C Daniel Boling
Sharing experiences from a life well-lived in places as far ranging as Okinawa, Japan, and Padre Island, TX, this balladeer-songwriter with the friendly tenor brings his well-crafted story songs to lucky audiences coast-to-coast in over one hundred shows a year, from house concerts to festivals. Born into a traveling Air Force family, he later worked as a National Park Ranger (yes, the gun-toting kind) and as a Criminal Investigator for the US Bureau of Land Management. He started touring at 50, when most guys are planning their retirement. "Sleeping Dogs" is C Daniel Boling's 6th album and was produced by Jono Manson and released in the fall of 2013 on Berkalin Records.
Songs on his new CD include great stories about a variety of characters, including himself, and topics as varied as love, aging romance, raising children, marriage equality, fishing, self-control, social responsibility and dreams. In “Moderation”, he tells us, “One small step starts an ugly trend because moderation is not my friend”. Whether your weakness is chocolate or soap operas, Daniel empathizes with you and confides that he gets through with help from “friends of Bill W”. He plays the banjitar here (a banjo/guitar hybrid) and a guitar on other songs, with a deft fingerpicking style that always enhances the stories.
The title cut is a story of self-discovery, first of self-loathing about the “moments of the past that won’t stay gone”. By the finish, though, he’s telling us that “… no one can tell you what your life should mean”. He turns to the whimsical for “Hooked”. You think he’s singing about fishing but then you realize it’s a love song exemplifying that old adage, “The way to a man’s heart is through his stomach”. The merry accompaniment includes a fun tuba played by Freebo (Bonnie Raitt’s longtime bassist). There’s another great tale in “Nobody’s Business”. but perhaps not one you’d expect from a guy married to the same woman for 30 years. In a tender and thoughtful way, he links same-sex marriage to the bans in the past on interracial marriages. In “Pontificating Paradox”, we hear from everyone from “the Holy Squirrel of Chapel Rock” to an old agnostic troubadour. This song is presented simply, with only his guitar and vocal – philosophy this poignant doesn’t need a huge band. "Someday" is a Pete Seeger-like call-and-response anthem that starts out with only the banjitar and builds to a rousing room full of voices. The album closes with beautiful harmonies and cello accompanying the contemplative “Summer Sweetcorn”, ostensibly about the passing of the seasons, but really a metaphor for how we pass through the years.
Other well known artists joining Daniel on this recording include 2-Bit Palomino, Freebo and producer Jono Manson.
The California Honeydrops
To those who have seen the California Honeydrops and heard Lech Wierzynski sing and play, it may come as a shock that the young frontman was born in Warsaw, Poland. The son of Polish political refugees raised in Chicago and Washington DC, Lech was exposed to wide range of musical influences. “When my dad was growing up in communist Poland in the 40’s and 50’s, old American music was illegal and therefore very cool”, he says. “He passed on the love of old stuff to me: everything from Louis Armstrong to Sam Cooke”.
Like his early influences, Lech has the unique ability to carry a tune casually, conversationally and powerfully as well. But the California Honeydrops are not just another throwback band. “My brother and I had to assimilate to modern American society”, Wierzynski explains, “so we loved all the popular stuff on the radio too, especially hip-hop and r'n'b. Knowing music was our way of proving we were American”.
After studying ethno-musicology at Oberlin College, Wierzynski arrived in Oakland, California, in 2004. There, he couldn’t help but to continue expanding his musical horizons. “At first”, he recalls, “I played mostly on the street, and then as I got more established I started playing a lot of blues and soul music in clubs and touring. There is a rich heritage of that music here in the Bay Area, and I was lucky enough to play with a lot of older musicians who taught me what it was all about”.
When Lech was ready to combine all his influences into one cohesive sound, he formed the California Honeydrops.
By the time the band put out its first tip jar, at an Oakland train station, Lech had already established himself in the Bay Area music scene. “I had gigs, I wasn’t starving”, he explains. “But I wanted to get back to how I started out, playing on the street with friends, having fun, and putting smiles on peoples faces”. With these goals in mind, the California Honeydrops were formed. “Things got going really fast”, remembers drummer and founding member Ben Malament. “People who had seen us on the street were offering us all kinds of gigs. Before we knew it we were a working band, playing clubs parties, and dances all over”. In just a few years time this group of street performers would be selling out venues across California and bringing its infectious sound to festivals across the US and Europe.
With a background in West African and New Orleans drumming, Ben Malament has provided a funky rhythmic backdrop to Wierzynski’s soulful vocals and soaring trumpet playing, since their subway busking days. The addition of saxophonist Johnny Bones brought to the band his influences from time working with Eddie Palmieri, Nell Carter, and Steve Lucky & The Rhumba Bums, to form the core of the group. Growing bigger and gathering steam, the Honeydrops have expanded from an acoustic street trio to a full band; Piano and keyboards, electric bass and additional percussion round out their sound. Beyond the band’s shared musical vision remains a greater purpose; To make people dance, sing, and enjoy themselves.
The Honeydrops’ music speaks not just to the heart and soul, but also to the body; people have no choice but to dance. Drawing heavily on southern soul and Bay Area r'n'b, with twist of New Orleans second-line street music, the Honeydrops defy genres. Their style may not have a name, but one thing is certain - The California Honeydrops don’t just play music. They throw parties.
Carrie Day is an Edmonton, Alberta, based folk-roots singer-songwriter who has gained a reputation for her breathy vocals, poetic lyrics and skilled arrangements that channel raw emotion straight to the listener’s heart.
Day started to develop her craft at age 11 when she taught herself to play and read music on a second-hand organ. She went on to study classical piano through the Royal Conservatory of Music, then continued her studies at the University of Alberta where she received a Bachelor’s Degree in Music. Complementing her classical training, Day taught herself guitar and in 2000 studied with a tabla master while travelling in India.
Songwriting soon followed, and Day’s talents began to shine in Edmonton’s indie folk-roots scene.
As a pianist and guitarist, Carrie has spent a great deal of time perfecting her craft. Attention to dynamics and organic sounds has become her trademark. With a style of her own, Carrie’s sound may be described as a cross between Joni Mitchell and Cat Power. She is an emotionally charged artist with an exuberant stage presence, and a keen ability to capture listeners, make them chuckle, and warm their hearts. She is a poet, a singer, a songwriter and a storyteller. As audience member and music writer Fraser Wareham has said: “when you get the chance to hear Carrie sing live, you truly appreciate the power and depth of this voice. Carrie belongs in large concert halls.”
