new sound landscape. We stepped into Command Studios with a complete album in our heads, and half the next one, and it only needed the tape to start running, no album was as easy to record again”.

Drummer Paul Thompson, “The 1st Roxy Music album was my opportunity to create. I wasn’t used to this type of lineup, I was used to being in guitar based bands but always wanted to broaden my horizons and here was my chance. A landmark in the history of pop”. Looking back on the album, Bryan Ferry reflected, “We never really felt accepted, I can see how the old guard would have felt threatened by it, because it was so jammed full of ideas and a massive amount of energy. But we hadn’t paid our dues, not in the same way. And we’re still not a part of it, not really, even to this day. That’s been very hard over the years, to try and make it work without being one of them. The ‘them’ is always different, but we’re not part of it. It’s been one of the triumphs, that we’ve managed to stay sane. Or sane-ish. We’re a part of it all, somehow, but still on the outside”.




Backtrack Blues Band.....

Backtrack Blues Band announces a January 26th, 2018, release date for the group’s new live CD/DVD, ”Make My Home In Florida”, on Harpo Records.

There was a packed house at the historic Palladium Theater in St Petersburg, Florida, on January 6th, 2017, when the Backtrack Blues Band arrived for the show. Excitement was in the air, as the hometown audience knew the performance was being filmed and recorded for the band’s new live album.

There’s no doubt the group felt the enthusiasm, as Backtrack Blues Band delivered a strong mix of both blues classics and original songs. Borrowing from T Bone Walker, BB King, Little Walter and Sonny Boy Williamson, while also adding several original songs including the title song, “Make My Home In Florida”, this was a magical night of blues music.

The band’s founder, lead singer and harmonica ace Sonny Charles described the evening, “we knew that the show was being filmed and recorded, but the band never discussed it much. Our goal was to relax and have fun playing to a sold out room. We are all such good friends, and we genuinely appreciate what each guy brings to our sound, so it was actually easy for us to just go out there and let it roll”.

The relaxed, fun vibes are captured perfectly on ”Make My Home In Florida”, and it’s hard not to have a good time when this album is cranking.

Backtrack Blues Band is no stranger to large audiences, having played major blues festivals in America and Canada , and opened for the likes of Stevie Ray Vaughan, BB King, Buddy Guy, Robert Cray, Johnny Winter, Kenny Wayne Shepherd and others during its 37 year history. But given the extensive preparations for a 5 camera high definition film project and state of the art recording, this night was bound to be special.

The band’s style of blues is built upon a blend of Sonny Charles’ amplified harmonica and Kid Royal’s Texas style lead guitar. Both men add convincing vocals, and the rhythm section of former Amazing Rhythm Aces bassist Jeff ’Stick’ Davis and drummer Joe Bencomo, plus guitar player Little Johnny, drives this blues machine in high gear with an infectious groove. The result is a tight, honest night of blues music, played straight from the heart, with no gimmicks or studio enhancements. It’s the kind of performance that evolves from many years of playing together, in a band that truly loves working as a team.

Backtrack Blues Band was formed in the tropics and the group values its Florida and Caribbean roots. The band was an early leader on the Florida blues scene in the 1980’s, as one of the 1st authentic blues acts in Tampa Bay. The ”Make My Home In Florida” release marks the group’s 6th album and reflects decades of musical experience from deep down south.

The band also travels to the Caribbean for shows, and Sonny keeps a home on St John in the US Virgin Islands. The album’s song, “Shoot My Rooster ,“was derived from his island experiences. As Sonny explained, “on St John, we have lots of wild animals that roam the island and keep us entertained, donkeys, goats, iguanas and chickens are everywhere. At my place, a feral rooster hung out, and crowed loudly every morning. A friend said I should shoot the rooster. I never did pull the trigger, but it did inspire me to write a new tune”. 

On ”Make My Home In Florida”, the Backtrack Blues Band brings its unique blend of Chicago blues and Texas inspired guitar to full measure, resulting in one of the most exciting live blues albums in quite a while. While they may seek out the sunshine and warm waters of Florida and beyond, on this live CD/DVD, the Backtrack Blues Band delivers stone cold blues music at its very best.

As writer and author Bill Dahl summarizes in the package’s liner notes, “whether they’re cooking up a dynamic original or reviving a hallowed classic, the Backtrack Blues Band has a sound all its own. This exciting in concert collection is the next best thing to experiencing them in the flesh!”



Dr John's Grooves.....

This brand new collection will include an LP of the best Atco Records tracks and an additional LP of unreleased demos, recorded by Dr John between the years 1968 and 1974. The bonus material has never been issued before on any format. Taken from the highest quality sources, this album will have lacquers cut at Sam Phillips Recording Service in Memphis. The deluxe ROG edition would be pressed on 180g black vinyl at Record Industry in the Netherlands and come in a gatefold tip on Stoughton sleeve. Each 2LP set will be individually numbered and strictly limited. Run Out Groove Records, January 26th, 2018.






Caroline Wickberg.....

After realizing it never sounded good when she sang other peoples songs, Caroline Wickberg stopped dreaming about becoming a jazz diva and foucused on her own songs. The brand new EP ”I’m Not Mad” circles around separation, death, letting go and the confusion and clarity that comes with it. How do you know if you’re finally truly happy, or if you’re farther away from reality, and deeper into the madness of the mind, than ever? The music surrounding the lyrics has grown from Carolines Wickbergs roots in pop, country and jazz, and together with friend and producer Henrik Alsér her acoustic songs spread out to become little landscapes…..

Tommy Emmanuel.....

The Players Club is a new imprint from the Mascot Label Group. This label will be home to great and free spirited guitar music and jams. Imagine being in a cool, dark and sweaty club with a couple of great musicians about to start their set.

The 1st Players Club album is by none other than Tommy Emmanuel, who is a guitar hero to every other guitar hero around the world, and 1 of only 5 people named "Certified Guitar Player" by the legendary Chet Atkins.

His new album "Accomplice One" will be released on January 19th, 2018. "Accomplice One" features an impressive list of some of today’s most respected performers, from across the musical spectrum, including Jason Isbell, Mark Knopfler, Rodney Crowell, Jerry Douglas, Amanda Shires, Ricky Skaggs, JD Simo, David Grisman, Bryan Sutton, Suzy Bogguss and many more.

This is an album for all types of Tommy Emmanuel fans, from longtime guitar aficionados who’ve followed his career for decades, to lovers of great songs and melodies who flock to Tommy’s shows for the emotional authenticity driving every performance.




Perry, Reid & Zander.....

Aerosmith guitarist Joe Perry will release his all star solo album "Sweetzerland Manifesto" in January 2018. The 10 track album, executive produced by Perry's Hollywood Vampires band mate, Johnny Depp, features guest vocalists like Cheap Trick's Robin Zander, the New York Dolls' David Johansen and Terry Reid, alongside musicians like drummer Zak Starkey and Perry's sons Tony and Roman on synths and drum programming.

"It's going to be interesting to see what songs people gravitate to because there's such a wide variety of tunes", Perry said in a statement. All of the "Sweetzerland Manifesto" tracks were either written by Perry or a collaboration between the guitarist and his guest vocalist, the lone exception is a cover of PF Sloan's "Eve of Destruction", featuring Perry himself on vocals while Depp provides drums.

"Sweetzerland Manifesto", due out January 19th, 2018, on Roman Records, is Perry's 1st solo album since 2009's "Have Guitar, Will Travel". Perry recorded the album at Los Angeles' Studio 1480, with the guitarist producing the album with Bruce Witkin.




Matthew O'Neill.....

