A native of Savannah, GA, and now living in Los Angeles, Tawny Ellis traveled back to the south to record, "Ghosts Of The Low Country", her 6th recording and 2nd EP.
While, on tour in the south with her longtime collaborator and husband, Gio Loria, and inspired by the documentary, Muscle Shoals, the two dropped by the renowned Fame Studios. As fortune would have it, they met with producer and founder, Rick Hall, who invited them to record after they had finished with their tour. “We had only 10 days left of the tour”, explains Ellis, “and in those 10 days 'Ghosts Of The Low Country' was written”.
Playing a few dates with the Athens, GA, band, Five Eight, guitar player Sean Dunn and drummer Patrick Ferguson joined in on the fun. “We all made our way back down to Alabama and practiced and arranged the songs we had in mind”, said Ellis. Adding bassist Peter Hamilton, Ellis concedes, “it came together very quickly the night before we recorded and then we hit it in the morning. It was challenging and intense, but ‘Ghosts Of The Low Country’ is one of my favorite songs I have written to date”. While playing a date at the County Fair, Ellis and Loria met Muscle Shoals native, Jason Isbell backstage. Isbell had recorded several times at Fame studios and Ellis and Isbell shared the same engineer when mastering their records, Pete Lyman at Infrasonic Mastering. “Everything about this record was kismet“, said Ellis. The sounds on "Ghosts Of The Low Country" are as soulful as the region and bring to life the aspects of music and song indicative not only of Tawny Ellis and Gio Loria, but of the very landscape of Muscle Shoals.
From throaty to wistful, Ellis is in control of her voice and able to pull on her southern roots at will. Guitar Magazine described her voice as “the sort of voice one could make a meal of, in the vein of Neko Case or Ray LaMontagne, not to mention country singers from years, if not ages, past”. The record contains 2 original songs and 2 covers. The title track renders the story of Teh-La-Nay, a Native American of the Yuchi tribe forced from her home to a reservation in Oklahoma and her near decade travel back to her Tennessee River, the “singing river” located in Muscle Shoals neighboring town of Florence. “Desperate Tonight” is a Five Eight original that brings the band’s own sound together with Ellis and Loria. Patsy Cline’s “Walking After Midnight” is an homage to the artist she is often compared to. “Evolve Or Die” is an older track that was chosen by Ellis, a song that deserved the particulars, rarities and royalties of a Fame studio recording.
Besides the songwriting and vocals, Ellis contributes lap steel guitar to the record. She picked it up 4 years ago after watching longtime neighbor and friend Daniel Lanois play. “Watching him has taught me a lot”, she said, “He is the best, so I spy on his moves. I have a long way to go, but I am dedicated to this blend of the lap steel and my voice together”. She talks about meeting him in 2008, “we talked about the CD I had just released and his belief that songwriters should write classic songs and not to worry about genre, to be a timeless artist. Since then he has subtly guided me with his philosophies and inspired me with his work ethic. His heartbeat is music and everyday his life is a testament to his commitment”. The multi talented Gio Loria is also a musical inspiration to her. “He believes in me so much and he encourages me to write more and play more. We’ve been playing together since the day we met”.
Ellis’ talent doesn’t end with music. She’s an accomplished sculptor with an ancestral connection to one of the world’s most famous sculptors and painters, Edgar Degas. Working in bronze, wire and cement, she’s had gallery showings in Los Angeles, New Orleans and France, and her work can be found all over the world. Lanois happens to also be a fan of her artwork and has recently commissioned a hand sculpted fret board.
“I was sculpting at a very young age”, she explains, “I feel like it is my natural state to be creating things otherwise I am no good”. She claims that being a sculptor has helped her to see music in textures. “I create to live and performing is my most natural state. I need that communication with people, it’s a language that makes me feel alive and excited to be here. It’s so mystical, the language of music and art. I can’t get over how it takes down boundaries we have as people trying to communicate with one another. It gives great understanding where there would be none. Music is the great healer”.
Ted Russell Kamp
The path of a traveling musician often leaves the artist longing to connect. With his deeply personal new record, 'Night Owl', Ted Russell Kamp reveals the aches, joys and adaptations to life on the road.
All songs on “Night Owl” were written on the road or in brief tour breaks in the past few years. The record, produced by Kamp, was recorded in L.A., Nashville, Fort Worth, Tulsa and Helsinki, Finland. “Smile Alone” (co-written with Will Hoge) — a song about holding on to love as it changes through the years — is the leadoff track. It lets the Wurlitzer set the tone for the record with an homage to 70's AM radio and features Brian Whelan (Dwight Yoakam, Chuck Berry) and Michael Webb (John Fogerty, Bobby Keyes). “Right Down To The Wire”, reminiscent of Bruce Springsteen's “Nebraska,” is a reflective look at survival in the face of making a dream come true.
There are two versions of “Another Love Song”, track #3, reminiscent of classic Tom Petty, is centered around an honest and powerful vocal, while the bonus track (#14) features Chuck Blackwell on drums (Leon Russell, Taj Mahal) and Danny Timms on piano (Kris Kristofferson, Bonnie Raitt) as they help Ted channel a Stonesy boogie-woogie and the classic Tulsa Sound.
On “A Whole Lot Of You & Me” the first verse and chorus is stripped down to Kamp alone on bass and vocals, which brings pure intimacy. The New Orleans inspired “The Last Drop” (co-written with Charlie Starr of Blackberry Smoke) is a song about living life to the fullest: “I want to be the first in the morning up to see the sun and the last one standing when the day is done. I want to drink the last drop from the bottom of the well”.
The album was recorded following the model of classic vinyl LP’s with a side one and a side two. “Santa Ana Winds” kicks off the second side as it evokes classic Fleetwood Mac and the dreaminess of Southwest desert highways with fingerpicked guitar and trumpet (also performed by Kamp). “At the End Of The Day” gives a nod to classic country with its emotive fiddle playing by Bethany Dick-Olds (Kathy Mattea). “I Been Watching You” features the droney guitar of Jason Cope (Jamey Johnson) and a slow burning floor tom pulse that builds to an emotional rock climax.
“My Heart Has A Mind Of It's Own” is a journal entry as waltz, co-written with Eric Paslay, one of the most soulful of the new crop of Nashville hit songwriters. It features Kamp, unaccompanied, playing acoustic guitar, mandolin, bass and vocals. “Where Out West,” co-written with Dave Gleason (another of the Los Angeles California country stalwarts), is Kamp’s take on the psychadelic country-rock of the Byrds as he brings in old Shooter Jennings band mate John Schreffler on pedal steel.
One of the bonus tracks is a solo acoustic version of “When The Radio Goes Dead,” a song that Ted wrote for the Shooter Jennings record, “Black Ribbons”.
The Ted Vaughn Blues Band
The Ted Vaughn Blues Band features 5 professional musicians with decades of recording and performing experience among them.