Citing musical influences including Sarah Harmer, Feist, Joni Mitchell and Regina Spektor, Day also takes her inspiration from her daughter and her many piano students, who form the choir in some of her recordings. Day’s songs reflect her calling to create beauty or tap into it by writing meaningful lines of lyric and music. The result is a unique sound that speaks to universal human experiences of love and loss, joy and sadness, turmoil in the world and in the individual soul.
Her self-produced debut album, "Pieces Of Me", engineered by Nik Kozub, marked the arrival of a serious new talent to watch. Performing Songwriter Magazine noted Day’s second album, "Finding Grace", produced by Day and engineered by Kozub, brought to mind Sarah McLachlan in her 'Surfacing' days. Day’s third album, "Immaculate Night", was one of CKUA’s top 100 for 2010. Her latest album, "Life Is Like This", has just been released.
When Day isn’t performing, writing or teaching music, she focuses her creativity on home renovations, cooking, writing poetry, painting and doing yoga. An introvert and shy by nature, Day’s songs showcase both her musical talents and her gift of reflection, which create powerful lyrics and melodies that move through a spectrum of emotions from haunting to uplifting. A sense of wonder permeates Day’s songs, which enhance the listener’s own reflections on life and what it means to love and to be human.
As a solo artist and with his three piece backing band ‘The True Believers’, Carus Thompson has sold over 30,000 CDs independently, supported luminaries such as Dave Matthews, Damien Rice, Jack Johnson, John Butler and The Waifs and been a regular at many of the major festivals.
Having toured the world relentlessly for the last ten years, Carus continues to garner substantial followings in the U.K, Germany, France and Australia. Carus Thompson’s latest album “Creature Of Habit”, his most acclaimed offering to date, sees him leave The True Believers behind, setting out to make a record that rested on one foundation – the strength of his song writing. Produced by Greg Arnold and mixed in Nashville by Brad Jones (Josh Rouse, Bob Evans) worldwide, “Creature Of Habit” reviews have been stellar.
A recent 35 show European tour saw Carus playing to over 2000 people on the Germany leg alone. His most successful European trip yet, Carus has fostered a European fan base via thrice yearly tours. 'Long Time', the first single lifted from the album in Germany has also gone Top 40 in the German National College Radio charts.
After a successful Australian album launch tour last month, Carus has just announced dates for his 'Doing Time' Australian tour. 'Doing Time' is the latest single lifted from “Creature Of Habit” and was co-written with Neil Murray; ex Warumpi Band member & writer of "My Island Home".
Accompanied by Andrew Darling on trumpet and The Waif’s Ben Franz on double bass, The 'Doing Time' tour live’s up to it’s name, seeing Carus & co play a massive 28 shows nationwide. Long renowned as an enigmatic, passionate performer, especially in an acoustic setting, the shows promise to see Carus’ ever-growing crowds build even further as fans and critics alike spot an artist who’s exactly where he needs to be.
Many people recognize Casey as one of the young stars from the first season of the hit TV show 'The Voice'. The truth is that Casey never thought she would be on one of those shows. But read on and you will find that her successful run on TV was just the tip of the iceberg. Casey is now a Nashville recording artist. She has performed the National Anthem for NASCAR, Major League Baseball and the NBA. Casey Weston has opened concerts for major recording artists like James Otto, Justin Moore, Craig Morgan, John Anderson, Kellie Pickler and Tim McGraw.
It is true that Casey Weston was a top 8 finalist on the very first season of the NBC hit TV show 'The Voice'. But for Casey, that moment in the spotlight doesn’t define her. The experience Casey acquired by outlasting many older and more experienced artists coming out of music schools and academies with lofty pedigrees left a valuable and lasting imprint. That experience makes this self-taught, fresh-faced singer from Naples, FL, all the more interesting. This young lady from a family of jocks finally bowed out of the hit television show 'The Voice' in a hotly contested head-to-head contest with the show’s eventual winner. Casey Weston finished as one of the top 8 finalist in the show, was called “little Stevie Nicks” by Cee Lo Green, and told she was a musical 'bad ass' by her coach and mentor Adam Levine.
Casey Weston’s music is most often considered country, new country, roots or americana. She has released 2 albums, a self-titled, "Casey Weston", released in late 2009 with 10 tracks, and now, in late 2013, she releases a 13-track album called "Find The Moon". Both albums contain music and lyrics that Casey either wrote & composed entirely or co-wrote. Both albums are available through iTunes, CD Baby and other popular digital and physical music distributors.
Casey Weston stays in touch and continues to build her fan base with a robust touring schedule. Her 2013 tour consisted of over 70 shows throughout the East, Southeast and Midwest at music festivals, colleges and universities, and music listening rooms. Casey’s voice is pure and original. She is just as comfortable performing with just her guitar or with her full band. Casey’s relaxed style and sense of humor help her make friends and build upon her national audience beyond the 12 million viewers she captivated on television.
At just 20 years old, Casey projects a welcome balance of youthful energy and a road-tested touring musician and performer. Casey’s music is garnering positive critical attention and plays on Americana & Triple A radio in the US and Europe. Casey is young but she is ready for prime time now. Casey Weston has rapidly become a seasoned professional that promoters and music colleagues and other bands performing with her can count on whether performing for five or five thousand.
Casey has produced 2 music videos, 'Ain’t Life Beautiful That Way' and 'The Good Times', directed by Bill Rogers, from her most recent album "Find The Moon". In addition to the music videos, Casey’s youtube channel contains a wide assortment of video ranging from small cafeteria shows to national TV appearances. What remains constant throughout them all is Casey’s voice. Casey’s sound is pure and original. When Casey sings it is effortless to listen to and one that is easy to fall in love with.
Marsteller & Rhodes present CHANDELIER
An original musical saga.
In the 1860’s a 17 year-old girl boards a sailing ship that will take her across the Atlantic to America. She falls for a sailor, they wed and begin a life together in Virginia. He is soon drafted into the Civil War, deserts and vanishes. Now alone, she picks herself up and goes West to California and Mexico, gold mining towns and saloons, Indian missions, bullfighting arenas, stagecoaches and romance.