Matthew O’Neill’s ”Trophic Cascade” is the debut release from Underwater Panther Coalition. O’Neill found acclaim with the ”Campfire Cook” LP issued in 2015 via California’s Lone Pine Records, and was praised by LA Weekly, CMJ, Magnet Magazine and others.

Returning with ”Trophic Cascade”, we see a more driven and determined O’Neill. Offering a more sophisticated record that’s bigger, bolder and more ambitious, he charts sonic territories unimaginable to listeners of his earlier works.

Having spent much of his early years living nomadically in National Forests and on Indian reservations, and working seasons on isolated farms and ranches, O’Neill’s worldview and experiences are full of contradictions, and these can he heard on this gorgeously eclectic new LP.

O’Neill channels the sounds of americana, psychedelia, soul, folk, rock’n’roll, funk, world and country, along with the spirits and sights of the great outdoors. Matthew lives and breathes the kind of expansive music that allows the listener to bring their own trip to the trip.

Twang and tribal drumming clash with synth, sax, strings and stoner guitar solos. These contradictory musical elements combine beautifully with album’s message. But there’s plenty of style to accompany the substance.

Pulling together an incredible ensemble of musicians, O’Neill is backed by a luscious layering of baritone sax and contrabass clarinet by Stuart Bogie (Arcade Fire, David Byrne & St Vincent, Iron &Wine, Sharon Van Etten), synth/keys by Frank LoCrasto (Cass McCombs), soulful vocals by Shayna Steele (Hairspray Live, Bette Midler), cello by Dave Eggar (Patti Smith, Frank Ocean, Paul Simon, Sia), bass by Jacob Silver (Charles Bradley, Lauren Hill, Lucinda Williams), and co-produced with 2 x Grammy winner Diko Shoturma (Bjork, St Vincent, David Crosby), the album sounds huge.

Opening with the call to action “Bridge Builder”, Matthew says, “’Bridge Builder’ exists at a confluence of Native American ways, failing political systems, concepts of personal freedom, and alternative positive futures”. It’s a strong dose of crunching Americana full of stomp and swagger, O’Neill sets the tone early, but this is no one-note outing.

O’Neill offsets the Nick Cave tinged malevolence of “Poisoning The Well” (“and you got that blood stained white T-shirt from when they took her from you, and I got those guilt ridden old sneakers, hanging on the line”) with the delirious psychedelia and tribal drumming of “1000 Years”.

While the shimmering and soulfully progressive “Louisiana” hints at the 70’s, he soon offers a more experimental twist on the singer songwriter format with the brass heavy “There You Go Again”, before diving headfirst into the cocksure, irresistible groove of “Alzheimer’s Blues”.

Though a consistent and full sounding collection, the album rarely repeats a trick, innovating, building and exploring from beginning to end.



Fleetwood Mac.....

Fleetwood Mac will include a slew of previously unreleased studio and live recordings on a new reissue of their 1975 self titled album, out January 19th, 2018. The new set will be available in several formats, including a deluxe edition featuring 3 CD's, 1 DVD and 1 vinyl LP. An expanded 2 CD set will also be available, as will a single disc featuring a remastered version of the original album. The remastered audio will also be available digitally and on streaming services.

Released in 1975, "Fleetwood Macmarked the Fleetwood Mac's 10th studio album, but only their 1st with Lindsey Buckingham on guitar and Stevie Nicks on vocals. The record topped the Billboard album chart and produced several classics including "Rhiannon" and "Landslide".

The forthcoming deluxe and expanded editions of "Fleetwood Mac" will notably feature a complete alternate version of the album made up entirely of previously unreleased outtakes and live recordings. The live songs were recorded during concerts in 1976, and the deluxe edition will include 14 additional unreleased live tracks. The deluxe and expanded sets will also include the remastered album, as well as single mixes for "Over My Head", "Rhiannon", "Say You Love Me" and a previously unreleased version of "Blue Letter". Meanwhile, the deluxe edition will include the original album pressed on 180-gram vinyl, plus a DVD featuring 5.1 surround sound and high resolution 24/96 stereo audio mixes of the record.




Hion Martell.....

Hion Martell is a 4 piece band from Sweden. The band has been around with various lineups since 1992. The band's music is influenced by the british blues rock, american southern rock and 70's glam rock, as well as giants such as Elvis Presley and Chuck Berry. All boiled down to a distillate that satisfy the most demanding rock'n'roll connoisseur.


Stax Singles 4.....

The latest edition to the best selling "Complete Stax/Volt Soul Singles" collection of box sets, "Volume 4" delves deep into the Stax archives, offering rare singles and b-sides, spanning the heyday of the Memphis label, from the early 60's through the mid 70's. This 6 CD collection includes a cross section of music from all of Stax's associated imprints, including Truth, Chalice, Enterprise, Hip and Ardent, offering not just soul tracks, but also gospel, country, rock and blues. An accompanying booklet, with photos and extensive new liner notes, will round out the package. January 12th, 2018.






Dionne Warwick.....

Dionne Warwick’s recordings for the Scepter label rank as arguably the most successful run of any artist, and certainly of any female artist, for an independent label during the 1960's. But all that success had a downside for her considerable legacy, Scepter became a hot property for acquisition, and as a result the label’s holdings were bought and sold several times before Dionne herself arranged to buy her own masters back. By that time, though, the Scepter tapes had been scattered in disarray, thus leaving a lot of material in limbo and causing compilers to throw up their hands.

Well, where other reissue labels fear to tread Real Gone Music goes full speed ahead. "Odds & Ends : Scepter Records Rarities" offers 25 hard to find tracks, plus some bonus promo spots, from the Scepter vaults, including rare alternate versions of hits like “Don’t Make Me Over”, “I Say A Little Prayer”, and “Do You Know The Way To San Jose”, stereo singles “He’s Moving On”, “Amanda”, foreign language singles “A House Is Not A Home” in Italian and French, “Walk On By” in German and Italian, and just plain lost tracks, like “Our Ages Or Our Hearts” and “Monday, Monday”. Many of the selections are previously unissued and most are making their CD debut. What’s more, this one’s released with the full cooperation of the legendary lady, Dionne herself, who sat down for an interview with liner note writer Joe Marchese, and includes rare photos. Remastered by Ted Carfrae, "Odds & Ends : Scepter Records Rarities" is a stone solid must for any Dionne fan, and of course any Bacharach David fan as well, this is some of the greatest, and rarest, vocal pop music of the 60's. January 12th, 2018.




Emily Herring.....

Emily Herring simply sings purest country music. Witness ”Gliding”, Herring's 4th record, produced by legendary instrumentalist Steve Fishell and releasing on Austin based Eight 30 Records, delivers all raw emotion with a voice branded at birth for honkytonks. Listen. You'll hear.

The daytime auto mechanic and nighttime singer songwriter effortlessly infuses her new collection with equal measures swagger and sway. “I found an immediate connection with Emily”, Fishell says. “Her voice rings like Rosie Flores did in the 1980’s when I played with her during the Los Angeles cowpunk movement. She has that energy and fire”.

”Gliding” shows both while deftly balancing sharp songwriting with endlessly energy. Spiritual motion guides the journey. “Gliding's a movement with a certain stillness attached”, the longtime central Texas resident says. “You're at the mercy of the wind along with the extreme force of gravity. The title track leads you off the ledge and into a moment where time stands still, your thoughts slowly moving through what could have been with only the implication of the inevitable”.