Their raucous, high energy live performances are gaining legions of fans worldwide. Individually, the members have shared venues with top artists such as John Fogerty, Timothy B. Schmidt, Ted Nugent, Doug MacLeod and John Nemeth. The band has electrified blues lovers at some of the largest festivals in the country, as well as smaller, more intimate venues.
Due to the popularity of their original music, the band was listed as one of the top 10 bands for worldwide airplay on Jango internet radio.
Their long awaited CD, "The Ted Vaughn Blues Band" was released on Harbinger Northwest Records and recorded by the production team of Leon-Forrest and Paul Carlsen. It has garnered critical acclaim worldwide and received a nomination for ’CD Of The Year’ by Indie Music Digest.
Texas Martha & The House Of Twang
Martha Fields, award-winning singer- songwriter is often described as cross between Lucinda Williams and Joan Baez, with her formidable voice, conviction and lyrics to match. She will be touring with her band across Europe and the US in 2016. Already booked at some of Europe’s premier americana, roots and country festivals and venues in support of her 2015 CD, “Long Way From Home”, which reached #17 on the international FAR Chart. The CD has received numerous positive reviews and extensive world-wide airplay. Martha penned all the songs which are a true americana mix of country, rock, blues, and folk, true to her roots.
Martha has always had one foot in Appalachia and one in Texas. Born with roots music in her blood, she comes from a long line of singers, musicians and luthiers from the hills of Kentucky and West Virginia. In fact, her earliest memory is singing harmonies on her mother’s knee in Appalachia. A self-taught guitarist, she began writing songs at an early age which reflect her experiences and world view, on stage she commands an authenticity that you cannot buy. She has shared the stage with Ricky Skaggs and Merle Travis and after 2 successful tours in Europe, Martha is planning another for 2016. This Texas troubadour pours her heart into every song with her strong and emotional voice. Martha and her musicians are storming stages all over Europe and the USA as she transports the audience on a musical voyage to the southern US and wins over fans with her energy, talent and authenticity.
She has played and headlined some of the most renowned European roots festivals such as the Festival Country Rendez-Vous in Craponne sur Arzon (the largest in Europe), Visaginas Country Festival (Lithuania, the largest in Eastern Europe), Euro Disney Country Festival (headliner), Good Old Days Chateauroux (headliner), American Journeys Festival in Cambrai, The Spanish Event (Lloret del Mar, Espagne), Country Festival, Yvonand, Switzerland and others throughout Europe. She is already booked at the renowned Petit Journal Montparnasse in Paris and Country Festival Zurich for 2016 and other first rate venues in Europe.
Now taking bookings for 2016, her European touring band is composed of some of the best specialists in americana, country, blues, newgrass and rock’n’roll in Europe, with the extraordinary musicians: Manu Bertrand (dobro, banjo, mandolin, guitar, lap steel, pedal steel), Urbain Lambert (guitar), Olivier Leclerc (violin), Serge Samyn (bass fiddle) and Denis Bielsa (drums). Martha also plays in a duo with Manu Bertrand.
The collective reputation of the group has led to hundreds of concerts and studio sessions in the USA and Europe. Martha can guarantee a truly authentic, unique and highly enjoyable concert. Martha will be releasing a new CD, “Southern White Lies”, in late spring, early summer 2016. Her highly anticipated roots CD is another americana cocktail of folk, newgrass, blues and country.
Tiffany Huggins Grant
”Jonquil Child” by singer-songwriter Tiffany Huggins Grant marks the arrival of a bright new talent on the Americana music scene. The 12 song album boasts 10 original numbers that bring her honey-and-crystal voice and her songwriting to the fore, reveling in her gift for melody and in her creative vision.
Grant’s songs perfectly balance the sweet and the bitter. Her arrangements reflect the signatures of great American roots music in their tremolo guitars, pedal steel, soulfueled keyboards and perfectly measured rhythms, while also incorporating apt-but-unanticipated strokes of classic rock and psychedelia. And Grant’s writing draws unsparingly on her experiences combating alcoholism and depression, even while celebrating the triumph over both that ”Jonquil Child” represents.
Throughout the album, the band, which also includes drummer Paul Griffith (Emmylou Harris, Todd Snider, Jason Isbell), bassist Thomas Grant (Jeff Orr, Matt Walberg), steel guitarist John Heinrich (Hank Williams Jr, Merle Haggard, Reba McEntire) and keyboardist Jen Gunderman (Sheryl Crow, Iris Dement, Caitlin Cary), and producer Mark Robinson are perfect foils for Grant’s artistry. Robinson, who plays guitar on the album, has also produced albums for David Olney, Mark Huff, Ray Cashman and Davis Raines.
A native child of Smyrna, GA, (“The Jonquil City”), Grant grew up steeped in the musical traditions of the region and influenced by the wide-ranging tastes of her parents, and knew she wanted to write songs. By age 17 she had appeared at Nashville’s famed Bluebird Café. It was inevitable that Grant would move to Nashville, and after a few years in Music City she gained her momentum.
Today her stage resume includes opening shows for such respected artists as Tommy Womack and Americana hitmakers Shovels & Rope.
“’Another Orion’ first impresses by the effortless character of its production, everything is perfectly in place, then dazzles with track-by-track melodic novelties that culminate in the splendid 'Is it Ever Okay?' and Houlihan's voice is instantly arresting for its idyllic lift and effortless restraint, but 'I Get Lonesome, Too' is inherently charismatic as a work of Americana for its instrumental charms too.” ~ The Akademia
Tim Houlihan is an Americana singer songwriter whose songs bloom with hooky enthusiasm, strong grooves and sophisticated playing. Tim’s performances have traversed the United States and Europe from living rooms to large halls and he draws in listeners with intimate stories and warm anecdotes. Tim’s library of work continues to grow across a never-ending horizon and he currently resides in Minneapolis, Minnesota in the United States. His influences are Jackson Browne, Stephen Stills, James Taylor, Shawn Colvin, Lake Street Dive and Dawes.
"Ted Gärdestads musik är så oerhört mänsklig. Så upp och ner, så sällsamt sorglig och så barnsligt lycklig. Varje steg i processen som kommit att mynna ut i den här skivan har varit egna små uppenbarelser. Allt ifrån att sätta mig in i musiken och Teds historia, stå i en replokal tillsammans med ett gäng musiker som alla verkar ha en direktlänk från hjärtat till sitt instrument, till att möta ett fullsatt operahus med en 22-manna blåsorkester bakom mig." ~ Timo Räisänen
I en hyllning till legendaren Ted Gärdestad, som i dagarna skulle ha blivit 60 år, blåser Timo Räisänen dammet av några av våra vackraste melodier och käraste texter. Album-release 4:e mars, 2016, "Timo Sjunger Ted Med Göteborg Wind Orchestra", singel-release 10:e februari, 2016, "Jag Vill Ha En Egen Måne", vårturné, Live Nation, fr.o.m. 30:e mars, 2016, t.o.m. 28:e maj, 2016, 25 olika orter i Sverige.