Austin singer-songwriter Charlie Faye has just released her debut album 'Wilson St'.
Showcasing her sultry voice, the release also demonstrates Charlie Faye’s extraordinary ability to capture the American experience as a songwriter. Aptly named, 'Wilson St', is much more than an album title or even a street name to Charlie Faye; it is a beautiful tapestry of her experiences across this country, from New York to Texas, sewn together through lyric and melody over state lines.
After making a name for herself in her hometown of New York playing with her band the Jerks and touring as a sideman with Dan Zanes and Friends, Charlie Faye moved to Austin in search of a change of scenery and some new inspiration. She was quickly enveloped by Austin’s vibrant local music scene and found herself collaborating with local and traveling musicians alike. She came looking for a community, and between music-filled nights and afternoon barbeques, that’s exactly what she found. In the process, she became a rising star in the Live Music Capital of the World.
On 'Wilson Street' in Austin, Charlie Faye found her home, as well as her cause, among the run-down cottages that served for decades as a sanctuary for the city’s musicians. When the neighborhood was to be destroyed by a local developer, Charlie single-handedly fought back and devised a plan to relocate the affordable cottages instead. She had discovered magic in that musical enclave, a magic that had been present for generations, and she was not willing to let it go. Her community needed her to save it and she rose to the challenge. An Austinite for two short years, Charlie’s undeniable presence has already left a mark, both on 'Wilson Street' and city wide, through music and activism.
Many of the songs on 'Wilson St' were composed on Charlie’s old Gibson in her cottage on that very street and, in true bohemia fashion, are organic and candid. Album standouts include “Runaround,” a roll the windows down summer hit that speaks to the uncertainty of young love; “Coward’s Lament,” a wistful, crooning tale of love’s weakness; and “Bottletops,” a story of the passing of time by a lonely character, ready to tell his story over a jug of wine. These songs are a reflection of Charlie’s experiences. They are songs about real people and real places that have changed her life.
Charlie Faye understands that her artistic truth is achieved through a connection to those around her. Through her new home of Austin, the beloved Wilson Street and unconventional tour schedule, Faye will nurture relationships. 'Wilson St' is only the beginning.
If ever a movie was made about the life of Chauncey Bowers, Christopher Lloyd would surely get the part. Somewhere between Lloyd’s signature roles as the eccentric Emmett 'Doc' Brown in "Back To The Future" and the flighty Reverend Jim Ignatowski from the hit TV series "Taxi", lies the role of Chauncey Bowers — a man who began his unpredictable career as an assistant “repo man,” then transitioned into being a Harvard-educated Ph D in cellular biology, and now defies laws of common sense as he dissects the music world. His questioning, wide-horizon worldview and barbed humor light up the newly released "Rumors Of Reason".
"Rumors Of Reason" is Chauncey’s first full-length album, though he has been impressing peers on Los Angeles’ songwriter circuit for years. Its 15 tracks showcase his penchant for taking listeners through the bizarre journeys of everyday life, with twists and turns as abrupt as the good Reverend Jim’s non sequiturs. Take, for example, “Something To Cry About”, and its murderous protagonist: “You hear something funny, but it’s all in your head/If those voices stop talking/Does that mean you’re dead?” Or the dead man’s hindsight in “Stupid and Bloody”: “When I was born, I was stupid and bloody/Crying from the shock of seeing the world”. Or the folk-rock groove of “God Bless Your Children”, that lulls listeners - with driving harmony from Lisa Turner - into a false sense of comfort as its aging protagonist vows: “I believe in the raging righteous/ And I believe there’s love in soldiers and whores”.
Lest that sound like a heavy load of death and darkness, check out the “remarkably agile” horn that stalks Chauncey’s alley-haunting character through “Stray Trombone”, and the tough-luck philosophy spiking “Last Thing I Remember” over producer Ed Tree’s bluesy slide guitar. He pivots often from the twisted to the tender, as with the melancholy “Anything Could Happen” and its graceful plea to “Try and be happy/Just try and sing”, dressed in Teresa James’ dusky harmony and Dale La Duke’s simple keyboard melody.
Chauncey crafts his own alternate universe in these 15 songs, complete with movie-ready characters, and plotlines, and a firmly grounded skepticism. He still holds fast to a few illusions, like his insistence that the “repo man” he worked for was legit — not just a guy stealing cars with a 16-year-old accomplice. The absolute reality of that fact we may never know, but with "Rumors Of Reason", we can at least come along for an exhilarating ride. Like that of a hot-wired, freshly repossessed car.
"Remembering" is Chris Cook’s second release for Nashville-Boston based Tree O Records (6th overall). It is a twelve-track cornucopia of Chris Cook’s great singing, songwriting and exceptional musicianship. Co-produced by Tim Carter, who adds his infectious banjo to Ferrell Stowe’s dobro and Guthire Trapp’s mandolin, the record is a classic Americana music melting pot, of roots, rock R&B and blues. Nashville legends, Kenny Malone (drums, percussion), Drake Leonard (bass), Johnny Neel (keyboards) and Ken Fradley (trumpet, flugal horn) round out the players who combine skillfully to enhance the groove, without overshadowing, the laid-back songs all the while allowing Chris’ great singing to shine.
A throwback to the journeyman days of musicmen, Chris averages two-hundred dates a year, touring regionally and internationally showcasing strong vocals, his trademark multi-dimensional musicianship and exceptional songwriting.
Chris Dair was born in the UK of Irish and Sicilian origin. At the age of 5 he was inspired to play the guitar by hearing Manitas De Plata and was given his first acoustic guitar. Entirely self-taught he began making up his own scales, that he now calls Dairian scales, and even made up his own chords, and the phrases he played were based on what he heard of flamenco guitar.
At age 12 Chris was introduced to the blues and a new passion was ignited. Although blues is perhaps his principle genre, Chris has a passion for Afro, Latin and Eastern styles of music, particularly Indian, classical and jazz, and blended with his own unique style, almost a new genre is born.
The new album "Crossroads To Freedom" is the epitome of this crossover World Blues.