The elegant narrative measures up. “It's completely unintentional that this album has such an undercurrent of sadness”, Herring admits. “Even the covers are just songs I love and love to sing. Only one song maintains an honest to goodness uplifting lyrical quality. A few suggest the possibility of a happier tomorrow, but today's usually still painful in some way. Even 'Semi Truck' is a theoretical bummer”.

Meanwhile, Herring's originals effortlessly showcases an already seasoned songwriter rising rapidly. The song cycle, 10 vibrant vignettes backing earthy with ethereal, simultaneously salutes influences past while pointing eyes toward the future. High watermarks transcend.

Few songwriters frame such direct lines toward heart and home. “I'm eager for her to become more well known in the americana world”, Fishell says. “Emily's music speaks to me and makes me smile. She's a poet, very personal and passionate in her writing, heartfelt and soulful when she sings, a universal artist who rings true and with honesty and such a compelling voice. I think people will take notice and want to hear more. She's truly inspiring and I was lucky to work with her. Plus, she laughs all the time and is a joy to be around”.




David Crosby.....

About to make another ’Lighthouse’ record with Michael League, Becca Stevens and Michelle Willis. Can’t help it. Won’t make a dime, but it’s so much fun to do, so we will.” ~ David Crosby


Betty Davis.....

Betty Davis was riding high in the 70's. A new record label, a series of high profile relationships, and intensely sexualized live performances made her a rising star. It seemed like everything was aligned to take the music world by storm. So Betty and band got back into the studio where she would act as writer, producer, and performer, creating what she thought would be her definitive release.

What emerged was the unapologetically uncompromising, self referential 1975 album "Nasty Gal". Now, over 40 years later, Light In The Attic Records is proud to announce the reissue of this final Island Records release by unparalleled funkstress Betty Davis.

The re-release features liner notes by John Ballon, writer of the Wax Poetics Betty Davis cover story in 2007, original album art, complete lyrics, rare photos, and interviews.

Ahead of its time, "Nasty Gal" shows Betty digging deeper into her musical and cultural expression than ever before, and delivers from every angle. This is Jimi Hendrix and Sly Stone inspired funk rock at its finest. From the title tracks mutant groove and grunt, to her onetime husband and jazz legend Miles Davis co-written ballad “You and I”, this lady will tear your heart out. Betty’s time is now.

Light In The Attic Records, January 12th, 2018.




Stephen Stills.....

New music from Stephen Stills? Sort of! Our friend Richard Gerstein wrote a song with Stephen back in the day. It's been resurrected with Stephen doing overdubs on the guitar in his home studio. Richard's album, ’Bears Back’, will be out early in 2018 and one of the tracks will be the song he and Stephen wrote together, ’Give It Up’, produced by Tony Braunagel.” ~ Susan Miller









Henry Diltz.....


Zappa @ The Roxy.....





The Beatles Xmas.....

Apple and Universal Music has just issued a new Beatles box set just in time for this Christmas. "The Christmas Records" is a vinyl box set that features 7 coloured vinyl records. Each 45 features the Fab Four’s original festive messages, which were issued every year to the fan club on flexi disc.

The Christmas messages were very much an annual tradition and ran from 1963 to 1969. They are largely spoken word with lots of larking around, although 1967’s does feature "Christmas Time (Is Here Again)", which if you are feeling generous you could describe as a song.

These Christmas messages have been newly pressed as 7" coloured vinyl singles for this new limited edition box set. It also comes with a 16-page booklet with recording notes and reproductions of the fan club’s national newsletters, which were mailed to members with the holiday flexi discs.

"The Christmas Records" box set was released on December 15th, 2017. A vinyl picture disc of "Sgt Pepper’s Lonely Hearts Club Band" will be issued on the same day.




Beth Wimmer.....

In late 2017, Beth Wimmer releases her 4th full-length album, ”Bookmark”.

Bookmark”, Wimmer's 1st new collection in 6 years, offers 9 original songs, and one fantasy fulfilled of covering the late David Bowie's ”Starman”. As usual, Wimmer changes up her styles and energies, and the tunes' various stories are playful, intelligent, revealing and hopeful. Sometimes dreamlike, sometimes presented by different characters seemingly residing within Wimmer, ”Bookmark” burns with guitar based grooves, ambience, infectious rhythms, and Wimmer's mature vocal delivery.

”Bookmark” is co-produced by guitarist Billy Watts (Mojo Monkeys, Eric Burdon, Jennifer Warnes) together with Wimmer, and features lush, expert, storytelling guitar work from Watts, and the irresistible solid fun rhythm section of David Raven on drums (Mojo Monkeys, Keith Richards, Jim Lauderdale, Norah Jones) and Taras Prodaniuk on bass (Mojo Monkeys, Richard Thompson, Lucinda Williams).

The songs from ”Bookmark” are additionally accented with Wimmer's acclaimed musical mates in Switzerland, singer Suzie Candell, bassist Rodrigo Aravena, and multi instrumentalist Dänu Wisler.

Catch Beth Wimmer live on tour in 2018, primarily in Switzerland, with tour dates in Austria, Germany, Italy, Holland and other European states also in the works.


More Monkees.....

Who's ready for even more of "More"? In honor of the 50th anniversary this year, we've super sized "More Of The Monkees" with a staggering 91 tracks, including 55 previously unreleased alternate takes, remixes, and newly discovered concert recordings from 1967, the band's earliest known live tracks, as well as a bonus 7" of "I'm A Believer" (Remix)/"(I'm Not Your) Steppin' Stone" (Vocals Only).

"This is the most exciting archival dig through The Monkees' vault since 2009's 'The Birds, The Bees And The Monkees" deluxe edition. Every track is newly mastered for this set, the live material is the most historically significant of their career", says Andrew Sandoval, who produced the set and wrote a new essay for its expansive booklet.

This super deluxe edition takes listeners into the studio for the making of the album through extensive studio outtakes. Many make their debut here, including the 1st recorded versions of "Words", "Valleri", "Hold On Girl" and more. Backing tracks for early version of "Sometime In The Morning", "I'm A Believer" and "Look Out (Here Comes Tomorrow)" offer a behind the scenes perspective on the creative process.

However, the set's most historic aspect is the inclusion of newly discovered unreleased live music. Recorded in Arizona in 1967, these 10 tracks are The Monkees' earliest known live recordings. The performance highlights songs from the band's 1966 self titled debut, "I Wanna Be Free" and "Papa Gene's Blues", along with covers of Ray Charles' "I Got A Woman" and Willie Dixon's "You Can't Judge A Book By The Cover".

"More Of The Monkees", super deluxe edition, was available on December 15th, 2017.




Lelle Dahlberg.....

I was born in the rural outback of Bureå, Sweden, to hard working parents. My mother Siri worked with caring for the elders, and and my father Torsten worked the vast forests of Västerbotten.

The one who inspired me to take up music from the very beginning, was my grandfather on my mothers side, Kalle Markström. He played the guitar, the fiddle and sometimes he sang.

I think I must have been about 10 years old when I started to investigate grandpa’s beautiful Levin archtop guitar. Got my first own guitar a few years later and eventually started playing alongside a couple of friends and we formed a band, The Sailors.

I wrote my 1st song when I was 13, and after that there has been hundreds and hundreds more, some where I have written both music and lyrics, some are co-writes, and some just lyrics for the music of others. A couple of hundred has been recorded by artists and bands and has topped the Swedish charts.

Now, I have finally decided to release a few of my own songs on an album, this time under my own name, or rather, Lelle Dahlberg.

These words are true.”

~ Lelle Dahlberg


DRAM & Young.....