"Take Jackson Browne’s personal confessions and wrap them in Kris Kristofferson’s world weary tales of broken relationships and you have an idea of what to expect from Tokyo Rosenthal."
This and more is what the critics are saying about Tokyo Rosenthal. But it wasn’t an overnight trip. Hardly, as "Toke" has spanned the music scene for three decades. But it was in 2007 when recognition finally reached him through the recording of his CD, "One Score And Ten".
The song "Edmonton" off this album led to Rosenthal receiving the key to the city of Edmonton as an award for cultural and artistic contributions to Alberta’s capitol city.
In a career that started with the country rock boom, Rosenthal has honed his craft with a little blues thrown in sound to perfection. His move to Chapel Hill, North Carolina allowed him to team up with the famed producer and recording star Chris Stamey in the studio. But prior to that, Rosenthal made his reputation while living in Rhode Island, New York, and Los Angeles. He headed such groups as the legendary Harpo & Slapshot and Treo Gato, as well as his solo endeavors. This has helped him receive radio airplay in the US and Canada, and radio stations in the UK and Europe are spinning Tokyo as well.
In 2008 Rosenthal released a new CD entitled"Love Won Out" that featured the single "St Patrick’s Day", to critical acclaim. This CD broke Tokyo into the Americana charts.
His next album, “Ghosts”, was released in January 2010. "Ghosts", reached #5 on the Euro Americana Chart and the critical acclaim and US airplay was overwhelming. "Toke" then once again toured the Northeast US with the highlight being his headlining at the world famous Bitter End in New York City. Toke then completed ’UK Tour IV’ and extensively toured the US for the balance of 2010.
The much anticipated release of his 4th studio album,"Who Was That Man?", happened on May 1st, 2011. Joined once again by Chris Stamey on bass and production, Tokyo's new tunes grabbed Americana fans the world over as it reached # 5 on both the FAR Chart and the Alternate Roots Chart, as well as #8 on the Euro Americana Chart.
2012 was busy both on the touring front and recording. Tokyo headlined at The Bitter End for the 3rd time while extensively performing all over the East Coast including The Avalon Theater in Easton, Maryland. He also returned to Austin,Texas to perform at SXSW and was web cast live from Threadgill's on Music Fog. But the highlight of the year was his Ireland tour where Toke covered the land from County Clare up to Belfast getting rave reviews everywhere he gigged.
He returned to the studio to record "Tokyo's Fifth" in late 2012.. The early released single and video, "What Did I Used To Be?" went "mini-viral" as Toke once again took on sensitive political and social topics. The album hit #4 on the Euro Americana Chart, and the single, "What Did I Used To Be? hit #9 on the “I Am Entertainment Chart”. Finally "Mulberry Place", from the same record, hit #1 on the Sing Rush chart.
Toke also received an honor in Ireland for his composition and recording of "Killaloe" in May of 2013.
In 2014 Toke began hosting his own weekly syndicated radio show, ’The Tokyo Rosenthal Program’, as a prelude to the newly released, "Afterlife", Toke's 6th studio album.
Widely respected mandolinist/guitarist Tom Corbett’s third album, 'Tonight I Ride', is a colorfully musical pastiche of open-hearted stories and fond snapshots of the American West.
Highly regarded by peers for his skill at crafting parts that flesh out songs without flash or ego, Corbett’s soulful fretwork is supported by some of the West Coast’s finest acoustic artists, including bluegrass legends Herb Pedersen and Bill Bryson, Los Lobos percussionist Victor Besetti, guitar goddess Nina Gerber, renowned singer-songwriter Claire Holley, vocalist extraordinaire Jonathan McEuen, bassist Randy Tico and acoustic blues duo Tom Ball & Kenny Sultan.
The album came together once Corbett realized he was writing songs “with a Western bent.” The melodic title track’s key line — “I may never have touched the ground of freedom but tonight I ride” — was inspired by a trip to the Checkpoint Charlie Museum in Berlin, of all places, while “17 Miles A Day” looks at Western pioneers’ race against time and winter snows. “Welcome to Tom’s Place” celebrates the simple pleasures of fishing and friendship with some gleeful picking by Corbett and a posse of fellow Toms (Ball, Lackner, Lee, Rozum and Sauber), and the carefree birthday polka “Doce de Mayo” provides all the excuse needed for Corbett to jam with Los Lobos percussionist Victor Bessetti and Conjunto Los Pochos accordionist Otono Lujan and guitarron player Lorenzo Martinez.
“Ease On Down The River,” previously heard on the 1994 album 'The Cat’s Meow' by the Acousticats, the critically acclaimed folk-bluegrass-swing ensemble Corbett played with in the 90's, reunites him with a pair of longtime friends and musical heroes. “To redo ‘Ease On Down The River,’ with Herb Pedersen and Bill Bryson singing harmony, felt really good”, he says. “I’m really happy with the whole album.”
'Tonight I Ride', which follows 2001’s 'Upstairs At Charlie’s' and 2004’s 'Cloudless Blue Sky', is a crisply produced showcase for Corbett’s wit, warmth and creative versatility. It also shows him settled into a more peaceful phase of his life, sizing up the past and savoring the present. It’s another admirable achievement on his noteworthy resume. Long an active member of LA’s acoustic music scene, Corbett has toured with folk duo Robin & Linda Williams and Nitty Gritty Dirt Band multi-instrumentalist John McEuen, recorded several tracks on Social Distortion frontman Mike Ness’ rootsy solo album 'Cheating At Solitaire', and joined McEuen, Jimmy Ibbotson, Jennifer Warnes and Laurie Lewis in the award-winning 2002 DVD 'Nitty Gritty Surround'. More recently he taught Tom Selleck how to play ukulele for a role, and provided music for the Ted Haggard-themed play 'This Beautiful City' at Centre Theatre Group in Los Angeles. He just played a string of European dates and is currently booking dates for a U.S. tour.
Rex Fowler and Tom Dean emerged as prominent folk-rock artists in the 70's. Rex’s band, Aztec Two Step, burst upon the scene with their self-titled debut album on Elektra Records in 1972. This, and their three subsequent albums on RCA Records, were staples of college and progressive FM radio and helped usher the music of the 60's into the 70's and beyond.
Tom Dean and Alana MacDonald's band Devonsquare was signed by Ahmet Ertegun, the legendary chairman of Atlantic Records, after hearing Dean’s "Walking On Ice" from their self-released album of the same name. Devonsquare went on to record another CD for Atlantic titled "Bye Bye Route 66", which spawned several critically acclaimed singles including "If You Could See Me Now", featuring Alana's powerful vocal performance.
Collectively they have toured worldwide, been reviewed in Rolling Stone, performed on David Letterman and shared stages with such musical luminaries as Bruce Springsteen, Bonnie Raitt and The Band, and continue to distinguish themselves as esteemed song-writers, performers and recording artists in the venerated genre of folk-rock music.