During these early years he gigged in London at venues like Ronnie Scotts with John Mayall, John McVie, George Melly and with the Climax Blues Band. He was spotted by Alexis Korner when only 16, an opportunity that unfortunately was prevented by other commitments.
As a young lead guitarist Chris jammed and played with many of the R&B and rock legends of our time, including Rory Gallagher, Jimmy Page, Ginger Baker, the late Paul Kossoff, Captain Beefheart, Dick Stubbs (Juicy Lucy), Linda Lewis (Ferris Wheel), Dave Davies (The Kinks), Roy Wood (Wizard), Mickey Finn (T-Rex), Mark Knopfler, Led Zeppelin, Peter Green and Jeff Beck. Most unforgettably with the great blues legend Bukka White.
One of his last gigs in the UK was a re-opening of The Place where he appeared alongside the Marshall Road Show (Marshall Amplification) and Climax Blues Band. Chris then moved to Ireland to concentrate on writing and recording, but found great pleasure in regularly gigging with bassist Noel Redding (Jimi Hendrix Experience). They were joined on occasion by drummer John Coughlan (Status Quo), and Eric Bell (Thin Lizzy) amongst others.
Since moving to France Chris has performed solo concerts, and given guitar master classes, for the conservatoires and various jazz festivals in the region.
Chris currently attracts large audiences online with his solo live broadcasts via iBroadcast.tv and Stageit, and is renowned for his effortless, precise, sensitive and powerful mastery of guitar, both acoustic and electric.
Influences include Jimi Hendrix, Miles Davis, Sonny Rollins, Charles Mingus and blues legends such as Muddy Waters, Bukka White and Leadbelly.
Chris Pickering is an exceptionally talented singer, musician and songwriter, from Australia, who writes remarkable songs with beautiful melodies, smart hooks and thoughtful lyrics. He fearlessly tackles all manner of styles and arrangements, fusing flavors of pop, rock, country, bluegrass, folk, blues and, at times, psychedelia into his music.
Bridging the gap between indie-pop and alt-country, Chris Pickering is close to truly claiming a style all his own. His third album, "Work Of Fiction", was recorded at Ardent Studios, Memphis, with Stax producer, Don Nix.
A collection of 3 new EP's is being released over an 18-month period. ‘Corners’ was released September 2012, ‘Circles’ in April 2013, and ‘Canyons’ will be released in August 2013.
Moonhouse Records is proud to announce the release of “Christine Albert – Paris, Texafrance”. This is the third in Ms. Albert’s acclaimed “Texafrance” series of recordings that celebrate her love of French chansons, European heritage and Texas musical roots. Produced by Albert’s husband/partner Chris Gage (together they are well known as the Austin based Americana duo Albert and Gage), the CD contains songs by French icon Edith Piaf (whose recent biopic film “La Vie En Rose” garnered star Marion Cotillard an Academy Award) as well as two Charles Trenet songs and a Jesse Winchester song with English translations by Christine. Her French music has been called “a waltz across Texas with Maurice Chevalier”. “Texafrance” was released in 1992, followed by 2003’s “Texafrance-Encore!”. “Paris, Texafrance” continues the tradition and further develops the unique sound that Christine Albert has created.
Christine’s grandmother was from Paris, so she grew up surrounded by the French language and fell in love with the music of Edith Piaf at a young age. A Texan by choice for 25 years, her voice is naturally country/folk but with an added dimension in her interpretations of the classic French music of the 40’s and 50’s.
The band for this recording includes Gage on guitar, piano and accordion; Albert’s longtime musical compadre Paul Glasse on mandolin; Shawn Sanders (Strings Attached) on cello; David Carroll on upright bass; and Paul Pearcy and Eddie Cantu sharing the duties on drums and percussion.
“Paris, Texafrance” was recorded in the new and improved MoonHouse Studio, Albert and Gage’s recording studio that was recently moved to a commercial location in south Austin. Ms. Albert said that “singing these French songs in our new space was the prize I kept my eye on throughout five months of sheetrock, wiring, paint and the usual remodeling chaos. It was worth every ounce of effort – especially hearing our new/old Bechstein grand piano on this music.”
"Paris Texafrance" available here.
Here is an extract from an authentic conversation between two seasoned, highly professional psychotherapists, currently on the board of experts, manipulating Citizen K towards relative well-being:
Shrink A: So, what’s he really up to now, our poor Citizen?
Shrink B: Well, the last time I checked him, he was suffering from wild hallucinations.
Shrink A: Oh, indeed?
Shrink B: Yes, really bad this time. He kept repeating that he was the king of second thoughts over and over.
Shrink A: What second thoughts?
Shrink B: I don’t know, really. He just kept saying it. He actually sang it. Did you know he could sing?
Shrink A: Never heard of. To me, it’s a giant step forward that he even speaks.
Shrink B: Oh, he sang beautifully this morning, but anyway, I decided to do something rather radical. I actually tried the eyepad on him.
Shrink A: You did what!
Shrink B: I plugged him into the eyepad. It’s completely unharmful to the patient.
Shrink A: Uh?
Shrink B: I just knew the perfect moment would come and I think this was, actually. Two remarkable things happened.
At this point, Shrink A looked so sceptical and troubled that his friend nearly dropped the subject. Instead, he commanded him to just calm down and listen.
Shrink B: Let me explain what happened. When I held the eyepad against Citizen’s forehead, I noticed that he came around very quickly. Within seconds, he was clear and, at least seemingly fully recovered. He asked where his friends were. He mentioned Citizen A, Kim, Walka and this shady record label, Paraply Records, I think it was called.
Shrink A: Unbelievable! That’s really a giant step forward!
Shrink B: Yes, but I still haven’t told you what happened next.
Shrink A, who’d been so sceptical only seconds ago, was now so jazzed that he could hardly stand still. In sheer excitatement, he nearly knocked over a table filled with bottles, containing a variety of medical substances, but his friend came to his (and even more important, the medicine’s) rescue.
Shrink B: Careful!
Shrink A: I’m sorry. Did he tell you anything more?
Shrink B: No, not really. Only that he was dying to fulfill this album he’s been dreaming up since 2009 or something, a double set this time! But I still haven’t told you the most incredible part of this encounter.
Shrink A: Tell me.