DRAM and Neil Young’s long rumored song is finally coming out. It’s called “Campfire”, and it appears on the soundtrack to the new Netflix film, 'Bright', starring Will Smith. The soundtrack album is due out December 22nd, 2017, via Atlantic Records. It also features tracks from Ty Dolla $ign, Migos, A$AP Rocky, Tom Morello, Alt-J, Lil Uzi Vert, and more. Directed by David Ayer, 'Bright' sees Will Smith as an LAPD officer who partners with an orc in the movie’s fantasy world. It’s coming to Netflix also on December 22nd, 2017. DRAM teased his collaboration with Young last year, calling the experience 'monumental'. DRAM recently released a new Rick Rubin produced song called “Check Ya Fabrics”. Young’s "Hitchhiker" archival album came out in September, and his new album "The Visitor" was released December 1st, 2017.




Monterey Pop 1967.....

On a beautiful June weekend in 1967, at the beginning of the Summer Of Love, the 1st and only Monterey International Pop Festival roared forward, capturing a decade’s spirit and ushering in a new era of rock'n'roll. Monterey featured career making performances by Jimi Hendrix, Janis Joplin, and Otis Redding, but they were just a few performers in a wildly diverse line up that included Simon & Garfunkel, The Mamas & The Papas, The Who, The Byrds, and the extraordinary Ravi Shankar. With his characteristic style, and a camera crew that included the likes of Albert Maysles and Richard Leacock, DA Pennebaker captured it all, immortalizing moments that have become legend, Pete Townshend smashing his guitar, Jimi Hendrix burning his, Mama Cass being blown away by Janis Joplin’s performance. "The Criterion Collection" is proud to present the most comprehensive document of the Monterey International Pop Festival ever produced, featuring the films "Monterey Pop", "Jimi Plays Monterey" and "Shake! Otis At Monterey", along with every available complete performance filmed by Pennebaker and his crew. Released last Friday, December 15th, 2017.





Sebastián Caldas.....

Sebastián Caldas Zeballos was born in Uruguay in 1977. He moved to Sweden at the age of 2. He started playing classical guitar in Malmö at the age of 9 and knew very early that he would dedicate the rest of his life to music. His formal education was first in Spain where he studied with maestro Marco Socias at Musikene, The Higher School Of Music Of The Basque Country. There he got a higher diploma in music with classical guitar as specialty in musical performance in 2006. In 2004 he was awarded with 2nd prize in the International Guitar Competition Of Azpiazu in the duos modality, in San Sebastián, Spain. He has got master degree from Piteå Musikhögskola at the Master Program in Music Performance with Jan-Olof Eriksson.

Sebastián Caldas Zeballos has recorded 2 solo albums with the label Daphne, distributed by Naxos, both with very good reviews from the Swedish musical press.

Sebastián Caldas Zeballos has received 3 grants from the Swedish Arts Grants Committee and 1 from Musikverket. The Swedish Uruguayan guitarist is very interested in working across genres and barriers. His project Moving Horizons, a collaboration with percussionists from the Candombe tradition has toured in Scandinavia and South America.

In 2016 Caldas took the project to a new level with the “Moving Horizons Meets Anty Ram Trio”, working with musicians who use improvisation as their main means of expression. The ensemble played in Oslo, at the Copenhagen Jazz Festival, in Stockholm, in Malmö, and in Borås, Sweden.

Nowruz”, Sebastián Caldas Zeballos’ latest album, has been praised by the Swedish Guitar & Lute Magazine for being a reference in Scandinavia for Latin American guitar music, as well as for being innovative in collaborating with musicians from other traditions.

In 2017 Caldas toured Uruguay and Argentina with the “Moving Horizons Meets Anty Ram Trio”, funded by the Swedish Arts Grants committee.





Tamla Motown 1966.....

Given the speed and frequency with which the Motown label made recordings during its heyday, the company’s vaults are known to be vast. Large amounts of unreleased material have been added to compilations and reissues over the years, while still other collections have been solely devoted to never before heard tracks from the label’s superstars. Due to European copyright laws that allow unused recordings to enter the public domain, Motown has been releasing digital only copyright extension compilations for the past several years beginning with the multiple "Motown Unreleased 1962 : Guys, Girls, Jazz, and Gospel" volumes.

Last year’s "Motown Unreleased : 1966" was the largest single package yet, featuring 80 tracks and nearly 4 hours of music. Inevitably with each annual release comes the question, “when will these be available on CD?”. UMC, a Universal catalogue arm, is coming to the rescue. Today, on December 15th, 2017, UMC will issue "Motown Unreleased : 1966" as a 4 CD box set limited to 1 000 units.

The artists found on this compilation are a veritable who’s who of Motown, including Temptations, Marvin Gaye, Miracles, Four Tops, Gladys Knight & The Pips, Martha & The Vandellas, Marvelettes and The Supremes. It also features some of Motown’s lesser known acts like The Underdogs, Debbie Dean and Little Lisa. In addition, "Motown Unreleased : 1966" has some major artists who were on Motown, but found greater success elsewhere like jazz crooner Billy Eckstine, Isley Brothers and The Spinners. One short lived band whose members would go on to have great fame were The Mynah Birds, whose line up in 1966 included Rick James, Bruce Palmer and Neil Young. Due to various complications, the group only recorded a handful of songs for the label which remained unreleased for years. A couple of have seen the light of day in previous years, and now 2 more are being unveiled officially: “I’ve Got You (In My Soul)” and “I’ll Wait Forever”.

The range of material covered on this set is wide, from, of course, Motown hits, standards, Broadway, rock and gospel. There are several alternate and early versions of familiar songs such as Temptations’ “Ain’t Too Proud To Beg” and several takes of Four Tops’ cover of Burt Bacharach and Hal David’s “Wives & Lovers”, each with a different lead vocalist. Other cover versions of non Motown pop and rock songs include The Supremes covering Beatles’ “Michelle”. There are new duets to discover as well, such as between Marvin Gaye and Kim Weston, and Gladys Knight and The Spinners.


Robert Ellis.....

Sometimes, songs become so imbedded in our minds, and our culture, that their essential nature makes us forget how unusual they may actually be. And one like “Gentle On My Mind”, written by John Hartford and made iconic by Glen Campbell, is no exception. Hartford, himself, admitted that it actually broke all the musical rules, in terms of what should work commercially, it’s layered thick with his signature newgrass banjo instrumentals, it’s more poetry than traditional verse chorus verse, in fact, there is no proper chorus, and it was written in just 20 minutes. Now, it feels like a traditional, and a priceless one at that. Still, Hartford’s not a household name. Though years after his death in 2001, he’s up there amongst the treasured gods in the eyes of so many modern working artists, particularly in the americana, country and folk realms.

He’s certainly an influence on Robert Ellis and Courtney Hartman, who toured together and developed an artistic symbiosis on the road before recording "Dear John", their tribute to the work of Hartford that was released on December 8th, 2017, through Cory Chisel's and Adriel Denae’s Refuge Foundation for the Arts. And this version of “Gentle On My Mind” from the collection showcases the kinship Ellis and Hartman carry with the Grammy winner. Together, their voices meld into a soft, harmonious coo, and a luscious, complex interplay of guitar gives the song new life despite its classic status, particularly as the last minute dissolves into just instruments alone when these two incredibly gifted players add what feels like a hidden last verse with no vocals to be found. Utilizing the bones of the past to pave way to the future, they prove that timeless and gentle can still cut just as deep.




Alan Haksten.....

Alan Haksten was born in Buenos Aires, Argentina, in 1984. He is one of the icons of the tango in the present. This year, Alan will play with Niko Garay, composer, pianist and guitarist who works on different projects in Buenos Aires, and Hernán Díaz Karich, violinist of the most renowned tango orchestras.