Along with several prominent studio musicians, Rex and Tom have teamed up in this labor of love to celebrate the genius and artistry of John Lennon. As a gift to John for his 70th birthday on October 9, 2010, they have re-imagined exquisite acoustic renditions of Lennon’s legendary Beatles songs. Besides a smattering of tasteful percussion, Rex and Tom’s distinctive acoustic guitar and vocal stylings and the beautiful voice of Alana MacDonald, featured instrumentation include cello, violin, mandolin, mandola, bass, slide guitar, accordion and chromatic harmonica.
Happy Birthday John!
Over the course of his career, Tom Freund has created a wide variety of albums. His 1st was a collaboration with Ben Harper and his last was a double disc live album. In between, he’s made full-lengths, EP’s, a children’s CD and a Christmas album, but he’s never made an album like ”Two Moons”.
This self-produced disc finds the Los Angeles-based Freund in a contemplative yet confident mood, where swirls of nostalgia blend with sharp-eyed views of life today. He delivers this CD’s main message in the standout track “Lemme Be Who I Wanna Be”, in which he declares: “I’m basically hooked on this life/it’s got a lot of problems/but it treats me real right/and you don’t have to agree with me/but let me fly my freak flag”. This oddly upbeat anthem of personal empowerment so impressed Canadian rock star Serena Ryder that she asked to sing on it. “Lemme Be Who I Wanna Be” represents a different type of song for Freund. “I’d rather just be honest and say ‘take me as a I am’”, he reveals, adding, “I felt that I didn’t have to dress up songs with clever couplets all the time”.
This more emotionally raw and vulnerable songwriting surfaces throughout the album. The opening track “Angel Eyes”, which serves as Freund’s take on Randy Newman’s “I Love LA” motif, expresses his appreciation to his Southern California friends for always having his back. Freund proudly notes that “Sugar Pie”, the sweet-sounding album closer, “doesn’t have one sarcastic line in the whole song”. Played simply and sung sincerely, it’s his most heartfelt love song, even though it concerns a relationship that has come to an end.
The idea of persevering through life’s hard times is a reoccurring theme in ”Two Moons”. While “Heavy Balloon” holds the fear of impending doom, Freund still cherishes how “ordinary days are like miracles” and pledges not “to lay down my heart”. The charmingly chilled-out anthem “Same Old Shit Different Day” offers snapshots of skater kids, bossy cops and Venice Boardwalk weirdness, extolling the virtues of everyday craziness.
Several tunes find the songwriter reflecting on his past. The wistful “Happy Days Lunch Box” name-drops the Fonz and the Cunninghams as Freund recalls his carefree youth, while generational conflicts flare up amidst memories of a long-ago summer in “Me and Bernice”, a tune written some years back but now a perfect fit. “Mind of Your Own”, Freund’s own favorite track, also finds him looking back and considering the ending of eras. This was the last song the New York native wrote at his family’s house before it was sold.
Nostalgia strikes a more playful note in “Grooves Out Of My Heart”, which contrasts an innocent youth spent spinning records and “getting stoned on the stoops” with an adulthood where “Barbarella has gone away” and “I guess I have to make something of my life today”. This funky rocker reveals some musical touchstones with its “me and Julio” shout-out to one of Freund’s songwriting idols, Paul Simon, and a fadeout guitar riff nod to rock gods Led Zeppelin.
Freund, in producing and co-engineering this album, draws upon folk, rock, jazz and other roots sources for an urbane Americana sound. He blends in cool touches, woozy mariachi horns pop up in “Same Old Shit”, mermaid-evoking backing vocals in “Next Time Around”. He punctuates “Heavy Balloon” with a blast of electric guitar and guest Stan Behrens (of Canned Heat fame) lends an atmospheric harmonica solo to “Weekend Guy” (a co-write with singer-songwriter Brett Dennen, who contributes vocals too). Inspired by listening to a lot of old Squeeze music, Freund also mixed in some trippy keyboards and old-school synths to flesh out tracks like “Me and Bernice and “Lemme Be Who I Wanna Be”.
The “Lemme Be” lyrical theme translated to the recording, as well. Freund brought a “this is the way we do it” approach to the sessions, which were done in studios across Los Angeles (from Echo Park to North Hollywood, to his own setup in Venice). The recording went exceptionally well. “I knew what guys to grab and how to get it done”, he confides. “There weren’t wasted takes or wasted hours”. He used a core of group of musicians he knew (drummers Michael Jerome and Michael Iveson, keyboardist Chris Joyner and bassist John Button) and, he says, “every time we got together, something good happened”. Some talented old friends lent Freund support too. David Immergluck (Counting Crows, John Hiatt) weaves his pedal steel through ”Two Moons”, while “Angel Eyes” features vocals from Ben Harper, who also produced Freund’s 2008 CD ”Collapsible Plans”.
Freund himself plays guitars, ukulele, keyboards and bass. An in-demand bass player, Freund got his first big break in the 90’s playing for the Austin-based roots-rock cult heroes the Silos. He settled in Venice, CA, around the time of his 1998 solo debut ”North American Long Weekend”. Over the years, he alternated between making his own music and working with folks like Mandy Moore, Rachael Yamagata and Graham Parker, who has hailed Freund as one of “the best singer-songwriters operating today”. You can even spot Freund playing with Parker in the recent Judd Apatow film, ”This Is 40”.
Freund funded the album through a successful Pledge Music campaign. Although admitting to having some trepidations about going the crowd-sourcing route, Freund wound up a believer. “I’m very endeared by the Pledge experience”, he confesses. “It showed me that people wanted to engage in it. That was moving for me and got me excited”.
Fans’ reactions resonate strongly with Freund. He feels that a job of a songwriter to help others access what they are feeling. “A real joy is when people come and tell me that a song or an album got them through something”, he says. If ”Two Moons”, with its underlying message of hope in this messy world of ours, serves as an inspiring, encouraging soundtrack for listeners, “then I can say to myself, OK, you’re doing something right for some people out there”.
For Tom Kell it has always been about the songwriting. From his earliest days as a country-rock pioneer on club and concert stages in his native Seattle and throughout the West Coast, to singing duets with John David Souther, Timothy B Schmit and Valerie Carter, he has always been lead through his career by his songs. He writes with a unique sense of time and place, and sings with a voice so full of character and heart, that you feel as though you're standing next to him, seeing the same images, breathing the same moment.
As a resident of Los Angeles for the past 30 years, Tom's songwriting echoes the 'grit and feel' that is LA and captures it perfectly in his new project, "This Desert City".
Tom Kell's 5th solo album continues to deliver his unique, and yet familiar songwriting with the quality and craftsmanship that he's known for, this time taking it to a level of excellence that places his career in its finest hour. More than any, this is the album Tom has always wanted to make.
Tom Rodwell’s critically acclaimed debut album "Live Humble" follows years of extensive touring in the United Kingdom, New Zealand, the US, Switzerland and Holland. Rodwell and his band Storehouse are now an established independent club and festival act, and have supported Leon Russell, Derek Trucks, Susan Tedeschi, Otis Taylor, Son of Dave and psychedelic reggae pioneers Trinity Roots.