Shrink B: You know, when I glanced at the eyepad, having held it still to Citizen’s forehead for, well, perhaps twenty seconds, and there were three documents that hadn’t been there before.
Shrink A: Three documents!
Shrink B: You heard right! Three new documents!
Shrink A: So now, you can actually prove that this dream magnet really works!
Shrink B: Yes, absolutely! I have the documents here in my laptop now. They sound like real studio recordings to me.
Shrink A: Put them on! I still can’t believe I’m actually the first outside person in the world to hear the actual sound of a dream!
Shrink B: Oh, you just wait. You won’t believe this.
Only seconds after this conversation, three brand-new Citizen K songs – “King Of Second Thoughts”, “So This Is Life (I Didn’t Know)” and “Something Truly Magic” – came roaring out of the speakers. The utterly ridiculous idea of even considering hacking into somebody’s brain in order to find audible contents of one, or even many dreams, and then saving it all on a small gadget called “The Dream Magnet”, or as Shrink B put it, “The Eyepad”, obviously worked.
Would you like to hear the exact sound of Citizen K's dreams too? If so, just go and find the EP “King Of Second Thoughts”. It consists of 3 exerpts from "Second Thoughts", a comprehensive double album due for release later this year. With some help from multi-instrumentalist, producer and engineer Tobias Walka, musician and girlfriend Annika Larsen, singer Johanna Lillvik and drummer Kim Gunneriusson among others, Klas Qvist a.k.a. Citizen K obviously not only dreamed this up. Somewhere along the way, the dreams were stolen and copied.
In a matter of days, the above mentioned three songs can be bought and heard. Before your second thoughts tell you something else, tap right into the unique dream world of Citizen K. You won’t regret it!
Combining the best elements of country, folk and classic rock, Topanga Canyon’s CITY FRITTER presents “FROM THE OCEAN TO THE DESERT”, their debut full length CD release.
What ARE the best elements of country?
The simple honesty and grit of Loretta Lynn and Buck Owens
The storytelling of Bob Dylan and the harmonies of CSNY.
The ringing guitars and energy of The Beatles, Byrds and Stones.
What IS CITY FRITTER?
A fried-up tasty mix of all those influences flavored by the experience and creativity of songwriting duo Jewels and Johnny Nation. Incorporating and reflecting all of the varied environments and circumstances that have shaped the band and their sound.Rooted firmly in the present, listening to what’s come before,with eyes to the future - this is timeless music.
“FROM THE OCEAN TO THE DESERT” is like a road movie:
The story of Jewels and Johnny Nation as they came together in music and in life.
The 10 tracks were written in Topanga Canyon and Joshua Tree, California, Baja, Mexico, on Kauai, Hawaii and on the journeys between them. Each song is a little side trip down a different path – internal or external.
One of the songs, the ridiculously catchy “Don’t You Know”, can be heard in the 20th Century Fox film “FLICKA” starring Tim McGraw. Listen carefully during the rodeo scene!
Recorded with producer Eric Corne at Dusty Wakeman’s Mad Dog Studios, headquarters of LA’s rockin’ Americana sound, “FROM THE OCEAN TO THE DESERT” features Johnny’s warm acoustic and twangy electric guitar work perfectly complemented by Chris Lawrence’s shimmering pedal steel, 12 string and b-bender. Jewels’ expressive harmonica accents add a rootsy quality to “See You” and “I Know What To Bring” the latter a pied piper sing along that adds mandolin and banjo on the way. Holding everything together, master drummer Fabian Jolivet kicks out a wide variety of drum styles from dirty Bakersfield shuffles to jazz inflected fills. Eric Corne lends his considerable skill on the bass as well as his incredible ear and knowledge of the vintage Neve 880 board. Jewels and Johnny’s organic harmonies float over the carefully layered instrumentation.
A beautifully crafted album, each song realized to it’s fullest potential collectively adding up to a whole more than the sum of it’s parts. A complete work - clocking in just under 40 minutes, listeners will want to let it spin and take the trip “FROM THE OCEAN TO THE DESERT” again and again.
“Massively talented” – Jimmie Dale Gilmore
“Wild and fun” – The Sun Runner Magazine
“A feel good cross between alt-country and sonic country rock” – Skratch Magazine
Claire Chamblin Holley, a native of Mississippi, was exposed from an early age to the southland's rich variety of musical influences, and from an early age she responded. She took a ukulele to church and sat out in the hot car strumming it between Sunday school and the church service. She ruined her father's classical guitar by replacing the nylon strings with steel strings so she could imitate what she'd been hearing on her favorite record 'Chet Atkins & Merle Travis Traveling Show'.
"Between all my father's records and my mother's collection of musical instruments, there was plenty to learn from. When we listened to music, my father and I would pretend to conduct the orchestra in front of us. I remember my mother showing me how to play the autoharp, and I still have a wooden music box that she played for me when I was a girl. Now I play it for my son sometimes when he goes to sleep; it's a beautiful, melancholy tune." Her grandmother was an accomplished jazz pianist and made sure that Claire took piano lessons for seven years, though it was playing guitar that really interested her. "I was never that good at playing piano, and maybe that's because I didn't practice enough, but I found the guitar fun to play. It wasn't a chore to practice."
She moved to Chicago for college and began performing at coffeehouses and writing songs. At the suggestion of one of her professors, she studied the poems of William Blake and set one of them to music. That, along with two songs she wrote for the college arts CD, 'Kodon', set a nice foundation for recording songs for 'Night Air', her first independent release. She moved to North Carolina, where she collaborated with producer John Plymale on the 1999 release, 'Sanctuary', a visionary collection of traditional hymns and gospel songs which struck a chord with many radio listeners: "Every time we play 'Bounty of the Lord' or 'Come Thou Fount' the phones ring and ring." (Keith Weston, WUNC Chapel Hill, NC). She signed with Yep Roc Records soonafter and her self-titled release from the label was featured on NPR's Weekend Edition with Liane Hansen. Performing Songwriter calls her work on this record, "straightforward, unabashed, and beautiful".
Since then, Claire has established a significant presence as a singer and a songwriter. "…She is graced with a fine voice," says 'Dirty Linen Magazine', "but more than that, she has learned how to use it expressively."