On their 3rd European tour, they will give concerts in Sweden, Austria, Croatia, France, Germany, Spain, Greece, featuring material from their latest album, "En La Ciudad De Los Pájaros". This project traces tango music from the beginning to the present, through traditional compositions from the Rio de la Plata, their own works and also the music of Astor Piazzolla.

Since 2016 they have been presented in Berlin, Hannover, Cologne, Frankfurt, Hamburg, Strasbourg, Paris, Amsterdam, Copenhagen, Oslo, Stockholm, Ystad, Gothenburg, Borås, Zagreb, Athens, Hydra, Tinos and other cities.

We invite you to join the dance floor and dance with the Alan Haksten Ensemble.




Jimmy Webb.....

Author of such songs as “Galveston”, “Wichita Lineman”, and “Up, Up and Away”, Jimmy Webb is one of the greatest songwriters of his generation, but his solo album releases have never caught fire commercially. That all seemed destined to change as preparations began in 1978 to record the album that wound up being dubbed "Angel Heart". Fresh off an international hit with Dan Hill’s “Sometimes When We Touch”, the hot production team of Matt McCauley and Fred Mollin had put together a can’t miss band consisting of David Foster, Lee Sklar, Dean Parks, Bob Glaub, and Jeff Porcaro, David Paich, and Steve Lukather of Toto.

The label, 20th Century Fox, was 100% behind the project, and they were recording in the hallowed studios of Sunset Sound with a young Mark Linett, soon to be the preferred engineer for The Beach Boys, at the console. What could go wrong? Well, in classic record biz fashion, everything. As the band was assembling in the studio, word came down that the 20th Century Fox record exec behind the project got fired. Contracts came down from the new label president demanding Jimmy give up his publishing royalties on the project. And so Jimmy and his manager told the label to go jump in the lake, albeit in more colorful fashion.

But Jimmy, with such an incredible band all set up and raring to go, couldn’t resist. He paid for the sessions himself. And everybody in town swung by to pitch in. Michael McDonald, Graham Nash, Kenny Loggins, Gerry Beckley, Stephen Bishop, Daryl Hall, Leah Kunkel, Valerie Carter, they all sang on the record. The results were gorgeous. Just one problem. No record deal. Finally, Lorimar Records picked it up and put it out in 1982, after insisting that 3 songs be dropped and 2 new ones recorded. But, though Lorimar had major label distribution through Sony at the time, they were about to be dropped, too, so the record received zero promotion.

A couple of CD releases came and went in the 80's and 90's, but the true story and glory of "Angel Heart" has remained to be told, until now. Real Gone Music’s 35th anniversary expanded edition not only includes the 3 songs from the album sessions that were cut, but also adds 3 other unreleased Webb demos, contributed by Jimmy himself, for a total of 6 unreleased tracks. What’s more, the liner notes feature rare, never Before seen photos of the recording sessions along with a first person account from co-producer Fred Mollin of what went down during the making of the album. Remastered, fittingly, by Mark Linett from the original tapes, this is the Jimmy Webb record that was meant to be, it’s a major find and a key, overlooked part of his catalog. Released last week, December 8th, 2017.




Todd Kessler.....

Todd Kessler has quite a story, and, with all the memories floating around in his head, perhaps it makes sense that his new album, scheduled for release late this year, is entitled ”About Memory”. With precision and grace, Kessler seeks to make sense of the past, while looking pensively into the future. Appropriately, ”About Memory” finds Kessler going back to his roots, producing a timeless folk sound, with hints of alt rock and classic americana.

Born and raised in the Chicago suburbs, Todd Kessler was always singing. He began playing the trumpet at 9 years old, but by 12, he’d fallen in love with the guitar and began writing his own songs. After graduating from the University of Illinois with a degree in music theory and composition, Kessler began work on his first LP, ”We Are the Musicmakers”. The album was released in 2006 and led to a series of gigs across Chicago.

Shortly thereafter, Kessler formed a new band and teamed up with producer Greg Magers (Lupe Fiasco, Umphrees McGee, Matthew Santos) for his next 2 releases, ”The Veronica EP” and ”Boomerang”. Both albums were well received, allowing Kessler and his band to perform at some of Chicago’s most famed venues, including, Schubas Tavern, Double Door and Lincoln Hall. With a democratic songwriting process, Kessler and his band decided to work under a new name, Todd Kessler & The New Folk. In 2012, they released their 1st album, ”Sea Fever”, which was produced by Manny Sanchez (Patrick Stump, Umphrees McGee). The album’s release was supported with a lengthy residency at Schubas Tavern, but as it happened, Kessler missed part of the residency when he was chosen as part of Team Ceelo on NBC’s ’The Voice’.

Gaining exposure from ’The Voice’, Todd Kessler & the New Folk began touring more, playing festivals like Summerfest, Taste Of Chicago and Mile Of Music. Between 2013 and 2015 the band worked on new material and released 2 singles, ”Exactly Where I Should Be” and ”Have Yourself A Merry Little Christmas”. But, as members of the New Folk began getting married and having children, life on the road became arduous. Eventually, the New Folk agreed to a break, disbanding indefinitely to spend time with their families.

Even with 2 young children, Kessler has managed to write an impressive amount of new songs. After the birth of his 2nd son in 2015, Kessler’s songs took on a more nostalgic tone, confronting the range of emotions that come with fatherhood. Like watching old home movies, the songs play like the soundtrack to the human condition. And, these are the songs that make up Kessler’s new album, ”About Memory”.

Recorded in Los Angeles at New Monkey Studio (made famous by Elliot Smith), ”About Memory” was produced by Marc Daniel Nelson (Fleetwood Mac, Colbie Caillat) and Ran Jackson (Katy Perry, Goo Goo Dolls) and mastered by Eric Boulanger, who has worked with industry titans like Adele, Green Day, and Neil Young. ”About Memory” proves a brand new beginning for Kessler, or as he calls it, ’a way to move forward by looking back’.

Influenced by artists like Paul Simon, Fleetwood Mac, Ryan Adams and David Gray, Kessler has evolved into the consummate storyteller, ’when a songwriter can tell a story that is specific to them, yet allows the listener to hear him or herself in it, that’s the pinnacle for me’, shares Kessler. ’I like to call myself a realistic optimist. I will always tend to see the bright side of things but don’t shy away when things get real’.




Van Morrison.....

"Versatile" is positive proof that Van Morrison is built differently to other artists. One of very few British recording artists to warrant the description ‘living legend’, Van is currently working at a rate to put musicians a 3rd of his age to shame, an ethic that harks back to his early days as a recording artist who’d easily release multiple brilliant long players within the space of a year.

While "Roll With The Punches" saw Van revisit many of the definitive rhythm and blues records that have stayed with him all his life, Van’s latest album sees him delve further back into recorded music’s archives to interpret some of the 20th century’s greatest vocal jazz standards.

Across "Versatile’s" 16 tracks, Van Morrison interprets some of the very building blocks of modern music in his own utterly unique style. As well as songs originally made famous by the likes of Chet Baker, Frank Sinatra, Righteous Brothers, Tony Bennett and Nat King Cole, "Versatile" features 6 stunning new Van compositions, including "Broken Record", a timeless piece of late night swing.

A joy from start to finish, "Versatile" is a completely different record to "Roll With The Punches", yet it’s incontrovertibly Van and proof, if ever it were needed, that at 72 years of age, he’s not going to slow down any time soon.




Rupert Wates.....