Rodwell’s music is based in hard blues minimalism, but filtered through an improvisatory, no-fixed-arrangements approach. As influences from free improvisation, spirituals, calypso and Juju music have filtered into his style, this flexible approach has made his guitar-playing harder to categorize, yet more suggestive and resonant for younger, bohemian audiences.
Similarly, Rodwell’s vocals and song choice - usually half-remembered fragments of traditional spirituals or bizarre calypso tales - have deliberately mixed messages, with the sacred and profane competing for space on the dancefloor. “The feeling is the only content of this music”, he is fond of saying, focussing attention on subtext, accentuation, and social function.
Rodwell’s reinvention of blues as a dance form, (the raucous Storehouse live show has appeared in hundreds of clubs, festivals, galleries, rent parties and dive bars internationally since 2003), upsets purists, but also those who see this apparently ‘easy’ music as one-dimensional and static. It is instead, he insists, music that is still mutating into new shapes, away from the modern gaze, somewhere where rock n’ roll never happened.
Tom Shed, songwriter and performer brings history, humor and the human condition to audiences in an exciting and entertaining concert. Performing on guitar and banjo throughout the USA, Europe, the UK, Canada, the Caribbean, New Zealand and Australia for many years, Tom shares his perspective of life, love and the world around us.
Tom Shed sings about real events. The deadly hurricane of 1928. A great fire of consumes a city. A politicians demise in pre civil rights America in 1953. Lost in a swamp and the unforgiving nature of the wild humor
Tom Shed brings to his concert songs about alien abduction, experiencing unique southern hospitality, motorhome mayhem on our highways and learning to appreciate your grandmother.
Tom Shed helps us look at life, a celebration of single mothers, the many faces of fear, dreaming of lost opportunities, love at first sight, a questionnaire for marriage, and PTSD.
Tom Shed also writes and performs soundtracks for films and television.
Tom T Hall
Tom T Hall, ‘The Nashville Storyteller’, is one of the finest songwriters in the storytelling style in Country Music that there has ever been.
Signed to Mercury Records in Nashville in 1967, Tom T Hall quickly started racking up the country hits – the first in 1968 with 'Ballad Of Forty Dollars'. Dozens of Top Ten hits followed. He has delivered 35 albums in his career with over 50 country charting singles.
Tom T effectively retired from recording music in the late 1990’s but continued to be involved with various bluegrass projects and the bluegrass community, with his own label and a studio in his home.
A couple of Christmases ago Tom T’s wife and song writing partner opened her present from Tom T – A mock-up CD entitled "Tom T Hall Sings Miss Dixie" and he announced his intention to record the album. He told her that she would produce it, pick out the musicians and the songs, and he’d sing it. The album was made and released in the USA on the couple’s own label.
Available now for the first time in Europe, "A Gift From Tom T Hall" shows that Tom T’s talent for telling a story is undiminished. This is a great album of songs played by the finest bluegrass musicians including Earl Scruggs and the late Jimmy Martin.
Tom T Hall is held in hugely high esteem by all in the country music, Americana and bluegrass fraternity. The recent HumpHead Records ‘50 Greatest Hits’ garnered 5 stars reviews, and a brand new tribute album to his children’s songs, featuring Buddy Miller, Duane Eddy, Patti Griffin, Jim Lauderdale and many others, has also rekindled even more interest in this truly great artist.
Drummer and singer-songwriter Tommy Rickard spent 2008 and 2009 in the studio, recording the tracks for his debut album “Dream California”. This record is a melting pot of the music Rickard grew up on. The reverb drenched guitars of California’s surf scene with a raw and honest voice, reminiscent of Johnny Cash. The vocal harmonies of the Beach Boys and laid back feel of the Eagles, with an occasional hint of the punk scene where his musical journey began. The live shows are equal parts all of this with Rickard fronting the band, singing while standing and playing drums. He’s backed by 2 guitars, bass and a female background singer. At times there could be a pedal steel player or possibly someone playing Hammond organ, or even an accordion player. Every show’s different. Every night a new canvas.
Rickard grew up in Northern California on the Russian River and in Santa Rosa. In early childhood he spent many nights singing along with his Italian Grandfather Dominic to Johnny Cash and George Jones songs. As a pre-teen he cut class to air drum along with his mom’s Beach Boys, Elvis, and Beatles records. It all took a turn when, at 13, he got his first drum kit. His first gig followed just months after at a punk festival. Rickard spent his teenage years drumming in the punk band The 4xLoozers and opening for punk legends like Black Flag, Agent Orange, Victims Family, and Sea Hags.
As soon as high school graduation hit he hightailed it down to San Francisco where he met singer Davy Vain. Together they formed the glam rock band Vain. Within a year, they were headlining and selling out clubs all over the Bay Area. Vain were soon signed to Island Records and started working on what would become a sleaze rock classic called “No Respect.” Rickard toured with Vain around the world from 1988 through 1992, opening for Guns & Roses, Poison, and Skid Row. Lemmy of Motorhead jammed with them at the Hammersmith Odeon, the final show of Vain’s sold out UK tour.
The down time after 4 years of touring gave Rickard the chance to reconnect with the SF music scene where he started a new band called Loaded. Their trashy, brit-pop sound garnered them extensive California tours and an EP named “TV Star”, released by Crush Records. When not on the road, Rickard began studies with Bay Area drum legend, Chuck Brown. At this time Rickard also did a short stint with San Francisco punk-metal heroes, The Clarke Nova. They recorded an EP and a full length record for Frank Kozik’s, Man’s Ruin label.
In 1997 Tommy joined up with singer/songwriter Michelle Muldrow to form the alternative country band BloodRoses. After two independent record releases the band drifted off to different states and different callings. Rickard moved on to local power-pop quartet, Blue Sky Roadster. B.S.R. released two records “Julio’s Dream” and “Rollercoaster Goodbye”, both of which received critical acclaim. The band then licensed songs to MTV, VH1, the NFL and a few independent films. B.S.R. renamed themselves Single and released “Welcome Nada” and continued to license songs to MTV and VH1.
It was around this time that Rickard began working with Linda Perry, playing drums on her songwriting demos as well as performing with her live, playing in her jaw dropping tribute to Led Zeppelin. In studio Rickard recorded the Grammy single “Beautiful” (Christina Aguilara). Rickard would continue to work with Perry on her solo records and side projects such as Courtney Love’s “Nobody’s Daughter”.
After acquiring a taste for Southern California, Rickard packed up and moved to Los Angeles to pursue more work as a session drummer. Hard times and closed doors made his first year a difficult one. It was a perfect time for him to pick up a guitar and begin writing songs. The first song written was about longing for a life just out of reach called “Dream California”. Soon Rickard had a few songs put together and tried them out at local open mic nights. He then put together a band of his own and began trading his drum services for studio time to record his album.