Of her next release, 'Dandelion', also on Yep Roc Records, Claire "displays the instincts of a master short-story writer, crafting vivid, folkie vignettes of everyday folks, eccentric and otherwise." (Harp). "Simulaneously sweet and gruff, she can sing luxuriant, summer-drenched ballads with the best of them, but there's something of the honky-tonker lurking underneath." (Paste Magazine)
These songs and performances display Claire's commitment to staking out new musical ground while still remaining true to her southern song-writing roots. Last year, the Metropolitan Museum of Art used two of her arrangements of seasonal songs for one of their music releases.
Her brand new release, 'Hush', takes you to a quiet, simple place . It combines the authenticity of Mississippi John Hurt with the vocal power and whimsy of Feist. Lyrical storytelling at its finest.
'Hush' available here.
“If Lucinda Williams grew up on Yo La Tengo ballads instead of Hank Williams blues, she’d sound something like Clare Burson.”—The Riverfront Times
Armed with a voice that The Nashville Rage praises as “a breeze whispering through soft curtains . . . rumpled, a little seductive, and highly musical,” Tennessee native Clare Burson will release her second full-length album on August 21. The new album, Thieves, follows her critically acclaimed 2003 release The In-Between and her two previous Eps, Undone and Idaho.
Inspired by her relocation from Nashville to Brooklyn, Thieves reflects Burson’s newfound perspective on music, centered on the desire to write and perform solely for the joy of writing and performing. Recorded in a friend’s Brooklyn brownstone with the windows open, the album contains an organic and effortlessness sensibility. In addition to the collaboration with Nashville based producer Fognode (Sarah Siskind, Cortney Tidwell), the album also features instrumental contribution from Joe McMahan, James Digirolamo and Travis Vance.
From 2001-2005, Burson was actively involved in a tight knit group of Nashville producers, players and writers whose credits include Lucinda Williams, Patty Griffin, John Prine, Matthew Ryan, Josh Rouse, and Alison Krauss. During this time, Grammy® nominated Irish singer Maura O’Connell rerecorded Clare’s song “Hold On” for her 2004 Sugar Hill release, Don’t I Know. Furthermore, Burson’s music has been featured on the ABC drama, “Six Degrees” as well as the WB’s “Dawson’s Creek.”
Burson will begin a nationwide tour in Georgia on July 10.
"New Orleans", the new release from Clarence Bucaro due October 26, 2009, on Hyena Records is a set of 10 timeless songs brought to life by the 28 year old singer/songwriter’s stunning falsetto vocals infused with the flowing spirit of the Big Easy. "New Orleans", named after the city where it was written and recorded, was produced by Anders Osborne and features a stellar ensemble, including Kirk Joseph (founding member of Dirty Dozen Brass Band), Doug Belote and Mike Burkhart. Dripping with romance, despair and the restlessness of youth, it documents an intense love affair with the enchanting Crescent City as a backdrop.
Clarence Bucaro, a Cleveland Ohio native, moved to New Orleans in 2004 after a long two-year haul touring the U.S. and Europe and hiking the entire length of the Appalachian Trail. He intended to soak up its rich culture and make music with his mentor and collaborator Anders Osborne. Soon thereafter, Bucaro found himself enmeshed in a relationship. The combination of both his new love and home opened the creative floodgates. The results culminated in recording this collection of freshly penned songs in a single six-hour session. Bucaro abandoned the project, however, immediately after laying the tracks to tape, the personal nature of the material weighing heavy on him. Soon thereafter, he would head west to Los Angeles to find new direction before eventually settling a year later in New York City. After the 2008 release of his critically acclaimed "‘Til Spring", Bucaro decided to open up the material from the “New Orleans” session, going on to complete it and now share it for release.
The final results are 10 intimate songs that range from the sweet syncopated soul of “Let Me Let Go of You” to the skewed rocker “The Other End,” the pleading gospel-tinged “Light in Your Eyes” to the intimate ballads “Matters of the Heart,” “On My Coast” and “Abandoned Mine.” The warm tone of the recording paired with Bucaro’s love worn lyrics and heartfelt delivery call to mind artists like Jackson Browne and Van Morrison, but never impeding on his uniqueness as an artist.
In support of the October 26th street date, Clarence will be touring both nationally and internationally to introduce the songs of "New Orleans" to new fans, and showcase its material to old fans.
Cliff Wagner & The Old #7
Cliff Wagner & The Old # 7 has just recently completed work on their latest album entitled, “Hobo's Lullaby”, which has debuted at #9 on the Euro Americana charts and # 39 on the USA Americana charts in November 2008. The album contains recordings of many of the songs the band performed on “The Next Great American Band” TV show, along with some choice originals. Cliff and the band made this latest record with the gold & platinum award winning producer/engineer, Michael Vail Blum.
“Working with someone with the caliber of talent and experience of Michael Blum, has helped grow, expand and develop the band both as individual musicians, as well as made the band stronger as a whole unit, by ten fold.”
The Old #7 has an original sound that utilizes traditional bluegrass, blues and honky tonk to create an American roots music that people of all ages and backgrounds can enjoy.
"If Bill Monroe had started a band with Muddy Waters and Levon Helm, this is what it would sound like".
"Hobo's Lullaby" available here.
Named after one of the oldest bars in Los Angeles, The Coals play heartfelt California country folk. Their rollicking, pastoral sound sometimes evokes The Band, while at other times their sparse arrangements spotlight the intimate lyrics of singer and songwriter Jason Mandell. LA Weekly called The Coals “a rare and beautiful thing to behold”.
In the summer of 2013 the group will release its second album, "A Happy Animal". With Mandell’s delivery sounding more Dylanesque than ever, the album finds The Coals mixing traditional Americana with some playful mariachi and New Orleans influences. Though it’s just 22 minutes long, the record is a memorable journey through love’s ups and downs.
The Coals have opened for respected alt-country artists including Gillian Welch, Tim Easton and I See Hawks in LA. Their 2010 debut album, "Bring Your Love On Back", features guest vocals by Sara Watkins. One of the album’s tunes, “I Wanted A Lover, I Needed A Friend”, was featured in the video game “Silent Hill: Downpour.” (Interesting fact; The game’s soundtrack also includes a song by Kris Kristofferson, a major influence on The Coals who also attended the same college as Mandell, some 40 years earlier).