Rupert Wates was born in London and has been based, since 2007, in New York City and Colorado. He averages 120 live shows a year, in every state in the US, in Canada and Europe. He has won well over 30 songwriting and performing awards. In the last 3 years alone, 2 tribute albums to his material have been recorded, ‘Crazy Puzzle’ in 2015, by Nashville based performer Roxie Rogers, and ‘Wide Open Heart’ in 2017, by Los Angeles vocalist Susan Kohler.

Rupert Wates’s 9th solo album takes an unflinching look at the dangers, disillusionments and cruelties of today’s world, in which "The Lights Of Paris" offer a symbol of love, beauty and hope. On this disc, Wates’s signature sound has been reduced to the essentials of his voice and distinctive fingerstyle guitar, with color added by virtuoso musicians Adrianna Mateo, violin, and Brian Sanders, cello, in string arrangements by Grammy nominated John Guari. To preserve the warmth and spontaneity of a live performance, the album was recorded live in the studio in just 2 days. Singing with the voice of the timeless balladeer, Wates takes us song by song on a journey through the shadows that threaten to engulf us, towards the faint but still glowing lights.




U2's Experience.....

U2‘s new album "Songs Of Experience", is just available as a 3 disc box set and a trio of other physical formats. Recorded in Dublin, New York and Los Angeles, "Songs Of Experience" follows 3 years on from 2014’s "Songs Of Innocence" and follows on from this summer’s "The Joshua Tree" reissue and tour.

The album is being released as a 13 track jewel case CD, a 17 track deluxe CD edition which is packaged as a gatefold card wallet, and a 16 track 2LP gatefold cyan vinyl edition. The vinyl sounds very well spec’d and includes 2 black poly lined sleeve, 2 printed inners and a 6 panel oversized booklet.

Additionally, there is a deluxe box set that gathers both the deluxe CD and the double cyan vinyl and packages them in a 12″ x 12″ rigid box. This is numbered and also comes with a fold out poster and a “Songs Of Experience Newspaper”. The box and the standalone 2LP cyan vinyl both come with a download code.

2 tracks from the album, "The Blackout" and "You’re The Best Thing About Me", had already been made available. The latter has been remixed by Norwegian DJ and producer Kygo and features as the last bonus track on the deluxe CD, this is the one track not on the 2LP set. The album has been produced by Jacknife Lee and Ryan Tedder, with Steve Lillywhite, Andy Barlow and Jolyon Thomas. The cover image, by Anton Corbijn, features band members’ teenage children Eli Hewson and Sian Evans.

"Songs Of Experience" was released on December 1st, 2017.




Zachary Richard.....

Singer, songwriter, poet, cultural activist, environmentalist, Zachary Richard is best known as recording artist and performer. With 20 albums on his roster, including several gold and platinum albums, his musical career is international.

In 1996, Zachary Richard founded Action Cadienne, a non profit organization devoted to the promotion of the Acadian culture and French language of Louisiana. In March, 1997, he is decorated Officier de l’Ordre des Arts et Lettres of the Republic of France. That same year, he is initiated into the Ordre des Francophones d’Amérique by the government of Québec. In the course of his career he has received 4 honorary doctorates from the University of Moncton, New Brunswick, the University of Louisiana at Lafayette, l’Université Ste Anne, Nova Scotia, and the University of Ottawa, Canada.

In response to the devastation of Hurricane Katrina in 2005, Zachary Richard founded SOS Musiciens to come to the aid of the musical community of Louisiana. In 2009, he is decorated with the Order of Canada, one of very few Americans to receive Canada’s highest civilian award. Following the Deepwater Horizon catastrophe of 2010, Zachary Richard founded Gulf Aid Acadiana to help restore the Louisiana coast and support its communities. The Cercle Richelieu Senghor awards him the Prix Richelieu Senghor in a ceremony at the Senat de France in 2013. In 2015, Zachary Richard is named Humanist of the Year by the Louisiana Endowmment of the Arts. The following year he is decorated Officier des Palmes Académiques by the Republic of France and promoted Commandeur de l’Ordre des Arts et Lettres.

Zachary Richard is producer, narrator, and composer of several television documentaries. In 2000, ’Against The Tide’, the story of the Cajun people of Louisiana is awarded Best Historical Documentary by the National Educational Television Association, USA. The French version, ’Contre Vents, Contre Marées’, is awarded the Prix Historia by the Institut d’Histoire de l’Amérique Française in 2003. Other documentaries will follow, ’Coeurs Batailleurs’, a 26 part series that investigates the Acadian diaspora around the world, and ’Migrations’, which studies bird migration in North America and is awarded the Liriot d’Or, first prize, at the Festival International du Film Ornithologique of France in 2008.

More recently, Zachary Richard narrated and composed the music for ’Kouchibouguac’, which examines the social upheaval that accompanied the expropriation of 250 Acadian families for the creation of a Canadian national park. In 2016, in the award winning documentary ’Cajun Heart’, Zachary Richard explores his roots and examines the nature of Acadian and Cajun identity into the 21st century. In 2017, Louisiana Public Broadcasting, LPB, broadcasts Attakapas, the Cajun Story, a multimedia concert with tells the story of the Acadian and Cajun people of Louisiana in song.

Fiercely attached to the French language and Acadian culture of his native Louisiana, Zachary Richard is the author of 4 children’s books, as well as 4 volumes of poetry, ’Faire Récolte’received the Prix Champlain and Feu the Prix Roland Gasparic in Bucharest, and the History of the Acadians of Louisiana, UL Press. He is Louisiana’s first French Language Poet Laureate.

New album ”Gombo” to be released in late 2017.




Rush Remaster.....

"Earlier this year, I was asked by Rush to remix their classic 1977 album 'A Farewell To Kings' into 5.1 surround sound for its 40th anniversary, and it now appears on BluRay as part of a deluxe box set that also includes 3 CDs and 4 LP's that was released December 1st, 2017. The remix was done with feedback and final approval from Alex Lifeson. I also made stereo and 5.1 mixes of a 4 minute instrumental sequence found on the original tapes. This is basically a longer alternate version of the electronic music used at the start of 'Cygnus X1', so not a new Rush song as such, more a piece of sound design, but hopefully interesting to hear if you're a fan of the album. The set also includes a complete 1978 concert recording." ~ Steven Wilson




Steven Casper.....

With Steven Casper at the helm on lead guitar and vocals, he and his band, Cowboy Angst, get tighter every year. In 2013 they were recognized by Country Music Television, CMT, who called their song, “Trouble” a ’recommended americana track’. In 2015 they were declared, ’one of the hottest unsigned bands’ by Music Connection Magazine. Now Steven Casper and the boys are back with ”Sometimes Jesse James”, his 8th recording and his 7th production with Ira Ingber (Bob Dylan, Van Dyke Parks).

The members of Cowboy Angst are well known studio musicians and longtime members of this band. John McDuffie on electric and classical guitar, pedal steel and lap steel, as well as co-writing a song on the album, Carl Byron on electric and acoustic piano, accordion, and B3 organ, Herb Deitlebaum on bass, Jay Nowac on drums. Ingber not only co-produces with Casper, but also lends additional guitar, keyboard, percussion, bass, dulcimer, cittern, and backing vocals.

Casper has once again, made a deliberate choice in putting out an EP in accordance with our on-demand society and listening practices. “Most people listen to streaming services these days, so I like to get my music out there, fast”. ”Sometimes Jesse James” consists of 6 honest and skillfully crafted songs that do a great job showcasing Casper’s own brand of americana. Casper’s sound incorporates influences from country to rock, blues to r’n’, and always with a bit of cajun and tex mex thrown in.