As his talent began to spread by word of mouth, he developed a reputation as a drummer comfortable in any style, from metal and country, to jazz and pop. He soon found himself in the middle of the California alt-country scene, a warm and familiar place harkening back to his childhood on the hills of west Sonoma County. From 2006 to 2009 Rickard recorded music for the TV shows 'Scrubs' and 'Army Wives' and the films “Little Manhattan”, “Firehouse Dog” and “Less”, all the while continuing to work with Linda Perry, Michelle Shocked, and members of Dwight Yoakam's and Lucinda Williams' bands.
Part of 2009 was also spent in Germany recording the drum tracks for the Delany “Blood and Ashes”, project. A CD that would accompany the Wolfagang Holbein book, “Chronicles Of The Immortal.” The end of 2009 was spent on a tour of Europe with Vain, celebrating the 20th anniversary of “No Respect”.
"Some of my earliest memories are of riding along the country roads of central Maryland, singing songs - like 'Jack O' Diamonds' by Tex Ritter, 'Born To Lose' by Ray Charles, 'Caledonia' by Louis Jordan and 'Pendulum Swings' by Roger Miller - along with my Dad and sisters while my mom smiled at the landscape gliding by... A seed had been planted.
After years of playing pubs and bars in various configurations I decided it was time to record my first release "Naked & Smiling" (1999) and included a mix of songs I'd written over the years. The Washington Post reviewed it calling me a, "tunesmith in the best sense of the word", and folks started coming out to hear the band that I put together during the recording. A tradition of recording hard-luck, real-life songs mixed with humor and wit was born. I get requests for tunes from this CD at live shows to this day.
"Time Tells Tales" followed in 2003. I started to hone a more Americana sound, relying on my earliest influences as well as artists such as John Prine, Creedence, Little Feat, Springsteen, James McMurtry, Lucinda Williams, John Hiatt, Richard Thompson and Steve Earle. "Time Tells Tales" was given a good deal of radio play in Europe and free form stations here at home and it seemed that I had found my true voice somewhere in that gumbo of influences. The Tony Denikos Band had taken its' shape too and we started playing all across the Mid-Altlantic region.
In 2005, I headed to Nashville to begin my next project, "Already Gone". I started laying down tracks with Timm Biery (Danny Gatton, Nils Lofgren). Timm brought in Dave Jacques (John Prine, Emmylou Harris), Dave Roe (Johnny Cash, Dwight Yoakam), and Warner Hodges (Jason & The Scorchers) on the project to record with Gantt Kushner, Scott and Jen Smith (Naked Blue) and myself – what an amazing experience. "Already Gone" hit the streets with a bang in late 2009 and received critical acclaim from DJs and writers around the globe. It went to #2 on the Euro Americana Chart and #7 on the Freeform American Roots (F.A.R.) Chart right out of the gate.
And now in 2012, "Under The Church" is being released. I've been blessed once again by having tremendously talented musicians and producers work with me to create my vision for the CD. My thanks go out to Gantt Kushner, Scott and Jen Smith, and Timm Biery, for lending me their talents for this project. "Under The Church" goes to places both darker and more light-hearted than my previous releases. It allows me to claim my working class roots, reveal my small town disposition, and provide commentary on our current political climate. It may well be my best CD to date. I'll let you be the judge.
You can find me performing in any number of configurations - from acoustic solo to full on, rockin' five piece band - from South Carolina to Texas to upstate New York. I have assembled a collection of some of the most talented musicians in the country to form my band Tony Denikos & The Working Poor - myself, Gantt Kushner, Lee Townsend, Rick Weisenmiller and Mark Riddle. I feel honored every chance I get to share the stage with them.
I love performing almost as much as I love recording a new song. I cherish the connection that my songs help me make with folks in ways only music can. I sure do hope I get a chance to pick y'all a tune or two sometime soon."
Irish-born songwriter Tony McLoughlin’s 5th album "The Contender" follows his acclaimed 2010 release "Ride The Wind". Working once again with Ben Reel, this time with Tony alongside as co-producer, McLoughlin has also retained the same rhythm section from "Ride The Wind" of Ronnie O'Flynn (bass, percussion) and Michael Black (drums). Opting for a no frills approach and the less is more attitude, "The Contender" is a guitar-driven Americana tour-de-force, with Tony’s telecaster often playing a starring role while elsewhere three exceptional guitarists more than play their part, also adding an eclectic international flavour to the project - German-born, now Nashville-based Thomm Jutz (Nanci Griffith, Otis Gibbs, Mary Gauthier), German bluesman Timo Gross (with whom Tony is currently recording another project) and respected Monaghan musician Mick McCarney. Elsewhere top Belfast session man John McCullough plays keyboards on all tracks, while harmony vocals are provided by Tony, Ben Reel, Julieanne Reel and Irene Kelley and Justyna Kelley from Nashville.
In 2000 Tony McLoughlin recorded his debut album "Cinerama" in Germany in the talented production hands of Thomm Jutz. This was followed in 2002 with the rougher edged "Glory Bound" also recorded in Germany, this time with a powerful band led by guitarist Keili Keilhofer (Jack Bruce, Kevin Coyne). In October 2006, Tony travelled to Nashville to record his 3rd album, once again in the creative production and guitar playing hands of old friend Thomm Jutz, by now a Nashville resident and increasingly in-demand producer and musician. The resulting album, "Tall Black Horse" was a masterpiece full of deeply powerful songs.
Following an appearance at the Nashville-Belfast Songwriter Festival 2007, Tony signed a contract with the respected Nashville publisher Matt Lindsey (Bonnie Raitt, Garth Brooks, Trisha Yearwood, Hal Ketchum). Returning to his Irish roots in 2009, Tony recorded the magnificently rocking "Ride The Wind", which was produced by Ben Reel. The infectious mix of rock, blues, and country-tinged roots is a 'play it again' classic and the reviews duly recognized this. A charismatic live performer, Tony has shared stages with Steve Earle, Arlo Guthrie, Tony Arata, Tom Paxton, Janis Ian, Kinky Friedman, Dougie McLean, David Olney, Lee Roy Parnell, Irene Kelley, etc, and continues to tour in Europe and the US with his band and also as a duo and solo act. His live shows are thrilling, electric and exciting.
Tony continues to write and record albums and is currently recording a project with German guitarist Timo Gross and German percussionist Marlon Klein and plans to record a stripped back acoustic album next spring.
Tony McLoughlin & Marlon Klein
On reading through the biographies of these 2 musicians, comes the feeling that in the normal course of events Tony McLoughlin and Marlon Klein would not have been expected to cross paths. Singer and guitarist McLoughlin is native to the North of Ireland, he calls his background ‘celtic’ with the likelihood of some ‘viking’ blood in his ancestry. His name translates from the Gaelic as ‘son of the deep water’. In the year 2000, his debut album "Cinérama" was released from the studio of US producer, Thomm Jutz, a native of the Black Forest as it happens. Jutz had worked also with Nanci Griffith, Mary Gauthier, David Olney and Jim Lauderdale, so McLoughlin’s name became connected with the Nashville scene and his music categorized as ‘americana’. Elements of rock, country, blues, folk and roots combine in this now well recognized music type called ‘americana’.