Rather than drown in melancholy or teeter on the tightrope of joy, The Coals embrace light and darkness. The spirit of the band might be best summed up by a line from a Leonard Cohen poem, which inspired the title of their new album: “Let me be for a moment, in this miserable and bewildering wretchedness, a happy animal”.
The Coal Porters
Living in London has its advantages for an Kentuckian ex-pat like Sid Griffin. You get to drink strong beer, the town reeks of history, and being American gives you a decided advantage in the European alt-country scene. After all, Sid helped invent alt-country with his first band, the Long Ryders, back in 1980's Los Angeles. In the ensuing years, Griffin has pioneered a new genre, “alt-bluegrass”.
"Find The One", the 5th album by his band, the Coal Porters, was produced by English folk-rock legend John Wood (Fairport Convention, Nick Drake, Beth Orton, Squeeze). The album will be released on September 18, 2012. Two installments of a ten-minute film about the Coal Porters will be uploaded to YouTube in August.
Recorded in north London studios once used by the likes of the Clash and Queen, the new album contains five new Griffin songs. Guitarist Neil Robert Herd added three brilliant tunes to the pot, fiddler Carly Frey contributed two songs that, according to Griffin, “wed acoustic folk with the Left Banke’s ‘Walk Away Renee'." The band’s longtime encore “Paint It Black” finally got recorded, with a sitarist evoking the Rolling Stones original. Also included is an acoustic, campfire-style take on David Bowie’s “Heroes”.
In addition, two legendary guests make quite different but equally wonderful appearances on "Find The One". Folk-rock guitar hero Richard Thompson plays on Sid’s new song “Hush U Babe”, a harrowing tale of escape from Dixie via the Underground Railroad. And British DJ Brian Matthew, most familiar to Americans as the voice introducing the Beatles on more than a dozen of their live sessions for BBC radio, performed the same chore for the Coal Porters, introducing Griffin’s song “Ask Me Again”.
The Coal Porters started as an electric band, “kinda a Long Ryders-lite” according to Griffin. But a decade ago Griffin produced an album for U.K. folk-rockers Lindisfarne and he caught the acoustic folk music bug. With guitarist Herd riding shotgun the duo revamped the Coal Porters as a mandolin, fiddle, banjo, guitar and doghouse bass act — no amps, no drums but lots of harmonies and hot soloing. “Our live fees went up, our gig calendar became crammed... I dunno, why I didn’t think of it earlier?”, laughs Griffin today.
In the past decade, Griffin has started a family, written and published three books, heard his scripts performed on late night BBC national radio, toured, toured some more, and learned his Coal Porters can affect an audience with great songs, harmonies and not much volume needed.
“My music has the same passion it always did”, states Griffin, “It is still anthemic as it was when I sang ‘Looking For Lewis & Clark’. But now I find myself playing to audiences who are intensely listening, and who pay rapt attention. For any artist such devout attention is so terrific. It is such a blessing. I am grateful to receive it. With 'Find The One' the Coal Porters are paying back that devotion. And I hope you can hear it on the record too”.
Colin Gilmore is about to release his 3rd full-length album, “The Wild & Hollow”. Recorded and produced in Chicago and Austin by Tim Bennett and Rob Seidenberg respectively, Gilmore’s new release brings to life the inspiration the two cities gave him. Merging an ethereal folk rock sound with traditional roots, blues and country, “The Wild & Hollow” is a worthy follow-up to his previous album, the critically acclaimed “Goodnight Lane (4 stars in Mojo and Uncut!).
On this new release, Gilmore's collaboration with his band mates and producers created a truly memorable album which allows influences like Roy Orbison and Tom Petty to shine through.
Gilmore grew up in Lubbock TX, witnessing songwriters like Joe Ely, Terry Allen and his own father, Jimmie Dale Gilmore bring the stage to life. Touring and recording under his own name for the past several years, Gilmore has consistently incorporated the spirit of West Texas into his work. His live shows have earned him an enthusiastic fan base all over the world and his songs have garnered spins on radio stations across the US.
Dolly Parton once famously said, "There are only three female singers in the world; Barbra Streisand, Linda Ronstadt and Connie Smith. The rest of us are only pretending". That's perhaps one reason new music from longtime Grand Ole Opry member Connie Smith can be celebrated as an "event." Of course, the other reason might just be that the last album Connie released came nearly 13 years ago - and its predecessor arrived in 1978.
'Long Line of Heartaches,' Connie's 54th album, is set for release on Sugar Hill Records on August 23. The collection promises to be business as usual for the country singer whose most memorable hits include 'Cincinnati, Ohio,' 'Just One Time' and the record-setting 'Once A Day.' That 1964 smash, written by Bill Anderson, spent eight weeks at No. 1, becoming the first debut hit by a female artist to ever top the chart. The new album, she declares, will continue in the traditional vein.
"I've had people ask me what this album was going to be like", says Connie, "since it's been a long time since they've heard me on record. But my musical tastes have remained the same. I wanted this to be traditional country, and it is. I have such a deep love for traditional country music. We can talk about the music slipping away, or we can do something about it. The only way I know to do something about it is to keep singing what I've always loved".
Recorded at Nashville's legendary RCA Studio B, where most of Connie's best-known hits were also cut, the upcoming album will include five new songs co-written by Connie and her husband Marty Stuart, who also produced the collection. The remainder of the songs on the album come from iconic songwriters such as Harlan Howard, Johnny Russell and Kostas. Of special note is 'A Heart Like You,' penned by Dallas Frazier, writer of such classics as the Oak Ridge Boys smash, 'Elvira'. 'A Heart Like You' is the 69th Dallas Frazier tune that Connie has recorded. It's also the first new tune from Frazier in 30 years.
In another first, Connie and her three daughters, Julie, Jeanne and Jodi, harmonize on the contemporary hymn, 'Take My Hand'.
'Long Line of Heartaches' is due in stores from Sugar Hill Records August 23rd, 2011.
Craig Bickhardt’s new CD "Brother To The Wind" contains some of the best work he has done in a long career dedicated to ennobling the art of song. One listen and you'll be reminded of the days when artists like James Taylor, Leonard Cohen, Joni Mitchell and Gordon Lightfoot were pioneering the singer-songwriter genre.