The 1st song, “Down”, alternates between a Bo Diddly rhythm and country folk chords. It deals with recognizing our mind being our greatest strength, or our biggest weakness, when it puts negative thoughts and excuses in our heads, ’why crawl if you have a chance to fly’. “The Best Day Of Our Lives” is a ballad that has McDuffie’s pedal steel adding to the melancholy mood of the song, ’and the sun made diamonds that shone through the trees, as it danced across the sky, we knew it was late but we didn’t care, on the best day of our lives”.

“Wrecking Ball” is the only cover on the record, a daring and unique version of the Ryan Adam’s song. Ingber incorporates two instruments never used on a Steven Casper record before, a dulcimer and a cittern. He explains, ’with those 2 instruments, sonic textures that seemed initially somewhat at odds with the song as I first heard it, proved to be completely compatible, if not completely captivating. With the dulcimer playing the melodic lines, and the cittern playing the chordal rhythm, the track was filling out nicely”.

“They Call It Love” is a departure from a typical Casper song, as it’s a blues groove number along the lines of Little Feat. Casper tells us about the inception of the next song on the record, “Born To Lose Blues”, ’this song pattern and 1st verse came to me 4 or 5 years ago. There was not even a main theme and I couldn’t seem to finish it. About 6 months ago I started playing around with it again and the final 3 verses came right out. The original 1st verse was, ’I was naked in the storm, battered and abused, feeling kind of fragile, feeling kind of used, then I found you’.’

The record ends with “Mi Sueno, Mi Dolor”). This song was co-written by Casper and John McDuffie, who plays nylon string guitar on the song. ’For the last 4 records I’ve written an instrumental piece’, says Casper. ’I wanted a slow minor key mexican blues song for ”Sometimes Jesse James”.’

This 7th production between Casper and Ingber shows what a steady working partnership can produce. ’I can't over emphasize the importance of the discovery aspect of the creative process, be it music, painting, writing, etc’, says Ingber. ’I have been fortunate to have worked with Van Dyke Parks for many years. From my perspective, the discovery of the arc of a song is the vital component in making a song compelling and demanding our attention. Van Dyke is master of this, and his mastery didn't go unnoticed by me. Every song on ”Sometimes Jesse James” is the product of this discovery’ aspect’.

He continues, ’somewhere during the creation of the recording something happens that informs the path forward. It could be the way the organ intertwines with the vocal on the opening verse. It could be the way the chorus enters with complete inevitability. Once we make those discoveries, we're off to the races’.




Neil Young & P.O.T.R.....

Neil Young + Promise Of The Real released their new studio album "The Visitor" on Reprise Records, December 1st, 2017, in stores and via all digital music retailers. The vinyl edition will follow on January 5th, 2018.

When Neil Young entered Shangri La Studio with the band Promise Of The Real a few months ago, there were a lot of images and feelings careening around his soul. The country was heading in a direction Young had never seen, even though up until then he thought he'd seen it all. But something different was happening, and it had gotten inside his music. "I'm a Canadian by the way and I love the USA", he sings on the first song "Already Great". The ethos of "The Visitor" can be summed up in the refrain of "Already Great" where Young insists, "Already great, you're already great. You're the promise land, the helping hand. No wall. No hate. No fascist USA. Whose street? Our street!". From those words, Neil Young was ready to take a musical journey on his new album "The Visitor" like he had never taken before. It was one where he'd even surprise himself, always the mark of a creative leap. By the end of the recording sessions, he knew he'd made his most diverse album going all the way back to Harvest in 1972, when America was also in the throes of becoming unhinged. Neil Young didn't blink then, and he is not blinking now.

"The Visitor" is an intriguing and always exciting peek into the mind and heart of one of rock'n'roll's true seekers. Neil Young has wandered a wide path since coming to Los Angeles from Canada over 50 years ago. During those many decades he has established an immediately apparent individualism that cannot be predicted. Young has often said that when things become ordinary, he's ready to shake things up and head for new ground. It has always been what marks Young's music. His new songs, whether it's a mashup of spoken word and rock'n'roll on "Fly By Night", or the heart stopping beauty of "Forever", once again ask listeners to stay open and ready for whatever comes through the open channels of the man and his unstoppable band.

Listening to an album like "The Visitor" is not unlike taking off on a cross country trip without a map. There is no way to tell where the destination will lead or what will be encountered. At one moment the savage rock of "Stand Tall" leads into Caribbean and Latin musical strains rising through on "Carnival", only to turn around to embrace the blues on "Digging A Hole." There is also the modern funk rock of "When Bad Got Good", the anthemic "Children Of Destiny", and the spirit tugging strength of "Change Of Heart" to ensure the musical travels remain full of wonder. With the unlimited ability of Promise Of The Real, featuring Lukas and Michah Nelson along with Corey McCormick, Anthony Logerfo and Tato Melgar, the passionate power of their playing pushes the songs to maximum expression. There are very few rock bands now who can go to as many places as this outfit and always deliver their own distinct identity.

The closing song on "The Visitor" feels like a prayer for today and tomorrow. In "Forever," Neil Young sings "Earth is like a church without a preacher, the people have to pray for themselves". These lines, and everything else on this landmark release point to the future in a way that sounds the alarm for troubled times, but at the same time offers hope that, once again, music can help lead the way to understanding and hopefully a better place.

Today Neil Young walks in his own footsteps, just as he has done since his first days venturing into neighborhood clubs in Canada when he was still a teenager. He has a guitar, he has a voice and he has songs that express a unique way of looking at the world. And once again he is ready to tell us where we've been and just maybe where we might be heading. By listening we can join together and share the challenges and find a way forward together. Once again.




Kelsea Ballerini.....

Growing up means never apologizing for who you are, and what you've been through. And for Kelsea Ballerini, one of country music's new voices, growing up also meant having the courage to put it all, the loss, the love and the highs and lows of life, into song. The result? ”Unapologetically”, Ballerini's sophomore album, a collection of songs, all which she wrote or co-wrote, as on her gold certified debut ”The First Time”, meant to share her experiences over the past two years like a sonic journal, inviting listeners to open the book of her story and listen along.

From the first notes of "Graveyard" to the concluding chorus of "Legends", ”Unapologetically” is a snapshot of Ballerini's life since the release of ”The First Time”, all told through songs that push country's boundaries and reveal just how personal the Grammy nominee's writing can be. Though it could have been easy for Ballerini to just collect a loose selection of hits, she decided to make an ’intentional album’ instead, carefully curating tracks that unfolded within the record as her own musical documentary in 3 parts. It's not the norm to write albums this way, nor is it easy, but Ballerini goes with what is in her heart.

"I had to let myself be OK with being vulnerable", says Ballerini. "My first album, I wanted it to be an introduction, just reaching out my hand. I had a song about my parent's divorce, about being insecure, it was one song per emotion. In doing that, I wasn't really able to articulate the depth of those emotions. Now, having gotten older, having gone through a big breakup and having fallen in love in a massive way, I had to say, 'hey, let yourself feel that, let yourself write that'. The end product was this record, which is a chronological story of my life these past few years".

That record is ”Unapologetically”, an album that found Ballerini battling through her insecurities and coming out stronger, telling the story of the many ways her life has changed in the past several years from start to present, when those first loves turned into heartbreaks, those first thrills turned into bittersweet experiences and a girl turned into a woman. It wasn't an easy thing to retrace all those steps, but she did it, working with songwriters like Ross Copperman, Shane McAnally, Ashley Gorley and Hillary Lindsey, and her production team from her debut, Jason Massey and Forest Glen Whitehead, writing over 200 songs but culling them into 12 sharp chapters in her life journey. And that journey begins with loss.