Marlon Klein is a native of Herford in East Westphalia, an influential musician during the pinnacle era of German krautrock in the late 70's with the legendary Real Ax Band and then with Dissidenten from Berlin in Germany, achieving a pioneering role in the world music scene. Rolling Stone dubbed the trio, which played together with jazz saxophonist Charlie Mariano, the Indian Karnataka College Of Percussion, and the Moroccan superstar Lem Chaheb, as the ‘godfathers of worldbeat’. Albums such as "Germanisten" and "Sahara Elektrik" are unsurpassed classics. The long list of musicians with whom Marlon Klein has worked, as sideman or as studio producer, include Stephan Eicher, Trilok Gurtu, Jasper van’t Hof’s Pili-Pili, Angélique Kidjo and Gary Wright, on whose album George Harrison played.
“We met through a common acquaintance”, explains Mcloughlin. This led to an unplanned session together in a Nuremberg club. “Tony invited me on stage and I laid down the groove on some of his songs with Darbuka and Cajon. There was an immediate intuitive connection which we both enjoyed and this hinted towards an interesting new way of interpreting the songs in a rocky percussive direction”, remembers Klein. So these 2 full blooded musicians stayed in contact after this first encounter, sharing basic ideas, from continent to island, eventually developing little by little a sound which one can honestly call ‘tribal rock’. “It was very interesting to explore other rhythmic ideas and to move out of my comfort zone”, recalls McLoughlin about these first steps. Out of this mutual ‘tribal energy’ the songs developed very organically into the finished ‘studio production’.
"I have always been eager to work with gifted singer songwriters and with Tony’s special voice and authentic lyrics, I immediately recognized the possibility of combining my love of native American pow-wow music with his celtic roots, to create a new direction”, explains Klein. He spent 6 months in the Six Nations Reservation in Canada, and there he met the folk icon Buffy Sainte–Marie, a native Cree Indian. “Buffy finds our sound very cool”, smiles the drummer. The tribal rock of the album "Where Is Jack" contains, alongside the celtic and indian feel, on further listening, many other inspirations and directions. There is a real ‘flower power feeling’ and the true sense of a ‘gathering’ in the music, like at a wonderful festival.
Even if McLoughlin conjures up the spirits of Rory Gallagher, Johnny Cash and Buffalo Springfield as watermarks, the album "Where Is Jack", the debut from McLoughlin & Klein, is no nostalgic retro project. Even when young hipsters and music freaks worship the ‘man in black’, and those other former heroes, the production and the grooves are ultramodern. The sound contains many new elements like using super low frequency hand drums for a kick, and, for a snare, mostly a Moroccan bendir, a frame drum with rasping strings. “That is like a modern busking drumset”, enthuses the drummer.
Klein and McLoughlin searched for soulmates to play on the recordings where necessary. Enter Coimín, Tony’s son, with his bass style incorporating the whole spectrum of modern rock sounds. Let others play the old school bass riffs. Then came Roman Bunka, a German guitarist extraordinaire and a master of the Arabian lute. Bunka currently tours with Adel Tawil, Dissidenten, and the Egyptian superstar Mohammed Mounir. He fitted perfectly into the songs. “A musician”, Stereo-Magazine states, “who effortlessly draws people and culture together”. Finally Ben Reel, a fellow north of Ireland quality singer songwriter and touring colleague of Tony’s, came in on harmony vocals. So one is reminded of a White Stripes feel on a Tarantino soundtrack, but there are also some numbers with a subtly threatening sound like those which are often used on ‘True Detectives’.
Even the label, which is releasing the McLoughlin & Klein album, is cult. Fuego is indelibly linked to names like The Multicoloured Shades, 1 Futurologisher Congress, Joe Mubare, Grobschnitt, M Walking On The Water and Bosse.
One last question remains. Who the fuck is Jack? We asked each musician separately. Still they unanimously answered, "we will answer that with the release of our next album".
Too Slim and the Taildraggers
Too Slim & The Taildraggers' new release, "Blue Heart", was recorded in Nashville with producer Tom Hambridge. Tim ''Too Slim'' Langford also utilized Nashville studio aces and current former Delbert McClinton-guitarist Rob McNelly, bassist Tommy MacDonald, Tom Hambridge on drums and Reese Wynans of Stevie Ray Vaughan's band on Hammond B3. Former Wet Willie frontman Jimmy Hall also makes a guest vocal appearance, as well as lending his harmonica talents.
Too Slim's previous CD, "Shiver", was nominated for 'Blues Rock Album Of The Year' at the 2012 BMA awards. His last four albums have charted in the Top Ten on the Billboard Blues Charts. Just released by Underworld Records.
Tori Sparks is based in Barcelona, Spain, having recently relocated from Nashville, but she spends most of her time on the road all over the world. Tori at the age of 27, has already released four critically-acclaimed albums under the auspices of her own record label (Glass Mountain Records). She walks the line between soulful and hilarious in her electrifying live performances, singing in English, French and Spanish. Sparks is known as the hardest working woman in the music business, booking and playing well over 200 concerts each year.
Tori Sparks’ upcoming fourth release, 'Until Morning/Come Out Of The Dark', marks her third musical collaboration with producer David Henry (R.E.M., Josh Rouse, Cowboy Junkies, Widespread Panic), and her first with Roger Moutenot (Yo La Tengo, Elvis Costello, Velvet Underground, Gypsy Kings, Paula Cole, Rosanne Cash). The recordings feature a cast of world-class musicians, as well as special guest vocalists Shawn Mullins, Mike Farris, Paris DeLane and indie folk favorite David Mead.
'Until Morning/Come Out Of The Dark' is not a traditional album, but a study in dichotomy. Sparks chose to release the 13 new songs as two conjoined mini-albums, or a double EP. The first disc, 'Until Morning', reflects the dark, sensual, even diabolical side of Tori’s vocal and songwriting skill. The second disc, 'Come Out Of The Dark', is tumbleweed Americana meets fragile folk, or Tori’s ability to show us the dawn that follows the darkness – in a word, the hope that love can bring. This record also marks the first Spanish-language song that Tori has recorded, a classic Cuban tune from the 1940s called “Quizás, Quizás, Quizás”. The album art is a design by noted New York visual artist Joe Petruccio, best known for his work with the Elvis Presley Estate and Graceland in Memphis.