"Music used to change people,” Bickhardt notes. “Records used to be made for careful listeners who read the lyrics and talked about the songs, interpreted their meanings. That’s the kind of music I relate to.” Craig is following in the footsteps of his admired predecessors.
For this project, Bickhardt dug deep into his 800-tune catalog. The record contains songs that have already proven their strength, having been recorded by Johnny Cash, Willie Nelson, Trisha Yearwood, Tony Rice, Charlie Louvin and others.
But Craig is not merely a tunesmith capitalizing on his thoroughbred discography. These songs are highly artistic, and throughout his extraordinary career he has picked up many believers among the better artists of his generation. You can hear them “sitting in” on nearly every cut of the new CD; Janis Ian, Beth Nielsen Chapman, Terri Hendrix, Lloyd Maines, John Mock, Tim O'Brien, Darrell Scott, Maura O'Connell, Rusty Young, Jack Sundrud and a host of others.
"I wanted to include some of the artists and friends I've known and respected on this CD. You get to a point where you realize you don't have forever in this world. It's time to do the things I've put off, and one of those things is to sing and pick with these great people I've met and admired,” Craig says.
The Native Pennsylvanian’s big break came in 1982 when he was chosen to write and sing two songs for Robert Duvall's Academy Award winning film "Tender Mercies". In the wake of that film’s success, Craig made his move to Nashville where his songs found their way onto platinum and Grammy winning CDs by legends such as Ray Charles, B. B. King, Martina McBride, The Judds, and Dianne Schuur. Along with his friends and collaborators Thom Schuyler, Fred Knobloch and Don Schlitz, Craig was one of the original Writers In The Round at The Bluebird Café. He went on to have three hits as an artist when he joined Schuyler and Knobloch to make their SKB CD 'No Easy Horses' for MTM Records, which yielded Craig's chart topper "Givers And Takers".
In 2006 Bickhardt made the bold move to leave Nashville and return to the concert stage and to his roots in eastern Pennsylvania. Since his move he has shared the stage with Kathy Mattea, Judy Collins, Billy Joe Shaver, Livingston Taylor, and Janis Ian among others. His performance at the 2008 Philadelphia Folk Festival prompted the concert’s promoter Jesse Lundy to say, “Craig Bickhardt stands among the giants of songwriting. His main stage show at this year's Philly Folk Festival was absolutely outstanding.”
Crossing Keys was formed in 1994, based on a mutual love to modern country-rock, in the style of Eagles, Little Texas, Vince Gill and similar artists.
Efforts to record their debut album began in autumn of 2008 and continued at regular intervals during 2009 and 2010. In addition to studio work, the band has continued to develop as a live band, and as such has a little tougher sound.
"Perhaps it is our problem", the band says, "we are a little too tough for those who want traditional country music, while we haven't got a chance to get into other scenes, because we're still considered too country".
When Crossing Keys won the Swedish Country Championships in 2008, the guys got proof that they were on the right track, and it was then that they decided to start recording an album.
"But we decided from the start that we would take our time and not rush out an album. Better let it take a while and get a really good result", the band says.
Periodically the band lived in the studio and recorded the album, song by song. Now, about two and a half years later, the album is finished.
.....and, as they say, it's about time!
After a 20-year hiatus, Nashville-based string band, The Crows, are back together making music. The Crows are Sue Braswell, Jack Sundrud and Keith Miles, with assistance from a host of pickers from around the country. The band garnered a loyal following around Nashville and beyond in the late 80's and early 90's with their unique brand of tongue-in-cheek acoustic music.
The group has remastered and re-released their 1991 album, “One Flew Over The Cornfield”, and are working on a new album with a Christmas, 2011 release planned. The 1991 album was recorded live in Burns, Tennessee.
“We gathered up some of our good friends, hung a few microphones around the room and hit the Record button”, said Miles. “No overdubs, no sweetening. Just music straight out of the box. Then we apparently went on a 20-year vacation”.
Not that the performance break meant all musical endeavors were shelved. Sundrud, who was part of the country group Great Plains in the early 90's, continued to work on his own music career, releasing two solo albums, co-writing hit songs and performing as a member of Poco.
The three penned the song, “Iola”, which was recorded by Great Plains, as was “Homeland,” which was written by Sundrud and Miles. Country legend Kenny Rogers also recorded “Homeland” on his album, “There You Go Again”.
Miles released two solo albums, with Sundrud as producer and co-writer. His 2008 release, “Beyond The Headlights”, made several best-of Americana lists in Europe. Miles also contributed to a compilation album – “I Like It Better Here – Music From Home,” released by Hemifran in Sweden in 2010, and he and Sundrud offered another song for the anticipated 2011 release, “That Thing That’s a Whole Lot Bigger Than This – Hymns From Home”.
The Crows are currently booking shows to re-introduce their music to the world.
Crosby Stills Nash & Young
There's been tributes to The Byrds, The Buffalo Springfield and The Hollies. There's been several tributes to Neil Young. There's even been a tribute to Graham Nash's album "Songs For Beginners". But there has never been a tribute to the collective body of work of Crosby, Stills, Nash & Young. Until now!
On October 16th, 2012, Sweden's Hemifrån and Italy's Route 61 Music releases "Music Is Love - A Singer-Songwriters' Tribute To The Music Of Crosby Stills Nash & Young.
The album features, not only several musicians from the inner circle of CSN&Y (Stephen Stills' former girlfriend Judy Collins and daughter Jennifer Stills, Anthony Crawford and Rick Rosas from Neil Young's Electric Band, Sonny Mone from Crazy Horse, David Crosby's guitarist Marcus Eaton and vocal favorites Venice), but also some cool names from the 70's (Karla Bonoff, Elliott Murphy, Willie Nile, Wendy Waldman), some interesting names from the 80's (Sid Griffin from Long Ryders, Ian McNabb from Icicle Works, Liam O'Maonlai from Hothouse Flowers, Steve Wynn from Dream Syndicate), as well as some new-up-and-coming names from the alt country scene in the U.S. (Clarence Bucaro, Neal Casal, Carrie Rodriguez).
The liner notes are penned by Dave Zimmer (author of two official books on CSN and CSNY), and CSN&Y's official photographer Henry Diltz offers some unpublished photos from his vast archives.