Most things end, not begin, in the graveyard, but that's where ”Unapologetically” starts, with "Graveyard", a moody and masterful meditation on burying ourselves in a relationship. Fans of ”The First Time” might not expect such a somber note to kick things off, but it sets the musical template for what comes next, the edgy ode to selfrediscovery of "Miss Me More", the smooth sass of "Get Over Yourself", and the anthemic "Roses".

"I was going through a breakup that was really hard on my heart, and finding success at the same time”, says Ballerini. "It was a big tug of war between my heart and head, and career and personal. It was messy. I didn't show it at the time, but now I get to". Indeed, these songs peel back the curtain on her personal life, but, in Ballerini fashion, they always offer her fans a way to cope together, to make the vulnerable feel empowered, and to move on to the future. And in that future? Life.

Because sometimes when you're broken, you have to learn to live again. Picking up the pieces after heartbreak are songs like "Machine Heart", which deals in the struggle for self love and perfection through tender vocals, and "In Between", which is Ballerini taking syncopated stock of her exact place in the world, "sometimes I play grown up, and sometimes I play pretend", she confesses. "Perfect doesn't exist, and I'm exhausting myself trying to be something that isn’t real", she says. "And I know if I am feeling that, then 90 % of the other girls that listen to my songs are feeling that too". There's "High School", Ballerini's soft, twangy meditation on growing up, and "End Of The World", a moment to realize that, even when it feels like we might have hit our limits, life keeps going on. And life's just better once we've found true love.

But leave it to the newly engaged Ballerini to enter this phase of ”Unapologetically” with a Motown tinged, tongue and cheek nod to romanticism on "I Hate Love Songs". Indeed, the back end of ”Unapologetically” is all about getting lost in this love, but not losing yourself. The title track is a dynamic pop country anthem about heading into a romance with no abandon, but it took living through songs like "Graveyard" to get here. And "Music" is a stunning, r’n’b drenched dip into the emotional impact that a lover, not unlike a good song, can bring to our lives.

Lastly, there's "Legends", the album's closing track and the 1st single that ties it all together. "'Legends' feels like a song about loss, about life and about love", she says. "And it just depends on the perspective you listen to it from on how you hear it. I wrote it 2 years ago when I was going through a breakup. But now, it's a love song. It's about a love you are reflecting on. About loss, life and love".

Throughout all these songs, Ballerini and her creative partners use a dynamic sonic palate, electronic textures, acoustic instrumentation, clever beats, layered melodies and a full range of Ballerini's vocals, perfectly imperfect, unlike an auto tune obsessed generation, she embraces the gorgeous frays within her notes. And she doesn't worry about genre barriers, either.

"We let ourselves be a little more free", she says, referring in particular to her relationship with producer and collaborator Whitehead, an integral part of her creative process. "You want to make the lyrics pop, and you want to make how you wrote the song translate, and sometimes that's a banjo and sometimes that's a beat drop. If the heart of the song gets across, I don't care which one it is".

Ballerini has come a long way from her hometown in East Tennessee, and it's not an overstatement to say that Ballerini's rise has been meteoric. The Black River Entertainment artist is a Grammy nominee for Best New Artist, banked 3 consecutive # 1 songs, a record, as she's the only female country artist to have done so from a debut, played slews of tour dates and nurtured a growing reputation as one of Nashville's sharpest writers. But Ballerini, who got her start in music at the age of 12 as a young girl learning to cope with life's trials and tribulations, is never one to stay stagnant. She wanted to make an album even more vulnerable and honest than she's even been, and use everything she's lived to build that next chapter.

And part of what makes ”Unapologetically” so special is that, even after opening for country greats including Alan Jackson, Lady Antebellum, Tim McGraw, Carrie Underwood and Keith Urban and headlining her own tour, in addition to winning scores of accolades, including an ACM Award, a Billboard Rising Star Award and an ACCA for Breakthrough Female Of The Year, she's kept in touch with life's most important truths, and relayed that honesty through songs that make us laugh, make us smile, make us think and make us dance.

"You have to use your intuition and your heart, and do things your own way", she says. "That's what I hope my next chapter really is. I've just wanted every song, even the vulnerable ones, to make you feel empowered. There is so much strength in being vulnerable." Vulnerable, though loss, life and love. That's living ”Unapologetically”.




Chris Stapleton.....

Chris Stapleton's fans have known for most of 2017 that they could expect 2 new LP's from him this year, but now they have a release date and track list for the 2nd of those, "From A Room: Volume 2". His 2nd album of the year was released on December 1st, 2017. Its companion album, "From A Room: Volume 1", was released on May 5th, 2017, going on to top the country albums chart. Recorded at Nashville's RCA Studio A and produced by Dave Cobb, "From A Room: Volume 2" mirrors its predecessor in having a brief 9 tracks. Among those are "Tryin' To Untangle My Mind", a song that Stapleton has recently been featuring in his live sets, and "Midnight Train To Memphis," which dates back to his days with the Steeldrivers. The album features a pair of covers, as well, in Kevin Welch's "Millionaire" and Homer Banks and Lester Snell's "Friendship", previously recorded by Pops Staples.




Keegan McInroe.....

Keegan McInroe is a Texas based writer and musician. Raised in Lubbock, TX, he moved to Fort Worth in 2001, where he attended and graduated from Texas Christian University with degrees in religion and philosophy in 2005. While at university, Keegan began playing music in bars, and in 2003, he helped found the band Catfish Whiskey. The band called it quits in 2009.

A professional musician since 2006, McInroe now troubadours primarily as a solo artist. Since 2012, he spends about half of each year playing everything from house concerts to music festivals all across Europe, and splitting his time back home in the States, between Fort Worth, Dublin, TX, and the road.

His music weaves threads from old country, old blues and folk together with his own unique voice and perspective, creating an original tapestry of American roots music, earthy and lyric driven.

McInroe has shared the stage with Leon Russell, Ray Wylie Hubbard, Willis Alan Ramsey, Carolyn Wonderland, Phosphorescent, Ian Moore, Innes Sibun, Tito and Tarantula, Eric McFadden, Otis Taylor, Eric Sardinas, Randall Bramblett, The Band of Heathens and many more.

He has also been published in various papers and magazines for his travel writing, stories, poems, and occasional forays into politics. Additionally, he hosts ’The Uncouth Pilgrim Podcast’, which airs on Texas Homegrown Radio and KFTW 97.5 The Pirate in Fort Worth, TX.

New album, "A Good Old Fashioned Protest", out now.




Wilson Pickett.....

Wilson Pickett was a pioneer of r'n'b and soul music. After signing with Atlantic Records in 1964, the Alabama born singer songwriter went on to record unforgettable hits like "Mustang Sally", "Land Of 1000 Dances" and his signature track, "In The Midnight Hour". Wilson Pickett’s extraordinary legacy is being celebrated with a new boxed set that brings together all 10 of the studio albums the Rock And Roll Hall Of Famer recorded with Atlantic Records between 1965 and 1971. The new collection features 10 classic studio albums, "In The Midnight Hour" (1965), "The Exciting Wilson Pickett" (1966), "The Wicked Pickett" (1967), "The Sound Of Wilson Pickett" (1967), "I’m In Love" (1968)," The Midnight Mover" (1968), "Hey Jude" (1969), "Right On" (1970), "Wilson Pickett In Philadelphia" (1970) and "Don’t Knock My Love" (1971). Each one is presented in a sleeve that replicates the original release’s artwork. All the discs are presented in a handsome clamshell box. Rhino Records, November 24th, 2017.





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