As always, Tori’s lyrics are the golden thread that runs through this artistically ambitious project. In the heart-stopping ballad “Until Morning”, her voice soars on the line, “I love you the way the tide loves the sand, just like the gun loves the trigger-happy hand”. Never one to shy away from heavy topics, Tori’s irreverent side is also present, in lines such as “I could have been your compass, if you’d learn to read a map”, and in referencing biological facts about sharks in the song “Judge a Book”. Sparks casually comments in “On My Mind” that she and a lover were made for each other in the same way that a pair of mafia-style “cement shoes” are custom-made for their victim. The tone of both halves of this project is distinctly personal in a way that surpasses even the intimacy of Tori’s previous three records. We as listeners get the sense that she is letting us in on a very private conversation, especially on the minor epic “Come Out Of The Dark”.
Sparks’ previous three albums climbed the Americana and College charts in the US and overseas, have been licensed by MTV, Lifetime, Oxygen, Life Beyond Breast Cancer, and featured on the compilation Country Vol. 2 released by Universal Music France (over 40,000 copies sold).
Tori will be touring non-stop throughout 2011 and 2012 in support of 'Until Morning/Come Out Of The Dark'.
The story of Trailerpark Idlers began in September 2006 when Morgan Hellman and Magnus Larsson teamed up with Jerker Andersson and Gunnar Nilsson to start a country band that would go a little beyond the genre. With influences from traditional country such as; Hank Williams, Carter family and Johnny Cash, to rock and punk acts like Rolling Stones, Motörhead and Ramones, Trailerpark Idlers came up with a sound of their own. A year later Ben Dee Salmenranta replaced Nilsson and in February 2008 Miss LisaLee joined to make the band complete
The band is, with the exception of the bass, strictly acoustic. The two lead singers, Morgan and Miss LisaLee, brings a variation in to the music, from raw and mean to nice and sweet. The lead instrumentalist of the band, Jerker, alternate between mandolin and accordion while Magnus beat the drums and Ben Dee ad some bass to it.
Trailerpark Idlers are into a never-ending recording session. Though they has exist as a band less than three years they have released six CD’s so far. They have their own recording studio called “The Forge” and their own label called “Something Wicked”.
The new CD was released in April 2009 and are, at first sight, a collection of Christian hymns. However, as you listen to it you will find that there is a lot more to it than just another country band doing religious songs. You will find that there is hope, despair, doubt, anger and so on....
Trent Miller hails from just outside Turin, the ‘Capital Of The Alps’, in Northern Italy though now resides in London. Since first arriving here in 2006, his fusions of folk, rock, goth and americana have seen him attract a growing following.
His debut album "Cerberus" was released in 2009 on his own Hangman Records label (later reissued through Bucketfull Of Brains). It quickly gained wide acclaim, receiving substantial press coverage and airplay, including Cerys Matthews on BBC6. He returned with a second collection of arresting country-folk "Welcome To Inferno Valley" in 2011.
This was the 1st full-length album released on the Bucketfull Of Brains’ label, directly affiliated to the legendary magazine, the first UK champions of the Paisley Underground and R.E.M. – and as adept as ever at unearthing and supporting maverick talents. It bought more favourable notices, Q Magazine described it as a ‘darkly underground mix of hangovers, anguished love, mournful blues and lonesome country’ and the Daily Mirror declared ‘fans of Gene Clark, Townes Van Zandt and Guy Clark will recognise a kindred spirit in his glowering meditations and steely worldview’.
Trent and his band – Graham Knight (bass, piano and backing vocals), Steve Brookes (drums) and Barbara Bartz (violin) plus guests Ben Walker (electric guitar) and Paul Cuddeford (electric guitar and lap steel) – then entered Chris Clarke’s Reservoir Studios to record "Burnt Offerings", his most ambitious project to date. It was the culmination of a period of working-up and rehearsing that represented a step towards a more modern, electric-oriented sound, strongly influenced by such totemic bands as The Gun Club and Thin White Rope.
This is the most adept and talented collection of musicians Trent has worked with thus far. As his right-hand man Graham Knight, formerly with Jason McNiff and Harry Oakwood, plays a similar role to Tony Garnier in Bob Dylan’s band. In-demand drummer Steve Brookes also plays with Danny And The Champions of The World and Ahab, and the busy Barbara Bartz also works with Dan Raza and Simon J Alpin among others. Turning to the guest guitars: Ben Walker is a recent BBC Folk Awards double nominee (for his partnership with Josienne Clarke) and Paul Cuddeford currently plays with Bob Geldof having previously been in Ian Hunter’s band.
For live performances the band is now augmented by ace guitarist Paul Lush, also of Danny And The Champs and previously with Alan Tyler’s Lost Sons Of Littlefield.
Vanguard Records is excited to announce the release of Trevor Hall’s new album “Everything Everytime Everywhere” available August 23rd, 2011.
Produced by Jimmy Messer, the eleven tracks on “Everything Everytime Everywhere” showcase Hall’s rare ability to write universal songs infused with underlying themes of devotion and community in the vein of two of his heroes, Ben Harper and Bob Marley. From the upbeat, anthemic “Brand New Day”, straight through to the momentous closing track, “The Mountain,” Hall’s signature blend of catchy pop/rock songs with stylish shades of reggae has made this diverse 24-year-old one of the most lauded up-and-coming artists on the American music scene.
Created with a host of incredible musicians, including longtime guitarist for Matisyahu, Aaron Dugan, bass player Brian Lang and drummer Aaron Sterling, “Everything Everytime Everywhere” also features guest vocals from Jamaican songstress Cherine Anderson.
“Everything Everytime Everywhere” is the follow up to his 2009 label debut, “Trevor Hall”, which featured the single “Unity”, a song written and performed with long time friend, Matisyahu. The self-titled release debuted at #7 on the Billboard Heatseekers chart and Hall was cited by MTV’s ‘Subway Fresh Buzz’ Series as “one of the 20 emerging artists for 2010.”
His captivating live performances and growing popularity have led to sold out shows across the country. Hall has also toured with the legendary Jimmy Cliff, Michael Franti, Matisyahu and Colbie Caillat, to name a few.
True North is an acoustic trio ensemble of three wonderful and well-respected singer-songwriters: Eva Hillered of Stockholm, Sweden, Patrick Rydman of Gothenburg, Sweden, and Janni Littlepage of northern California, USA.
Their respective styles traverse many musical genres from folk and americana, to rock, roots, pop, jazz and country, and their performances consist of songs co-written together, as well as their original material arranged for three voices and accompanied by guitars, dulcimer and percussion.
Though they live on distant continents, they are great friends who love each other’s music, and have written songs together for the past few years. Performing for the first time as a trio ensemble at the Copenhagen Songwriters Festival in Denmark in August 2012, the response was overwhelming and they realized that what they had created together with the amalgam of their individual styles and the blend of their voices and vocal harmonies was very unique. Thus, True North was born.
“Ball cap and boots music with heart” ~ Americana UK
Tyler Edwards is a singer-songwriter from Florence, South Carolina. After 6 years of writing and touring with rock band, I Anthem, Tyler began writing folk music and released two EP’s. With the release of his latest EP, “Too Young For Love”, he decided to move to Seattle, Washington. In January of 2015, Tyler began a month and a half cross-country tour to Seattle, where he currently resides as a performer and writer.